Sing Me No Lullaby | |
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Written by | Robert Ardrey |
Characters | Mike Hertzog, Christine Collinger, Ben Collinger, Clay Dixon, Abe Levene, Maddy Hertzog, Fanny Collinger, Johnny Colton Smith, Parrish |
Date premiered | October 14, 1954 |
Place premiered | Phoenix Theatre, New York City |
Original language | English |
Setting | Illinois |
Sing Me No Lullaby is a 1954 play by Robert Ardrey. It is about the treatment of accused communists in post-Cold War America. [1] It was originally presented at the off-Broadway Phoenix Theatre in New York City. [2]
Brooks Atkinson gives the following description of Sing Me No Lullaby.
Some Illinois college friends of 1938 [ ] have a country reunion at Christmas of the present time. As students, most of them had what were known as progressive political ideas in 1938. One of them, a brilliant mathematician, placed his faith in Soviet Russia then. The Stalin-Hitler pact shook all that faith out of him in 1939. By the present time he is one of the dispossessed. Because of his college political associations, no one will employ him, no one will rent him an apartment, no one will associate with him, no one will clear him, no one will adjudicate his case. [3]
Sing Me No Lullaby received praise for its political content. The New York Times asserted that "The third act of Sing Me No Lullaby constitutes the most forceful statement anyone has made in the theatre for ages." [4] Richard Watts wrote that Ardrey was "striving with the most obvious sincerity to probe the unhealthy and hysterical political climate of America in the wake of the cold war." [5]
Atkinson (quoted above) goes on:
Mr. Ardrey doesn't solve the problem. But the contribution he has made in the last act is a clear and perceptive statement of this nameless, formless situation and an estimation of what it is doing to America. ... Mr. Ardrey ... is a man of principle and taste. In Sing Me No Lullaby he has performed the function of a writer. He has found the words to describe something that is vague and elusive but ominous. And he has got far enough away from political recriminations to state it in terms of character and the life of the spirit. [3]
In a later New York Times review, Atkinson wrote that "After the triviality of a theatre that normally aims low and is satisfied with technical competence, it is heartening to see a play that is as adult, if not more adult, than the world outside the theatre." [6]
Sing Me No Lullaby opened on October 14, 1954, at the Phoenix Theatre in the West End of London. It was the inaugural play of the Phoenix Theatre's second season. [7] The production was directed by Paul Stewart and starred Beatrice Straight, Richard Kiley, Jack Warden, Larry Gates, Michael Lipton, Marian Winters, Jessie Royce Landis, John Fiedler, and John Marley. [8]
Sing Me No Lullaby is one of the two plays by Ardrey still made available for production by the Dramatists Play Service. [9] The other is his most famous play, Thunder Rock. [10]
The Group Theatre was a theater collective based in New York City and formed in 1931 by Harold Clurman, Cheryl Crawford and Lee Strasberg. It was intended as a base for the kind of theatre they and their colleagues believed in— a forceful, naturalistic and highly disciplined artistry. They were pioneers of what would become an "American acting technique", derived from the teachings of Konstantin Stanislavski, but pushed beyond them as well. The company included actors, directors, playwrights, and producers. The name "Group" came from the idea of the actors as a pure ensemble; a reference to the company as "our group" led them to "accept the inevitable and call their company The Group Theatre."
Sidney Coe Howard was an American playwright, dramatist and screenwriter. He received the Pulitzer Prize for Drama in 1925 and a posthumous Academy Award in 1940 for the screenplay for Gone with the Wind.
Elmer Rice was an American playwright. He is best known for his plays The Adding Machine (1923) and his Pulitzer Prize-winning drama of New York tenement life, Street Scene (1929).
Golden Boy is a drama by Clifford Odets. The play was initially produced on Broadway by The Group Theatre in 1937. Odets' biggest hit was made into a 1939 film of the same name, starring William Holden in his breakthrough role, and also served as the basis for a 1964 musical with Sammy Davis, Jr.
Robert Ardrey was an American playwright, screenwriter and science writer perhaps best known for The Territorial Imperative (1966). After a Broadway and Hollywood career, he returned to his academic training in anthropology and the behavioral sciences in the 1950s.
