Simple Spymen

Last updated

Programme cover for original production, showing Brian Rix (left) looking at the Whitehall Theatre and Leo Franklyn looking at the War Office Simple-spymen-programme.jpg
Programme cover for original production, showing Brian Rix (left) looking at the Whitehall Theatre and Leo Franklyn looking at the War Office

Simple Spymen is a farce by the English playwright John Chapman. The story concerns two street musicians who are mistakenly appointed by negligent army officers to act as bodyguards to protect a scientist from assassination by a foreign spy.

Contents

The first production of Simple Spymen was directed by Wallace Douglas and presented by Rix Theatrical Productions on 19 March 1958 at the Whitehall Theatre, London. [1] It ran there until 29 July 1961, [2] a total of 1,403 performances. [3] It was third in the long-running series of Whitehall farces produced by the actor-manager Brian Rix; it followed Reluctant Heroes (1950) which had run for 1,610 performances and Dry Rot (1,475 performances from 1954). [3]

Cast

Synopsis

Act I

Morning. A room in the War Office [4]

Lieutenant Fosgrove ("about thirty and very 'Army', but not very bright") [5] and Colonel Gray-Balding ("in his fifties, forgetful, rather short-tempered but quite harmless") [6] have few official duties to occupy them, and are passing the time away with the Daily Telegraph crossword puzzle. They are interrupted by the unexpected intrusion of Forster Stand of MI5. ("I'm Forster Stand", "How very unfortunate for you – Oh, I see, yes, well won't you sit down".) [7] Stand briefs them about an important matter of national security. A man called Grobchick has perfected a vital Atomic Pile Restorer, and Britain must keep him safe from assassination by foreign powers. Stand requires Gray-Balding to provide Grobchick with two bodyguards, who must be masters of disguise. The army officers are nonplussed at this request, but dare not refuse. Hearing two street musicians playing outside, Fosgrove has Corporal Flight bring them in. The musicians, George and Percy, are down at heel and highly unimpressive in appearance. Fosgrove passes them off to Stand as the two designated bodyguards, brilliantly disguised.

To their horror, George and Percy are told that they must undertake a dangerous mission for their country. They are too frightened by authority to refuse and are mesmerised by the large bundle of banknotes Stand gives them for expenses. They are dispatched to collect Grobchick from his ship when it arrives in Dover from Turkey. Stand decides that they must pose as French waiters at the hotel in Dover where Grobchick will be staying. ("A disguise … perhaps a thin moustache on the top lip and a pointed beard on the bottom".) [8] George and Percy leave for Dover.

Act II

Seven hours later. The lounge of the Haven Hotel, Dover [9]

George and Percy bluff their way onto the staff of the hotel. Among the guests is Max, an international spy. He tells his henchman Crab that he and his assistants must eliminate any agents the British government might send. George makes Percy disguise himself as Grobchick. Max, fooled, offers Percy £30,000 for his invention. The real Grobchick arrives. George and Percy help him hide. The War Office team arrives, and George and Percy panic, fearing the wrath of MI5 for their failure to neutralise Max. Percy hides up the chimney but slips down it and sets fire to his trousers. George, now disguised as a clergyman, rapidly whisks him off.

Act III

Scene 1 – The same. After supper [10]

Gray-Balding and Fosgrove disguise themselves and engage Grobchick in conversation. George and Percy discover that Grobchick has given the details of his invention to the hotel's head waiter for safe keeping. They retrieve them. Max, again mistaking Percy for Grobchick, demands the details of the Atomic Pile Restorer and tells them he has the hotel surrounded. Recognising Percy, Gray-Balding and Fosgrove pursue him offstage.

Scene 2 – The same. A few minutes later [11]

In the confusion Fosgrove has knocked out Forster Stand. To cover up the error Gray-Balding and Fosgrove put Stand's unconscious body in a cupboard. He recovers and threatens them with court martial for their incompetence. After further impersonations and misdirected but harmless gunfire it emerges that Grobchick's Atomic Pile Restorer is a carpet shampoo. Gray-Balding and Fosgrove turn Stand's accusation of incompetence back on him, while George and Percy make their escape.

