Related Research Articles
Six Characters in Search of an Author is an Italian play by Luigi Pirandello, written and first performed in 1921. An absurdist metatheatric play about the relationship among authors, their characters, and theatre practitioners, it premiered at the Teatro Valle in Rome to a mixed reception, with shouts from the audience of "Manicomio!" ("Madhouse!") and "Incommensurabile!", a reaction to the play's illogical progression. Reception improved at subsequent performances, especially after Pirandello provided for the play's third edition, published in 1925, a foreword clarifying its structure and ideas.
Hugo David Weisgall was an American composer and conductor, known chiefly for his opera and vocal music compositions.
William Gormaly Ball was an American stage director and founder of the American Conservatory Theater (ACT). He was awarded the Drama Desk Vernon Rice Award in 1959 for his production of Chekhov's Ivanov and was nominated for a Tony Award in 1965 for his production of Molière's Tartuffe, starring Michael O'Sullivan and René Auberjonois. He was also a noted director of opera.
Patricia Neway was an American operatic soprano and musical theatre actress who had an active international career during the mid-1940s through the 1970s. One of the few performers of her day to enjoy equal success on both the opera and musical theatre stages, she was a regular performer on both Broadway and at the New York City Opera during the 1950s and 1960s.
Jean Kraft was an American operatic mezzo-soprano. She began her career singing with the New York City Opera (NYCO) during the early 1960s, after which she embarked on a partnership with The Santa Fe Opera from 1965 through 1987. In 1970 she joined the roster of singers at the Metropolitan Opera in New York City where she remained a fixture until 1989. She also performed as a guest of many other opera companies throughout the United States. In 2005 Opera News called her "a gifted mezzo and observant, imaginative actress who lent distinction to a wide range of character roles. By the end of her Met tenure, she had sung nearly 800 performances and become a solid audience favorite."
Adelaide Bishop was an American operatic soprano, musical theatre actress, opera director, stage director, and voice teacher. She began her career appearing in Broadway musicals as a teenager during the early 1940s. She became a principal soprano with the New York City Opera (NYCO) in 1948, where she performed through 1960 in a broad repertoire encompassing German, French, Italian, and English operas from a variety of musical periods. In the late 1950s, she started working actively as a stage director and as a voice teacher, working with many opera companies throughout the United States and serving on the music faculties of several different American universities. She also served as the artistic director of the Wolf Trap Opera for many years.
Esther is an American opera in 3 acts composed by Hugo Weisgall, with a libretto by Charles Kondek. Esther was premiered by the New York City Opera in October 1993. The opera is about Esther's struggle as she becomes the queen of Persia, and her heroic triumph over the evil Prime Minister Haman and his plot of exterminating the Jews.
Ernest McChesney was an American tenor who had an active singing career in operas, musicals, and concerts during the late 1920s through the early 1960s. He was notably a principal tenor with the New York City Opera from 1954 to 1960.
Regina Sarfaty, later Regina Sarfaty Rickless after her marriage to Elwood A. Rickless in 1963, is an American operatic mezzo-soprano who had an active career during the 1950s through the 1980s. Sarfaty first rose to prominence through her work at the Santa Fe Opera and the New York City Opera during the late 1950s. She later enjoyed international success in the 1960s and 1970s, and had a particularly lengthy career singing with the Zurich Opera.
Paul Ukena was an American operatic baritone and musical theatre actor who had an active career from the 1940s through the 1970s. After beginning his career entertaining American troops as a part of the Special Services during World War II, his first critical success was as the baritone soloist in the American premiere of Frederick Delius's Requiem in 1950. He was one of the founding members of the NBC Opera Theatre, a company he performed with throughout the 1950s in such productions as Benjamin Britten's Billy Budd and the world premiere of Norman Dello Joio's The Trial at Rouen.
Robert F. Trehy was an American baritone who had an active career singing in operas, concerts, and recitals during the 1940s through the 1980s.
Arnold Voketaitis is an American bass-baritone of Lithuanian descent who had an active singing career performing in operas, concerts, and recitals from the late 1950s through the 1990s. He enjoyed a particularly successful partnership with the New York City Opera and has performed with most of the major opera companies in North America. A strong actor, he has a powerful voice with a wide range and fine timbre.
Craig Timberlake was an American stage actor, singer, author, and educator. A talented bass, Timberlake performed in operas and musicals in theatres throughout North America in addition to acting in plays from the 1940s through the 1980s.
Lou Rodgers is an American opera singer and opera director. A mezzo-soprano, she began her career in the late 1950s singing roles with the New York City Opera. She notably appeared in the world premiere of Hugo Weisgall's Six Characters in Search of an Author with the company on April 26, 1959. In 1975 she founded Golden Fleece Ltd., an opera company dedicated to presenting new American operas. She remains the company's artistic director to this day. For her work with the company she was awarded the prestigious Laurel Leaf Award from the American Composers Alliance in 1999.
Peter Sliker was an American operatic bass-baritone who had a lengthy career performing at the Metropolitan Opera from 1961 through 1989. He specialized in portraying comprimario roles and was admired for his comic timing. He has appeared on several Live from the Metropolitan Opera broadcasts and Metropolitan Opera radio broadcasts.
The Stronger is an opera in one act by composer Hugo Weisgall. The English-language libretto by Richard Henry Hart is based on August Strindberg's 1889 play of the same name. It premiered at the White Barn Theatre in Westport, Connecticut, on August 9, 1952 and was dedicated to that theatre's founder, the actress Lucille Lortel.
Lauren Flanigan is an American operatic soprano who has had an active international career since the 1980s. She enjoyed a particularly fruitful partnership with the New York City Opera, appearing with the company almost every year since 1990. She has sung more than 100 different opera roles on stage during her career, often appearing in contemporary works or more rarely staged operas. Opera News stated that, "Flanigan has enjoyed one of the most distinctive careers of any artist of her generation, one marked by a high volume of contemporary works. Modern composers love her because of her innate musicality, dramatic power and lightning-fast skills and instincts."
Julian Patrick was an American operatic baritone and voice teacher. Born in Mississippi, Patrick grew up in Birmingham, Alabama where he was a member of the Apollo Boys Choir. After graduating from the Cincinnati Conservatory of Music, he began his professional career as a musical theatre performer in the 1950s; appearing in the original Broadway productions of The Golden Apple (1954), Bells Are Ringing (1956), Juno (1959), Once Upon a Mattress (1959), and Fiorello! (1959). He also studied singing privately in New York City with Cornelius L. Reid.
Kevin Paul Anderson is an American operatic tenor. He has had a national and international singing career since the late 1980s, and in 1988 appeared as Don Alvar alongside Plácido Domingo and Shirley Verrett in the San Francisco Opera's televised production of L'Africaine.
The Devil and Daniel Webster is a folk opera in one act by American composer Douglas Moore. The opera's English-language libretto was written by Stephen Vincent Benét who also penned the 1936 short story of the same name upon which the work is based.
References
- 1 2 Howard Taubman (April 27, 1959). "Weisgall's 'Six Characters'; Opera Based on Play by Pirandello Bows". The New York Times . Retrieved May 20, 2009.
- ↑ Six Characters in Search of an Author at usopera.com
| Opera |
|
|---|---|
