Pattadakal, also called Paṭṭadakallu or Raktapura, is a complex of 7th and 8th century CE Hindu and Jain temples in northern Karnataka (India). Located on the west bank of the Mallaprabha River in Bagalakote district, this UNESCO World Heritage Site is 14 miles (23 km) from Badami and about 6 miles (9.7 km) from Aihole, both of which are historically significant centres of Chalukya monuments. The monument is a protected site under Indian law and is managed by the Archaeological Survey of India (ASI).
Aihole, also referred to as Aivalli, Ahivolal or Aryapura, is a historic site of ancient and medieval era Buddhist, Hindu and Jain monuments in Karnataka, India that dates from the sixth century through the twelfth century CE. Most of the surviving monuments at the site date from the 7th to 10th centuries. Located around an eponymous small village surrounded by farmlands and sandstone hills, Aihole is a major archaeological site featuring over one hundred and twenty stone and cave temples spread along the Malaprabha river valley, in Bagalakote district.Hunagunda Taluk Distance 35km
The Udayagiri Caves are twenty rock-cut caves near Vidisha, Madhya Pradesh from the early years of the 5th century CE. They contain some of the oldest surviving Hindu temples and iconography in India. They are the only site that can be verifiably associated with a Gupta period monarch from its inscriptions. One of India's most important archaeological sites, the Udayagiri hills and its caves are protected monuments managed by the Archaeological Survey of India.
Sittanavasal Cave is a 2nd-century Tamil Śramaṇa complex of caves in Sittanavasal village in Pudukottai district of Tamil Nadu, India. Its name is a distorted form of Sit-tan-na-va-yil, a Tamil word which means "the abode of great saints".
Thirunandikkara Cave Temple, also referred to as Thirunanthikarai rock-cut Shiva temple, is a 9th-century rock-cut Hindu cave temple in Kanyakumari district, Tamil Nadu, India. It is dedicated to Shiva, with murals and inscriptions. It is attributed to the Ay king Vikramaditya Varaguna by Archaeological Survey of India, but to Pandya rulers (Nedunjadaiyan) a few decades earlier by Ajit Kumar, an archaeologist. It is part of a larger active temple complex named the Thirunanthikarai Shri Nandeeswara temple, Thirunanthikarai and is carved out of the side of a rocky hillock to the north of the temple complex. According to Rao, one of the inscriptions suggests that this may be a late 8th-century cave temple or early 9th.
Pashupatinath Temple at Mandsaur, also referred to as the Mandsaur Shiva temple, is a Hindu temple dedicated to Lord Shiva in Mandsaur, Madhya Pradesh, India. It belongs to Pashupatinath tradition which is one of 6 major tradition within Shaivism. It is located on Shivna River, and is known for its eight-faced Shiva Linga. The temple sculpture is dated to the 5th or 6th century based on inscriptions, with some referring to the site as Dashapura. It is near the Rajasthan border in the historic region of Malwa, about 200 kilometres (120 mi) from Indore, about 340 kilometres (210 mi) west of Udaigiri Caves and about 220 kilometres (140 mi) east of Shamalaji ancient sites, both a significant source of Gupta Empire era archaeological discoveries. The site has been important to dating and the architectural studies of some distant sites such as the Elephanta Caves.
The Badami cave temples are a complex of Hindu and Jain cave temples located in Badami, a town in the Bagalkot district in northern part of Karnataka, India. The caves are important examples of Indian rock-cut architecture, especially Badami Chalukya architecture, and the earliest date from the 6th century. Badami is a modern name and was previously known as Vataapinagara, the capital of the early Chalukya dynasty, which ruled much of Karnataka from the 6th to the 8th century. Badami is situated on the west bank of a man-made lake ringed by an earthen wall with stone steps; it is surrounded on the north and south by forts built in later times.
Karpaka Vinayaka Temple or Pillaiyarpatti Pillaiyar Temple is a 7th-century CE rock-cut cave shrine, significantly expanded over the later centuries. It is located in Pillayarpatti village in Tiruppathur Taluk, Sivaganga district in Tamil Nadu, India.
The Indian state of Odisha has a rich cultural and artistic heritage. Due to the reign of many different rulers in the past, arts and crafts in Odisha underwent many changes giving an artistic diversity today in the forms of traditional handicrafts, painting and carving, dance and music, clothing, etc.
A lingam, sometimes referred to as linga or Shiva linga, is an abstract or aniconic representation of the Hindu god Shiva in Shaivism. It is typically the primary murti or devotional image in Hindu temples dedicated to Shiva, also found in smaller shrines, or as self-manifested natural objects. It is often represented within a disc-shaped platform, the yoni – its feminine counterpart, consisting of a flat element, horizontal compared to the vertical lingam, and designed to allow liquid offerings to drain away for collection. Together, they symbolize the merging of microcosmos and macrocosmos, the divine eternal process of creation and regeneration, and the union of the feminine and the masculine that recreates all of existence.
