Siripuram siriconagaram | |
---|---|
village | |
![]() Sunset in Siripuram | |
Coordinates: 17°03′36″N79°18′00″E / 17.0600°N 79.3°E | |
Country | ![]() |
State | ramannapeta mandal |
District | yadadri bhongir district |
Founded by | Mallesh Silveru |
Named for | ikats |
Elevation | 17.0700 m (56.0039 ft) |
Languages | |
• Official | Telugu |
Time zone | UTC+5:30 (IST) |
PIN | 508113 |
Telephone code | 08694 |
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Siripuram is a village and a gram panchayat of Ramannapet Mandal, Nalgonda District, in Telangana state in India. [1] [2] (Pincode Telangana 508113). It is 71km from Hyderabad.
(There is also a Siripuram village in Andhra Pradesh India - pincode 522401).
Siripuram is known for its textile industries. Nearly 60% of the people are employed as weavers, or textile dyeing workers. Siripuram is the place of a long-known traditional weaving process called ikat. Ikat is a term that means "Poetry of the Loom." It is recognizable by its geometric patterns and blurry lines. The main agricultural resources are cotton and wheat.
There are four Schools in Siripuram - Nethaji High School, Zphs Siripuram, Zilla Parishat High School and Nethaji Primary School.
Siripuram has two hospitals, Siripuram Panchayath and Vijaya Clinic Siripuram.
It also has two restaurants and a hotel.
By train - there are three trains from Hyderabad.
The nearest railway station to Siripuram is Ramannapeta (5.2 km away)
By bus - Imlibun bus stand to Choutuppal. Then Choutuppal to Siripuram. The nearest bus station is Siripuram bus stand.
Nearest airports
Siripuram 2011 Census Details
Total Population 4379
Total No of Houses 1144
Female Population 49.9% (2187)
Total Literacy rate 61.5% ( 2692)
Female Literacy rate 25.7% (1125)
Scheduled Tribes Population 1.0% (42)
Scheduled Caste Population 9.6% (421)
Working Population 49.0%
Child (age 0-6) Population 377
Girl Child (age 0-6) Population 47.2% (178)
The local Language is Telugu.
In a village with a population of over 4,500 people, 2,000 of them are weavers out of which 20 families are Muslims and the rest are Padmashali Hindus. Men and women both do the weaving, walking, spooling, spinning, tying and dyeing, There are nearly 30Master Weavers and very few people work on their own and sell their products on their own. Not all the artisans weave; nearly 400 people out of 2,000 weave.
Sahukars who are the middlemen selling the products woven by the weavers to different people using different media. There are nearly 30 sahukars in the village and 20 of them export their ikat products to different parts of India like Odisha, Jharkhand and other eastern states. The sahukars place an order to the artisans according to the market demand. They then agree to pay a fixed amount of price for a product and pays some of the amounts in advance, and then pay them in full according to the design after the product is developed. They may also work as moneylenders.
Some sahukars have the entire process unit under their control or they just pay local artisans to work for them. Most of them are paid in cash when they work under a sahukar.
Society is the help center for the weavers and artisans of the Padmashali community. People of other castes are not allowed to be a part of this society. Society usually takes product orders for the government, sources the yarns from the government body called NHDC (National Handloom Development Corporation), and then pays the workers to work for the government. The yarns are sourced from NHDC and are then distributed to the weavers according to the order size.
Most of the fabrics woven are for the home décor market, but dress material and chunni are also woven. Some of the motifs and designs found in Siripuram Ikat are: Geethalu, Pan patola, Rajasthan, Mamidipinde, Malle rekha, Malle mogga, Kota komma, Jaggu, Indhradhanasu, Chakram, Kaya, Pedha kaya, Chinna kaya, diamond, etc. They use bright colors and sometimes they use darker colors according to the market demand. The weavers use white weft to tone down the colors of the warp. The designs are given by the market to the Society and Sahukars who pass on the design to the artisans. Very few artisans get the privilege of designing their own fabrics and carrying out their own business at market.
Warping - Warping is done on the "addas". This is known as drum warping. First the artisans used hanks of yarn but now they use cone. This is a very old technique. In one complete circle of the ‘adda’ 25 meters length of yarn is warped. If the yarn is warped on the ‘adda’ for one hour, there are 140 ‘koliki’, that is, 140 counts, that is, 280 threads.
The yarns are then dried by the technique of street spreading. The village is planned in a linear way because of this process only.
Weft preparation - The yarn is rotated on a charkha so that it gets transferred to the shuttle and then it goes for weaving. Usually the females of the family help the artisans to do this.
