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Pietro Mascagni was an Italian composer primarily known for his operas. His 1890 masterpiece Cavalleria rusticana caused one of the greatest sensations in opera history and single-handedly ushered in the Verismo movement in Italian dramatic music. While it was often held that Mascagni, like Ruggero Leoncavallo, was a "one-opera man" who could never repeat his first success, L'amico Fritz and Iris have remained in the repertoire in Europe since their premieres.
Guglielmo Ratcliff is a tragic opera in four acts by Pietro Mascagni to an Italian libretto by Andrea Maffei, translated from the German play Wilhelm Ratcliff (1822) by Heinrich Heine. Mascagni had substantially finished the composition of Ratcliff before the success of his first opera, Cavalleria rusticana.
Nerone (Nero) is an opera in three acts by Pietro Mascagni from a libretto by Giovanni Targioni-Tozzetti, based on the 1872 play Nerone by Pietro Cossa. Most of Mascagni's music was drawn from a failed project Vistilia – the music made to 'fit' a wholly unconnected libretto.
Amica is an opera in two acts by Pietro Mascagni, originally composed to a libretto by Paul Bérel. The only opera by Mascagni with a French libretto, it was an immediate success with both the audience and the critics on its opening night at the Théâtre du Casino in Monte-Carlo on 16 March 1905. Mascagni himself conducted the performance. The opera had its Italian premiere on 13 May 1905 at the Teatro Costanzi in Rome.
Afro Poli was an Italian operatic baritone, particularly associated with the Italian repertory.
Le astuzie femminili is a dramma giocoso in four acts by Domenico Cimarosa with an Italian libretto by Giuseppe Palomba. The opera buffa premiered at the Teatro dei Fiorentini in Naples, Italy, on 26 August 1794. The opera was subsequently performed in Barcelona in 1795, Lisbon in 1797, Vienna in 1799, Paris in 1802, and London in 1804, remaining popular during the first quarter of the nineteenth century. Although not performed often today, the opera is still occasionally revived and a number of recordings have been made.
Assassinio nella cattedrale is an opera in two acts and an intermezzo by the Italian composer Ildebrando Pizzetti. The libretto is an adaptation by the composer of an Italian translation of T. S. Eliot's 1935 play Murder in the Cathedral. The opera was first performed at La Scala, Milan, on 1 March 1958. The opera was performed for the first time in Canada the following year at the Montreal Festivals.
Lina Bruna Rasa was an Italian operatic soprano. She was particularly noted for her performances in the verismo repertoire and was a favourite of Pietro Mascagni who considered her the ideal Santuzza. Bruna Rasa created the roles of Atte in Mascagni's Nerone, Cecilia Sagredo in Franco Vittadini's La Sagredo and Saint Clare in Licinio Refice's 1926 oratorio, Trittico Francescano. She also sang the role of Tsaritsa Militrisa in the Italian premiere of Nikolai Rimsky-Korsakov's The Tale of Tsar Saltan.
Il re is a novella or opera in one act and three scenes by composer Umberto Giordano to an Italian libretto by Giovacchino Forzano. The opera premiered at La Scala in Milan on 12 January 1929.
Mese mariano is an opera in one act by Umberto Giordano. Its Italian libretto by Salvatore Di Giacomo was adapted from his play 'O Mese Mariano, which was in turn adapted from his novella, Senza vederlo. It premiered at the Teatro Massimo in Palermo on 17 March 1910. The opera is described as a bozzetto lirico and has a running time of 35 minutes. It tells the story of a woman who visits an orphanage to see her child. Racked with guilt at having abandoned him, she is unaware that he had died the night before.
Pinotta is an idillio or opera in 2 acts by Pietro Mascagni from an Italian libretto by Giovanni Targioni-Tozzetti. The opera received its first performance on 23 March 1932 at the Teatro del Casinò in San Remo.
Chatterton is a dramma lirico or opera in three acts by Ruggero Leoncavallo. The libretto was written by the composer himself and is freely adapted from the life of the young English poet from Bristol, Thomas Chatterton (1752–1770). Although composed in 1876, it premiered 20 years later on 10 March 1896, at the Teatro Drammatico Nazionale in Rome.