Critical reception

The critics of the 1950s did not pay a great deal of attention to farce. Reviewing Simple Spymen, The Times said that the play "may be austerely described as rubbish", but conceded that it was skilfully constructed, and well performed. "Nothing daunts Mr. Leo Franklyn. He gets fun out of everything". Rix was praised for "an evening of good, versatile clowning". [12] In The Manchester Guardian , Philip Hope-Wallace declared the play to be better than its predecessor, Dry Rot, and said, "Wallace Douglas produces this loud, cheerful, vulgar thing very competently. Mr Franklyn's professional skill is unfailing." [13] In The Daily Express , John Barber wrote that he hardly laughed at all "yet all round me people choked with mirth". [14] In The Daily Mirror , Chris Reynolds wrote, "It is a success spelt with a capital S. The audience started to laugh as soon as the curtain went up. They were still laughing as they left the theatre." [15]

Reviewing a revival of the play in 1980, Michael Coveney wrote of the Whitehall farces, "A tradition of critical snobbery has grown up around these plays, partly because they were so blatantly popular but chiefly because of our conviction that farce, unless written by a Frenchman, is an inferior theatrical species. … Once the National Theatre has done its duty by Priestley and Rattigan and others teetering on the brink of theatrical respectability I suggest they employ Mr. Rix … to investigate the ignored riches of English farce between Travers and Ayckbourn." [16]

Notes

  1. 1 2 Chapman, pp. 1–6
  2. "Theatres", The Times, 27 July 1961, p. 2
  3. 1 2 "12 Successful Years For Mr. Brian Rix", The Times, 13 September 1962, p. 12
  4. Chapman, pp. 7–41
  5. Chapman, p. 8
  6. Chapman p. 9
  7. Chapman, p. 11
  8. Chapman, p. 40
  9. Chapman, pp. 42–73
  10. Chapman, pp. 74–92
  11. Chapman, pp. 93–109
  12. "Whitehall Theatre", The Times, 20 March 1958, p. 3
  13. "Hope-Wallace, Philip. "Cheery note in 'Simple Spymen'", The Manchester Guardian, 20 March 1958, p. 9
  14. Barber, John. "It's unbelievable! The way he makes 'em laugh", The Daily Express, 20 March 1958, p. 9
  15. Reynolds, Chris. "Laughs galore", The Daily Mirror, 20 March 1958, p. 16
  16. Coveney, Michael. "Simple Spymen", The Financial Times , 11 August 1980, p. 9

Related Research Articles

<span class="mw-page-title-main">Brian Rix</span> English actor

Brian Norman Roger Rix, Baron Rix, was an English actor-manager, who produced a record-breaking sequence of long-running farces on the London stage, including Dry Rot, Simple Spymen and One for the Pot. His one-night TV shows made him the joint-highest paid star on the BBC. He often worked with his wife Elspet Gray and sister Sheila Mercier, who became the matriarch in Emmerdale Farm.

<span class="mw-page-title-main">Anton Rodgers</span> English actor (1933–2007)

Anthony Rodgers was an English actor and occasional director. He performed on stage, in film, in television dramas and sitcoms. He starred in several sitcoms, including Fresh Fields, its sequel French Fields, and May to December.

<i>The Girl from Kays</i>

The Girl from Kays is a musical comedy in three acts, with music by Ivan Caryll and book and lyrics by Owen Hall. Additional songs were by Paul Rubens, Howard Talbot, Adrian Ross, Percy Greenbank and others. The farcical story concerns a misguided kiss.

Raymond George Alfred Cooney OBE is an English playwright, actor, and director.

<span class="mw-page-title-main">Morosco Theatre</span> Broadway theatre in Manhattan, New York

The Morosco Theatre was a Broadway theatre near Times Square in New York City from 1917 to 1982. It housed many notable productions and its demolition, along with four adjacent theaters, was controversial.

<span class="mw-page-title-main">Trafalgar Theatre</span> Theatre in London, England

Trafalgar Theatre is a West End theatre in Whitehall, near Trafalgar Square, in the City of Westminster, London. The Grade II listed building was built in 1930 with interiors in the Art Deco style as the Whitehall Theatre; it regularly staged comedies and revues. It was converted into a television and radio studio in the 1990s, before returning to theatrical use in 2004 as Trafalgar Studios, the name it bore until 2020, with the auditorium converted to two studio spaces. It re-opened in 2021 following a major multi-million pound project to reinstate it to its original single-auditorium design.