Designing - The designs are made on the graph papers. One box on the graph denotes six yarns. Nowadays, for warp direction ikat, no graph paper is used because the artisans are so skilled that they can imagine the design and without any rough draft can start the tying and dyeing.
Tying - Once the designing is over, the artisan moves to tying. The yarns are spread evenly and stretched in the room. Then, with the help of a ruler they mark the parts on the yarns which are to be tied. With the help of rubber strips from cycle tires, they tie the yarns tightly so that those portions are resisted and the dye does not penetrate that area. For very fine designs, they tie cotton yarns very tightly around the area which has to be resisted.
Dyeing - Once the bundle of yarns is tied, they are sent for dyeing. Most of the artisans, who tie the yarns also dye them. They use chemical dyes, like naphthol dye. They use caustic soda, TR and the color to dye the yarn. First, it is dipped in a soap solution and then it is dipped in the dye. The yarns are tied and dyed multiple times depending on the design.
Weaving - The dyed yarns are then sent to the weavers. The weavers dent the yarns in the loom and then start the weaving. They mostly use pit looms made of teak wood for weaving. They use plain weave, that is, one up and one down. They use temple to maintain the evenness of the width of the fabric. They also use wax to smoothen the thread movement. They are mostly applied to the selvedges of the fabric. Wax is mostly used for red and yellow dyed yarn because they are coarser than others.
A loom is a device used to weave cloth and tapestry. The basic purpose of any loom is to hold the warp threads under tension to facilitate the interweaving of the weft threads. The precise shape of the loom and its mechanics may vary, but the basic function is the same.
Weaving is a method of textile production in which two distinct sets of yarns or threads are interlaced at right angles to form a fabric or cloth. Other methods are knitting, crocheting, felting, and braiding or plaiting. The longitudinal threads are called the warp and the lateral threads are the weft, woof, or filling. The method in which these threads are interwoven affects the characteristics of the cloth. Cloth is usually woven on a loom, a device that holds the warp threads in place while filling threads are woven through them. A fabric band that meets this definition of cloth can also be made using other methods, including tablet weaving, back strap loom, or other techniques that can be done without looms.
Woven fabric is any textile formed by weaving. Woven fabrics are often created on a loom, and made of many threads woven on a warp and a weft. Technically, a woven fabric is any fabric made by interlacing two or more threads at right angles to one another. Woven fabrics can be made of natural fibers, synthetic fibers, or a mixture of both, such as cotton and polyester.
Ikat is a dyeing technique from Southeast Asia used to pattern textiles that employs resist dyeing on the yarns prior to dyeing and weaving the fabric. In Southeast Asia, where it is the most widespread, ikat weaving traditions can be divided into two general groups of related traditions. The first is found among Daic-speaking peoples. The second, larger group is found among the Austronesian peoples and spread via the Austronesian expansion to as far as Madagascar. It is most prominently associated with the textile traditions of Indonesia in modern times, from where the term ikat originates. Similar unrelated dyeing and weaving techniques that developed independently are also present in other regions of the world, including India, Central Asia, Japan, Africa, and the Americas.
Textile manufacturing or textile engineering is a major industry. It is largely based on the conversion of fibre into yarn, then yarn into fabric. These are then dyed or printed, fabricated into cloth which is then converted into useful goods such as clothing, household items, upholstery and various industrial products.
Paithani is a variety of sari, named after the Paithan town in Aurangabad district from state of Maharashtra in India where the sari was first made by hand. Present day Yeola town in Nashik, Maharashtra is the largest manufacturer of Paithani.
Kasuri (絣) is the Japanese term for fabric that has been woven with fibers dyed specifically to create patterns and images in the fabric, typically referring to fabrics produced within Japan using this technique. It is a form of ikat dyeing, traditionally resulting in patterns characterized by their blurred or brushed appearance.
Silk In India, about 97% of the raw mulberry silk is produced in the Indian states of Karnataka, Andhra Pradesh, Tamil Nadu and West Bengal. Mysore and North Bangalore, the upcoming site of a US$20 million "Silk City", contribute to a majority of silk production. Another emerging silk producer is Tamil Nadu in the place in where mulberry cultivation is concentrated in Salem, Erode and Dharmapuri districts. Hyderabad, Andhra Pradesh and Gobichettipalayam, Tamil Nadu were the first locations to have automated silk reeling units.
Navajo weaving are textiles produced by Navajo people, who are based near the Four Corners area of the United States. Navajo textiles are highly regarded and have been sought after as trade items for more than 150 years. Commercial production of handwoven blankets and rugs has been an important element of the Navajo economy. As one art historian wrote, "Classic Navajo serapes at their finest equal the delicacy and sophistication of any pre-mechanical loom-woven textile in the world."