Zanetto is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci. It received its first performance on 2 March 1896 at the Liceo Musicale Rossini in Pesaro. Only 40 minutes long and with cast of two singers, Zanetto was originally described by its composer as a scena lirica rather than an opera. It is set in the countryside near Florence during the Renaissance and tells the story of an encounter between a beautiful courtesan, Silvia, and a young wandering minstrel, Zanetto. The libretto was adapted from an Italian translation by Emilio Praga of François Coppée's play Le passant in which the young Sarah Bernhardt had won fame in the en travesti role of Zanetto.
La cena delle beffe is an opera in four acts composed by Umberto Giordano to an Italian libretto by Sem Benelli adapted from his 1909 play of the same name. The opera premiered on 20 December 1924 at La Scala. Milan. The story, set in Florence at the time of Lorenzo de' Medici, recounts the rivalry between Giannetto Malespini and Neri Chiaramantesi for the affections of the beautiful Ginevra and Giannetto's thirst for revenge over a cruel joke played on him by Neri and his brother Gabriello. Giannetto's revenge "joke" ultimately leads Neri to murder both Ginevra and his own brother. The opera ends with Neri's descent into madness.
Gloria is a tragic opera in three acts by Francesco Cilea with an Italian libretto by Arturo Colautti. A variation on the Romeo and Juliet story and set in 14th century Siena, the libretto is based on Victorien Sardou's 1874 play La Haine (Hatred). The opera premiered on 15 April 1907 at La Scala conducted by Arturo Toscanini with Solomiya Krushelnytska in the title role. Gloria was a failure at its premiere when it was withdrawn after two performances and fared little better in the 1932 revised version, although there have been two late 20th century revivals. It proved to be Cilea's last staged opera. In the 43 years following the premiere of Gloria he worked on two or three further operas which were never performed and continued to compose chamber and orchestral music.
Aldo Bertocci was an Italian operatic tenor who sang both comprimario and leading roles in a career spanning the late 1940s to the mid-1970s. He sang in the world premieres of nine 20th century operas, most of them in performances broadcast on the RAI, Italy's national public-service radio. His discography includes live recordings of several rarities such as Mascagni's Silvano and Leoncavallo's Zingari. Bertocci was born in Turin and from 1974 lived in Cassano Valcuvia where he died shortly before his 88th birthday.
Sì is an operetta in three acts composed by Pietro Mascagni to a libretto by Carlo Lombardo with verses by Arturo Franci. The libretto is based on Lombardo's operetta La duchessa del Bal Tabarin and Felix Dörmann's libretto for Majestät Mimi set by Bruno Granichstaedten in 1911. Mascagni's only venture into operetta, it premiered on 13 December 1919 at the Teatro Quirino in Rome. The operetta takes its name from its central character, Sì, an actress at the Folies Bergère, so called because she could never say no.
Rodolfo Ferrari was an Italian conductor.
Maria Carbone was an Italian operatic soprano. She created the lead female roles in two of Gian Francesco Malipiero's operas: the title role in Ecuba and Cleopatra in Antonio e Cleopatra.
Nitocri is an opera in two acts composed by Saverio Mercadante to libretto by Apostolo Zeno adapted by Lodovico Piossasco Feys. The libretto is a fictionalised account of the Egyptian queen Nitocris. The opera premiered at the Teatro Regio in Turin on 26 December 1824.
References
- ↑ Holland, Bernard (25 May 1995). "A Gentle Successor to Cavalleria rusticana Mascagni's Silvano Carnegie Hall". The New York Times . Retrieved 28 January 2013.
- ↑ Powrie, Phil and Stilwell, Robynn Jeananne (2006). Changing Tunes: The Use of Pre-Existing Music in Film, p. 21. Ashgate Publishing.
- ↑ Casaglia, Gherardo (2005). "Silvano, 25 March 1895" . L'Almanacco di Gherardo Casaglia (in Italian).
- ↑ Mascagni.org. Silvano Dirscography