The Mogalrajapuram Caves are five rock-cut cave temple groups located in different parts of Vijayawada, Andhra Pradesh, India. Dedicated to Shiva, they were excavated during the Eastern Chalukya reign or the Vishnukundins reign. They are generally dated to about the 7th-century, after the Akkanna Madanna Caves. They are simple and small, yet the artwork and iconography is more sophisticated than Akkanna Madanna Caves. These include Nataraja, Ganesh and Ardhanarisvara. They are generally numbered as Cave I through V, with Mogalrajapuram Cave II being the most architecturally and iconographically evolved of the five.
Bhumara Temple, sometimes called Bhumra, Bhubhara or Bharkuleswar, is a 5th or 6th-century Gupta era Hindu stone temple site dedicated to Shiva near Satna, in the Indian state Madhya Pradesh. The temple has a square plan with a sanctum and Mandapa. While much of it is in ruins, enough of the temple structure and works of art have survived for scholarly studies. The temple is notable as one of the early examples of an architecture that included an enclosed concentric pradakshina-patha. Like other early Gupta era Hindu temples, it includes a decorated entrance to the sanctum flanked by Ganga and Yamuna goddesses, and intricately carved sculptures.
Satrubhanja was a warrior and emperor who belonged to the Vindhyatabi branch of Nagavanshi rulers that ruled from Keonjhar district of Odisha in the early 4th century A.D. The era of Satrubhanja belongs to the pre Gupta rise as an imperial power in India when the other ruling Bharasiva Nagas of India joined hands to overthrow the ruling Devaputras of Pataliputra, also otherwise known as Kushan rulers to the modern historians. The Asanapat village dancing Nataraja Shiva inscription in Sanskrit Language with Post Brahmi or early Kalinga script of Satrubhanja provides a great deal of details about his achievements as a conqueror and spiritual man. The inscription is of thirteen lines which is written partly in verse and partly in prose.
The Reh Inscription was discovered in 1979 near the Reh archaeological site along Yamuna River about 350 kilometres (220 mi) east of Mathura in India. It is a Prakrit inscription in Brahmi script near the bottom of a Shiva linga. The inscription is dated to between the 2nd century BCE and 2nd century CE based on the script style.
Sirpur Group of Monuments are an archaeological and tourism site containing Hindu, Jain and Buddhist monuments from the 5th to 12th centuries in Mahasamund district of the state of Chhattisgarh, India. Located near an eponymous village, it is 78 kilometres (48 mi) east of Raipur, the capital of the state. The site is spread near the banks of the river Mahanadi.
The Lakulisa Mathura Pillar Inscription is a 4th-century CE Sanskrit inscription in early Gupta script related to the Shaivism tradition of Hinduism. Discovered near a Mathura well in north India, the damaged inscription is one of the earliest evidences of murti (statue) consecration in a temple made to celebrate gurus. It is, according to the Indologist Michael Willis, crucial to understanding the "history of Pashupata Shaivism" and a floruit for the antiquity of its practices. The Lakulisha Mathura inscription is one of the earliest epigraphical evidence of a developed Shaiva initiation tradition.
Gupta art is the art of the Gupta Empire, which ruled most of northern India, with its peak between about 300 and 480 CE, surviving in much reduced form until c. 550. The Gupta period is generally regarded as a classic peak and golden age of North Indian art for all the major religious groups. Gupta art is characterized by its "Classical decorum", in contrast to the subsequent Indian medieval art, which "subordinated the figure to the larger religious purpose".
Chausath Yogini Temple of Ranipur Jharial in Balangir District, Odisha, is one of the circular, open air Yogini temples of India, dedicated to the 64 Yoginis. It appears to be an early temple from soon after 900 AD, and the presence of other temples indicates that it was an important site at that time. The surviving central shrine holds an image of dancing Shiva; all the Yogini images are, uniquely, similarly shown dancing.
Thirupparankundram Rock-cut Cave and Inscription, also known as Umai Andar or Umaiyandar temple, is a rock cut cave temple with inscriptions at the foot of the Thirupparankundram rock hill's south face. It is located in the town of Thirupparankundram, about 10 kilometres (6.2 mi) southwest of Madurai city, Tamil Nadu, India. It consists of several layers of construction, the earliest is dated to the 8th-century early Pandya period, and the last to the 13th century.
The Sitabenga and Jogimara Caves, sometimes referred to either as Sitabenga Cave or Jogimara Cave, are ancient cave monuments nested in the north side of Ramgarh hills in Puta village, Chhattisgarh, India. Dated between the 3rd-century BCE to 1st-century BCE, they are notable for their non-religious inscriptions in Brahmi script and Magadhi language, and one of the oldest colored frescoes in Asia. Some scholars state that the Sitabenga cave is the oldest performance theatre on the Indian subcontinent, but others question whether it was indeed a theatre and suggest that it may have been a resting place (dharmashala) along an ancient trade route. The inscription at the Jogimara cave is equally disputed, with one translation interpreting it as a love-graffiti by a girl and a boy, while another translation interpreting it as a female dancer and a male sculptor-painter creating the two caves together to serve others. The inscription is also the oldest known mention of the word "devadasi", but this seems just a name and it is unlikely that this was related to any ancient Indian temple since the site and nearby area has no evidence of any Buddhist, Hindu or Jain temple built between the 3rd-century BCE and 8th-century CE.
