Sinthgunt is a figure in Germanic mythology, attested solely in the Old High German 9th- or 10th-century "horse cure" Merseburg Incantation. In the incantation, Sinthgunt is referred to as the sister of the personified sun, Sunna (whose name is alliterative to Sinthgunt), [1] and the two sisters are cited as both producing charms to heal Phol's horse, a figure also otherwise unattested. The two are then followed by Friia and Uolla , also alliterative and stated as sisters.
As Sinthgunt is otherwise unattested, her significance is otherwise unknown, but some scholarly theories exist about her role in Germanic mythology based on proposed etymologies, and the potential significance of her placement within the incantation.
The etymology of Sinthgunt is unclear. Within the original manuscript, Sinthgunt is spelled Sinhtgunt (emphasis added). In the 19th century, Sophus Bugge stuck strictly to this reading, proposing a complex compound based on Germanic *Sin-naχt-gund, i.e. "the night-walking one". [2] As a result of the pairing with Sunna, the personified sun, this etymology has been interpreted as a reference to the moon. However, this reading has yielded problems; the moon in Germanic mythology is considered masculine, exemplified in the personification of the moon in Norse mythology, Máni, a male figure. According to Simek, the historical record lacks evidence for any cult of personified celestial bodies among the ancient Germanic peoples. [3]
Schaffner rejects this etymology, as does Eichner, because the first element Sinht- cannot be based on the presupposed earlier Germanic *sinχt-. Such a Germanic form would have yielded Old High German *sīht by regular sound change. [4] The amended Sinthgunt presupposes a Proto-Germanic compound *Senþa-gunþjō, the first element meaning "raid, (military) campaign", the second one "fight". This interpretation fits nicely with other Old High German female names such as Sindhilt (from *Senþa-χilðijō, with its second element also meaning "fight", cf. Old Norse hilðr, Old English hild). [5] Furthermore, Simek also mentions the interpretation "heavenly body, star". [6]
The figures Fulla (Uolla) and Frigg (Friia) are attested together in later Old Norse sources (though not as sisters), and theories have been proposed that the Fulla may at one time have been an aspect of Frigg. This notion has resulted in a theory that a similar situation may have existed between the figures of Sinthgunt and Sól, in that the two may have been understood as aspects of one another rather than entirely separate figures. [7] Similarly, Wolfgang Beck analysed her as a subordinate goddess from Sunna's retinue, a kind of "situation goddess", based on her unique appearance in the sources. [8]
Friedrich Kauffmann grouped Sinhtgunt as a valkyrie in the 19th century, because the elements -gund and -hild appear frequently in their names. [9] Stefan Schaffner and Heiner Eichner more recently agreed with him, based on Günter Müller's paper on the valkyries' healing powers. [10]
Karl Heim rejected Kauffmann and grouped Sinhtgunt with the Idisi of the first Merseburg Incantation, as a specially defined group of Germanic goddesses. [11]
Baldr is a god in Germanic mythology. In Norse mythology, he is a son of the god Odin and the goddess Frigg, and has numerous brothers, such as Thor and Váli. In wider Germanic mythology, the god was known in Old English as Bældæġ, and in Old High German as Balder, all ultimately stemming from the Proto-Germanic theonym *Balðraz.
Frigg is a goddess, one of the Æsir, in Germanic mythology. In Norse mythology, the source of most surviving information about her, she is associated with marriage, prophecy, clairvoyance and motherhood, and dwells in the wetland halls of Fensalir. In wider Germanic mythology, she is known in Old High German as Frīja, in Langobardic as Frēa, in Old English as Frīg, in Old Frisian as Frīa, and in Old Saxon as Frī, all ultimately stemming from the Proto-Germanic theonym *Frijjō. Nearly all sources portray her as the wife of the god Odin.
Fulla or Volla is a goddess in Germanic mythology. In Norse mythology, Fulla is described as wearing a golden band and as tending to the ashen box and the footwear owned by the goddess Frigg, and, in addition, Frigg confides in Fulla her secrets. Fulla is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources; the Prose Edda, written in the 13th century by Snorri Sturluson; and in skaldic poetry. Volla (Folla) is attested in the "Horse Cure" Merseburg Incantation, recorded anonymously in the 10th century in Old High German, in which she assists in healing the wounded foal of Phol and is referred to as Frigg's sister. Scholars have proposed theories about the implications of the goddess.
In Norse mythology, Gná is a goddess who runs errands in other worlds for the goddess Frigg and rides the flying, sea-treading horse Hófvarpnir. Gná and Hófvarpnir are attested in the Prose Edda, written in the 13th century by Snorri Sturluson. Scholarly theories have been proposed about Gná as a "goddess of fullness" and as potentially cognate to Fama from Roman mythology. Hófvarpnir and the eight-legged steed Sleipnir have been cited examples of transcendent horses in Norse mythology.