<span class="mw-page-title-main">Ronald Shiner</span> British stand-up comedian and comedy actor (1903-1966)

Ronald Alfred Shiner was a British stand-up comedian and comedy actor whose career encompassed film, West End theatre and music hall.

<span class="mw-page-title-main">John Slater (actor)</span> British actor (1916–1975)

John Slater was an English character actor who usually portrayed lugubrious, amiable cockney types.

<i>Dry Rot</i> (film) 1956 British film

Dry Rot is a 1956 British comedy film directed by Maurice Elvey, and starring Ronald Shiner, Brian Rix, Peggy Mount, and Sid James.

<span class="mw-page-title-main">Whitehall farce</span>

The Whitehall farces were a series of five long-running comic stage plays at the Whitehall Theatre in London, presented by the actor-manager Brian Rix, in the 1950s and 1960s. They were in the low comedy tradition of British farce, following the Aldwych farces, which played at the Aldwych Theatre between 1924 and 1933.

<i>Look After Lulu!</i> Comic play by Noël Coward

Look After Lulu! is a farce by Noël Coward, based on Occupe-toi d'Amélie! by Georges Feydeau. It is set in Paris in 1908. The central character is an attractive cocotte, Lulu, whose lover is called away on military service; the plot involves libidinous foreign royalty, a mock wedding that turns out to be real, people hiding under beds and in bathrooms, and a happy ending.

John Roy Chapman was a British actor, playwright and screenwriter, known for his collaborations with Ray Cooney.

Hazel Douglas was an English actress. She portrayed Nagini in Harry Potter and the Deathly Hallows – Part 1.

<i>Reluctant Heroes</i> 1952 film

Reluctant Heroes is a 1952 British comedy film directed by Jack Raymond and starring Ronald Shiner, Derek Farr and Christine Norden. It is based on the popular farce of the same title by Colin Morris. The play, which had its West End premiere at the Whitehall Theatre in September 1950, was the first of the Brian Rix company's Whitehall farces. The film was shot at the Riverside Studios in Hammersmith in West London. It's sets were designed by the art director Wilfred Arnold.

<i>The Dover Road</i> (play)

The Dover Road is a three-act comedy by A. A. Milne, seen on Broadway in 1921–22 and in the West End in 1922–23. It depicts the dampening effect of close proximity on the ardour of eloping couples when they are forced into sustained exposure to each other's habits and idiosyncrasies.

Nicholas Wilton is an English actor and scriptwriter. He has appeared as Mr Lister in the BBC soap opera EastEnders as a recurring character; he has also appeared in Carrott's Lib and Jackanory.

<i>Turkey Time</i> (play)

Turkey Time is a farce by Ben Travers. It was one of the series of Aldwych farces that ran nearly continuously at the Aldwych Theatre in London from 1923 to 1933. The story concerns two guests, staying at the Stoatt household for Christmas, who offer shelter to a pretty concert performer left stranded when her employer absconds, leaving his cast unpaid.

<span class="mw-page-title-main">Leo Franklyn</span> English actor (1897–1975)

Leo Franklyn was an English actor. Much of his early career was in Edwardian musical comedy; in his later career he was chiefly associated with farce.

<span class="mw-page-title-main">Aldwych farce</span> Series of twelve stage farces presented at the Aldwych Theatre, London

The Aldwych farces were a series of twelve stage farces presented at the Aldwych Theatre, London, nearly continuously from 1923 to 1933. All but three of them were written by Ben Travers. They incorporate and develop British low comedy styles, combined with clever word-play. The plays were presented by the actor-manager Tom Walls and starred Walls and Ralph Lynn, supported by a regular company that included Robertson Hare, Mary Brough, Winifred Shotter, Ethel Coleridge, and Gordon James.

<i>Dirty Work</i> (play)

Dirty Work is a farce by Ben Travers. It was one of the series of twelve Aldwych farces that ran in uninterrupted succession at the Aldwych Theatre in London from 1923 to 1933. The play depicts the maladroit but ultimately successful efforts of a shop-walker to outwit a gang of jewel thieves.

References