Morris Carnovsky was an American stage and film actor. He was one of the founders of the Group Theatre (1931-1940) in New York City and had a thriving acting career both on Broadway and in films until, in the early 1950s, professional colleagues told the House Un-American Activities Committee that Carnovsky had been a Communist Party member. He was blacklisted and worked less frequently for a few years, but then re-established his acting career, taking on many Shakespearean roles at the Stratford Shakespeare Festival and performing the title roles in college campus productions of King Lear and The Merchant of Venice. Carnovsky's nephew is veteran character actor and longtime "Pathmark Guy" James Karen.
Justin Brooks Atkinson was an American theatre critic. He worked for The New York Times from 1922 to 1960. In his obituary, the Times called him "the theater's most influential reviewer of his time." Atkinson became a Times theater critic in the 1920s and his reviews became very influential. He insisted on leaving the drama desk during World War II to report on the war; he received the Pulitzer Prize in 1947 for his work as the Moscow correspondent for the Times. He returned to the theater beat in the late 1940s, until his retirement in 1960.
Casey Jones is a 1938 dramatic play by Robert Ardrey.
Thunder Rock is a 1939 play by Robert Ardrey.
Thunder Rock is a 1942 British drama film directed by Roy Boulting and starring Michael Redgrave and Barbara Mullen, with James Mason and Lilli Palmer in supporting roles. It was based on Robert Ardrey's 1939 play Thunder Rock.
Charles Norris Houghton was an American stage manager, scenic designer, producer, director, theatre manager, academic, author, and public policy advocate. Houghton is known as an American expert in 20th-century Russian Theatre; as a major force in creating the "off-Broadway" movement; as a student and educator of global theater; and as an influential advocate of arts education.
Jeb was a play by Robert Ardrey that opened on Broadway in February 1946 tackling the issue of race in post-World War II America. The play deals with a disabled black veteran who returns to his home in the rural South after serving overseas.
Shadow of Heroes, a play in five acts from the Hungarian Passion is a 1958 documentary drama by Robert Ardrey. It concerns the lead-up to the Hungarian Uprising and its aftermath. Its premiere resulted in the release from Soviet custody of two political prisoners, Julia Rajk and her son.
Plays of Three Decades is a collection of three plays by the prolific playwright, screenwriter, and science writer Robert Ardrey. The three plays included are Thunder Rock, Ardrey's international classic about hope and human progress; Jeb, Ardrey's post-World War II civil rights play about a black soldier returning from the Pacific; and Shadow of Heroes, a documentary drama about the prelude to and aftermath of the Hungarian Revolution of 1956. The last play resulted in the release of two political prisoners from Soviet custody.
How to Get Tough About It is a 1938 dramatic play by Robert Ardrey.
Star Spangled is a 1936 comedic play by Robert Ardrey. It was his first play produced on Broadway and resulted in Ardrey being awarded a Guggenheim fellowship.
The Sidney Howard Memorial Award was a notable but short-lived theater prize established in 1939 by the Playwrights' Company. It was designed to support new playwrights who had no notable successes but had shown promise. Among the awardees are Robert Ardrey and Tennessee Williams.
Worlds Beginning is a 1944 speculative fiction novel by Robert Ardrey. It proposed a new economic model and system of corporate ownership.
The Brotherhood of Fear is a 1952 political novel by Robert Ardrey. It was optioned for a film by Fox and re-issued in 2014.
Village East by Angelika is a movie theater at 189 Second Avenue, on the corner with 12th Street, in the East Village of Manhattan in New York City. Part of the former Yiddish Theatre District, the theater was designed in the Moorish Revival style by Harrison Wiseman and built from 1925 to 1926 by Louis Jaffe. In addition to Yiddish theatre, the theater has hosted off-Broadway shows, burlesque, and movies. Since 1991, it has been operated by Angelika Film Center as a seven-screen multiplex. Both the exterior and interior of the theater are New York City designated landmarks, and the theater is on the National Register of Historic Places.