Simon Rogers is an English data journalist, data journalism advocate and author. He pioneered the use of a data blog for The Guardian in the early 2000s, and has been involved in data journalism since the mid-2000s.
In the mid-2000s, Rogers was data editor at the Guardian, one of the first news organisations to use the term data journalism in its use of computing and data in storytelling. [1] Previous iterations of using data in journalism have been referred to as computer-assisted reporting, precision journalism, power reporting and database reporting.
His work with the Guardian's The Datastore and the Datablog was honoured at the Knight Batten awards for innovation in journalism, 2011. [2] In 2010, the Royal Statistical Society, a nonprofit based in England and Wales, awarded Rogers a special commendation for Statistical Excellence in Journalism, [3] citing the Datablog. In 2012, Rogers predicted the future of data journalism: "Anyone can do it. Data journalism is the new punk." [4] In 2013, Rogers published Facts are Sacred: the power of data [5] (the Guardian published an extract of the book); he has also authored books on infographics for children.
After the Guardian, in 2013, Simon moved to Twitter, as its first data editor, [6] before moving again, to Google in San Francisco where he works as the data editor for Google.
At Google, he has been a part of the 'Visualizing Data with Google' project, [7] which received 'Information is Beautiful' Awards in 2017 and 2022. [8] Rogers' work has been featured by Information is Beautiful multiple times. He is one of the instructors of an online course in data journalism made available by the Knight Center for Journalism in the Americas. [9] In 2017, Rogers spoke at the 12th Congress of Investigative Journalism about the importance of journalists learning to code. [10]
In 2019, Rogers predicted that data journalism was becoming a global field; he was one of a selected group of journalists asked by the Nieman Lab out of Harvard University to make predictions for journalism for 2019. [11] Rogers' work was also cited in a Columbia Journalism Report [12] about the ethics of AI and journalism. In 2020, Rogers helped launch the Sigma Awards, [13] a new data journalism competition. After the COVID-19 pandemic began in 2020, Rogers tracked trends in Google related to the pandemic. [14] [15]
Rogers is one of the contributing authors to the Data Journalism Handbook [16] and teaches data journalism at Medill-Northwestern University in San Francisco and has taught at UC Berkeley Graduate School of Journalism.
In 2021, Rogers set up a 'Data Journalism Podcast', with co-host Alberto Cairo. [17] He is a regular speaker at the International Journalism Festival in Perugia. [18]
Barry Sussman was an American editor, author, and public opinion analyst who dealt primarily with public policy issues. He was city news editor at The Washington Post at the time of the Watergate break-in and supervised much of the reporting on the Watergate scandal.
The Nieman Foundation for Journalism at Harvard University is the primary journalism institution at Harvard.
The Nieman Fellowship is a fellowship from the Nieman Foundation for Journalism at Harvard University. It awards multiple types of fellowships.
Adrian Holovaty is an American web developer, journalist and entrepreneur from Chicago, Illinois, living in Amsterdam, the Netherlands. He is co-creator of the Django web framework and an advocate of "journalism via computer programming".
Tony Bartelme, an American journalist and author, is the senior projects reporter for The Post and Courier in Charleston, South Carolina. He has been a finalist for four Pulitzer Prizes.
Dori J. Maynard was an American author and journalist. She was the president of the Robert C. Maynard Institute for Journalism Education in Oakland, California and the co-author of Letters to My Children, a compilation of nationally syndicated columns by her late father Robert C. Maynard, for which she wrote introductory essays.
Matthew Raymond Snoddy OBE, born 1946 (age 76–77), commonly known as Raymond Snoddy, is a British news media journalist, television presenter, author and media commentator. From its inception in 2004, until January 2013, he was the original and sole presenter of the BBC News 24's weekly viewer right-to-reply programme NewsWatch. Snoddy started his journalistic career writing for a number of publications on issues relating to the news industry, and continues in this vein.