In Norse mythology, Hlín is a goddess associated with the goddess Frigg. Hlín appears in a poem in the Poetic Edda, compiled in the 13th century from earlier traditional sources, the Prose Edda, written in the 13th century by Snorri Sturluson, and in kennings found in skaldic poetry. Scholars have debated whether the stanza referring to her in the Prose Edda refers to Frigg. Hlín serves as a given name in Iceland, and Hlín receives veneration in the modern era in Germanic paganism's modern extension, Heathenry.
In Norse mythology, Fensalir is a location where the goddess Frigg dwells. Fensalir is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson. Scholars have proposed theories about the implications of the location, including that the location may have some connection to religious practices involving springs, bogs, or swamps in Norse paganism, and that it may be connected to the goddess Sága's watery location Sökkvabekkr.
Jörð is the personification of earth and a goddess in Norse mythology. She is the mother of the thunder god Thor and a sexual partner of Odin. Jörð is attested in Danish historian Gesta Danorum, composed in the 12th century by Danish historian Saxo Grammaticus; the Poetic Edda, compiled in the 13th century by an unknown individual or individuals; and the Prose Edda, also composed in the 13th century. Her name is often employed in skaldic poetry and kennings as a poetic term for land or earth.
In Norse mythology, Óðr or Óð, sometimes anglicized as Odr or Od, is a figure associated with the major goddess Freyja. The Prose Edda and Heimskringla, written in the 13th century by Snorri Sturluson, both describe Óðr as Freyja's husband and father of her daughter Hnoss. Heimskringla adds that the couple produced another daughter, Gersemi. A number of theories have been proposed about Óðr, generally that he is a hypostasis of the deity Odin due to their similarities.
Máni is the Moon personified in Germanic mythology. Máni, personified, is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson. Both sources state that he is the brother of the personified sun, Sól, and the son of Mundilfari, while the Prose Edda adds that he is followed by the children Hjúki and Bil through the heavens. As a proper noun, Máni appears throughout Old Norse literature. Scholars have proposed theories about Máni's potential connection to the Northern European notion of the Man in the Moon, and a potentially otherwise unattested story regarding Máni through skaldic kennings.
Elseus Sophus Bugge was a Norwegian philologist and linguist. His scholarly work was directed to the study of runic inscriptions and Norse philology. Bugge is best known for his theories and his work on the runic alphabet and the Poetic Edda and Prose Edda.
Sól or Sunna is the Sun personified in Germanic mythology. One of the two Old High German Merseburg Incantations, written in the 9th or 10th century CE, attests that Sunna is the sister of Sinthgunt. In Norse mythology, Sól is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson.
The Merseburg charms or Merseburg incantations are two medieval magic spells, charms or incantations, written in Old High German. They are the only known examples of Germanic pagan belief preserved in the language. They were discovered in 1841 by Georg Waitz, who found them in a theological manuscript from Fulda, written in the 9th century, although there remains some speculation about the date of the charms themselves. The manuscript is stored in the library of the cathedral chapter of Merseburg, hence the name.
Interpretatio germanica is the practice by the Germanic peoples of identifying Roman gods with the names of Germanic deities. According to Rudolf Simek, this occurred around the 1st century AD, when both cultures came into closer contact.
Aurboða is a jötunn in Norse mythology. She is married to the jötunn Gymir and is the mother of Gerðr.
In Norse mythology, Sága is a goddess associated with the location Sökkvabekkr. At Sökkvabekkr, Sága and the god Odin merrily drink as cool waves flow. Both Sága and Sökkvabekkr are attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and in the Prose Edda, written in the 13th century by Snorri Sturluson. Scholars have proposed theories about the implications of the goddess and her associated location, including that the location may be connected to the goddess Frigg's fen residence Fensalir and that Sága may be another name for Frigg.
In Norse mythology, Vili and Vé are the brothers of the god Odin, sons of Bestla, daughter of Bölþorn; and Borr, son of Búri.
Sandraudiga is a Germanic goddess, attested on a stone with a Latin inscription, found in North Brabant, the Netherlands. Today the stone is housed in the National Museum of Antiquities, Leiden, the Netherlands. The meaning of her name is still subject of discussion, but it has been suggested that it might mean "she who dyes the sand red". Other indigenous (southern) Dutch deities who are locally known at that time are: Vagdavercustis, Burorina, Hludana, Viradectis, Hurstrga/Hurst(ae)rga, Nehalennia and Seneucaega.
Norse, Nordic, or Scandinavian mythology is the body of myths belonging to the North Germanic peoples, stemming from Old Norse religion and continuing after the Christianization of Scandinavia, and into the Nordic folklore of the modern period. The northernmost extension of Germanic mythology and stemming from Proto-Germanic folklore, Norse mythology consists of tales of various deities, beings, and heroes derived from numerous sources from both before and after the pagan period, including medieval manuscripts, archaeological representations, and folk tradition. The source texts mention numerous gods such as the thunder-god Thor, the raven-flanked god Odin, the goddess Freyja, and numerous other deities.