Band weaving refers to the hand production of narrow woven fabric. This fabric may be called tape, band, inkle, strap, belt, back strap, trim, and more. It can be accomplished on a variety of types of looms, including inkle, band, tape, backstrap, and rigid heddle looms. Hole and slot heddles are also designed to weave bands. Depending on which loom is used, the material could be warp-faced or a balanced weave.
A Sambalpuri sari is a traditional handwoven bandha (ikat) sari wherein the warp and the weft are tie-dyed before weaving. It is produced in the Sambalpur, Balangir, Bargarh, Boudh and Sonepur districts of Odisha, India. The sari is a traditional female garment in the Indian subcontinent consisting of a strip of unstitched cloth ranging from four to nine meters in length that is draped over the body in various styles.
Pochampally sari or Pochampalli ikat is a saree made in Bhoodan Pochampally, Yadadri Bhuvanagiri district, Telangana State, India. They have traditional geometric patterns in "Paagadu Bandhu" (Ikat) style of dyeing. The intricate geometric designs find their way into sarees and dress materials. The Indian government's official airplane company, Air India, has its cabin crew wear specially designed Pochampally silk sarees.
Venkatagiri Sari is a sari style woven in Venkatagiri of Tirupati district in the Indian state of Andhra Pradesh. It was registered as one of the geographical indication from Andhra Pradesh by Geographical Indications of Goods Act, 1999. Venkatagiri saris are known for their fine weaving. These style of saris can also be found in the villages of Sengunthapuram, Variyankaval, Elaiyur, Kallathur, Andimadam and Marudhur villages.
Telia Rumal is a method for the oil treatment of yarn. It originated from Chirala in Andhra Pradesh. At Chirala, in the Prakasam district of Andhra Pradesh where the craft started, the weavers had virtually stopped making Telia Rumals. People who acquired skill in this dying art took the lead to introduce this in Puttapaka village of Nalgonda district in Telangana. Recently Puttapaka Telia Rumal was accorded with Geographical indication (GI) tag.
Puttapaka Saree is a saree made in Puttapaka village, Samsthan Narayanpuram mandal in Nalgonda district, India. It is known for its unique Puttapaka tie and dye style of sarees.
Manamedu is a village in Thottiyam taluk in the district of Tiruchirapalli (Trichy) with population of roughly 13,500 people. Land ruling community saliyar are land lord and powerful ruling community in Manamedu. It is one of 27 villages in Thottiyam Block along with villages like Alagarai and Mullipadi which lies on the banks of Cauvery River and it is peculiar for banana cultivation, especially one of the banana variety, the "rasathaali". Main source of income of this population is agriculture and hand loom weaving. Poverty level is intense despite their traditional weaving of hand loom voile.
Mangalagiri sarees and fabrics are produced by performing handicraft weaving in Mangalagiri, a town in Guntur district of the Indian state of Andhra Pradesh. It was registered as one of the handicrafts in the geographical indication from Andhra Pradesh by Geographical Indications of Goods Act, 1999.
Odisha Ikat, is a kind of ikat known as Bandhakala and Bandha, a resist dyeing technique, originating from Indian state of Odisha. Traditionally known as "Bandhakala"', "Bandha", '"Bandha of Odisha", it is a geographically tagged product of Odisha since 2007. It is made through a process of tie-dyeing the warp and weft threads to create the design on the loom prior to weaving. It is unlike any other ikat woven in the rest of the country because of its design process, which has been called "poetry on the loom". This design is in vogue only at the western and eastern regions of Odisha; similar designs are produced by community groups called the Bhulia, Kostha Asani, and Patara. The fabric gives a striking curvilinear appearance. Saris made out of this fabric feature bands of brocade in the borders and also at the ends, called anchal or pallu. Its forms are purposefully feathered, giving the edges a "hazy and fragile" appearance. There are different kinds of bandha saris made in Odisha, notably Khandua, Sambalpuri, Pasapali, Kataki and Manibandhi.
Navalgund durries, geographically tagged in India, are woven durries or a type of Indian rug with geometric designs, birds, and animal designs from Navalgund in Dharwad district of Karnataka, India
Mary Zicafoose is an American textile artist, weaver, and teacher who specializes in ikat, an ancient technique in which threads are wrapped, tied and resist-dyed before weaving. Zicafoose is the author of Ikat: The Essential Handbook to Weaving Resist-Dyed Cloth (2020). Her works are part of private and public collections, including at least 16 embassies around the world as part of the U.S. Art in Embassies Program.