Professor Paul Bradshaw is an online journalist and blogger, who leads the MA in Data Journalism at Birmingham City University. He manages his own blog, the Online Journalism Blog (OJB), and was the co-founder of Help Me Investigate, an investigative journalism website funded by Channel 4 and Screen WM. He has written for journalism.co.uk, Press Gazette, The Guardian's Data Blog, Nieman Reports and the Poynter Institute in the US. From 2010 to 2015 he was also a visiting professor at City University's School of Journalism in London. From 2015 to 2020 he worked with the BBC England data unit and since 2020 he has worked with the BBC Shared Data Unit.
Emre Kızılkaya is a Turkish journalist and researcher who is a vice-chair of the Vienna-based International Press Institute, a global network of leading editors and media executives.
Data journalism or data-driven journalism (DDJ) is journalism based on the filtering and analysis of large data sets for the purpose of creating or elevating a news story.
The Mirror Awards are annual journalism awards recognizing the work of writers, reporters, editors and organizations who cover the media industry. The awards were established by the S.I. Newhouse School of Public Communications in 2006.
Sensor journalism refers to the use of sensors to generate or collect data, then analyzing, visualizing, or using the data to support journalistic inquiry. This is related to but distinct from data journalism. Whereas data journalism relies on using historical or existing data, sensor journalism involves the creation of data with sensor tools. This also includes drone journalism.
Carol Marbin Miller is a senior investigative reporter at The Miami Herald. Marbin Miller began covering social welfare programs at the St. Petersburg Times in the 1990s. She joined The Miami Herald in 2000 and has reported extensively on Florida's services to children as well as the state's juvenile justice system, programs for people with disabilities, mental health and elder care.
Alberto Cairo is a Spanish information designer and professor. Cairo is the Knight Chair in Visual Journalism at the School of Communication of the University of Miami.
Moritz Stefaner is a German data visualization specialist. He is notable for his work for organisations like the OECD, the World Economic Forum, Skype, dpa, and Max Planck Research Society. Stefaner is a multiple winner of the Kantar Information is Beautiful awards. His data visualisation work has been exhibited at Venice Biennale of Architecture and Ars Electronica. He has contributed to Beautiful Visualisation published by Springer and was interviewed for the books New Challenges for Data Design published by Springer and Alberto Cairo's The Functional Art.
Automated journalism, also known as algorithmic journalism or robot journalism, is a term that attempts to describe modern technological processes that have infiltrated the journalistic profession, such as news articles generated by computer programs. There are four main fields of application for automated journalism, namely automated content production, Data Mining, news dissemination and content optimization. Through artificial intelligence (AI) software, stories are produced automatically by computers rather than human reporters. These programs interpret, organize, and present data in human-readable ways. Typically, the process involves an algorithm that scans large amounts of provided data, selects from an assortment of pre-programmed article structures, orders key points, and inserts details such as names, places, amounts, rankings, statistics, and other figures. The output can also be customized to fit a certain voice, tone, or style.
Julia Angwin is a Pulitzer Prize-winning American investigative journalist, New York Times bestselling author, and entrepreneur. She was a co-founder and editor-in-chief of The Markup, a nonprofit newsroom that investigates the impact of technology on society. She was a senior reporter at ProPublica from 2014 to April 2018 and staff reporter at the New York bureau of The Wall Street Journal from 2000 to 2013. Angwin is author of non-fiction books, Stealing MySpace: The Battle to Control the Most Popular Website in America (2009) and Dragnet Nation (2014). She is a winner and two-time finalist for the Pulitzer Prize in journalism.
Amanda Cox is an American journalist and head of special data projects at USAFacts. Until January 2022 she was the editor of the New York Times data journalism section The Upshot. Cox helps develop and teach data journalism courses at the New York University School of Journalism.
The COVID Tracking Project was a collaborative volunteer-run effort to track the ongoing COVID-19 pandemic in the United States. It maintained a daily-updated dataset of state-level information related to the outbreak, including counts of the number of cases, tests, hospitalizations, and deaths, the racial and ethnic demographic breakdowns of cases and deaths, and cases and deaths in long-term care facilities.
Shirley Wu is a data scientist specialized in data art and data visualizations. She is a freelancer based out of San Francisco, California. With Nadieh Bremer, Wu is the author of Data Sketches.