Peter Seeger was an American folk singer-songwriter, musician and social activist. He was a fixture on nationwide radio in the 1940s, and had a string of hit records during the early 1950s as a member of The Weavers, notably their recording of Lead Belly's "Goodnight, Irene," which topped the charts for 14 weeks in 1950. Members of the Weavers were blacklisted during the McCarthy Era. In the 1960s, Seeger re-emerged on the public scene as a prominent singer of protest music in support of international disarmament, civil rights, counterculture, workers' rights, and environmental causes.
Georgia Gibbs was an American popular singer and vocal entertainer rooted in jazz. Already singing publicly in her early teens, Gibbs achieved acclaim and notoriety in the mid-1950s copying songs originating with the black rhythm and blues community and later became a featured vocalist for many radio and television variety and comedy programs. Her key attribute was tremendous versatility and an uncommon stylistic range from melancholy ballad to uptempo swinging jazz and rock and roll.
"We Shall Overcome" is a gospel song that is associated heavily with the U.S. civil rights movement. The origins of the song are unclear; it was thought to have descended from "I'll Overcome Some Day," a hymn by Charles Albert Tindley, while the modern version of the song was first said to have been sung by tobacco workers led by Lucille Simmons during the 1945–1946 Charleston Cigar Factory strike in Charleston, South Carolina.
The Weavers were an American folk music quartet based in the Greenwich Village area of New York City originally consisting of Lee Hays, Pete Seeger, Ronnie Gilbert, and Fred Hellerman. Founded in 1948, the group sang traditional folk songs from around the world, as well as blues, gospel music, children's songs, labor songs, and American ballads. The group sold millions of records at the height of their popularity, including the first folk song to reach No. 1 on popular music charts, their recording of Lead Belly's "Goodnight, Irene." Despite their popularity, the Weavers were blacklisted during much of the 1950s.
The Almanac Singers was an American New York City-based folk music group, active between 1940 and 1943, founded by Millard Lampell, Lee Hays, Pete Seeger, and were joined by Woody Guthrie. The group specialized in topical songs, mostly songs advocating an anti-war, anti-racism and pro-union philosophy. They were part of the Popular Front, an alliance of liberals and leftists, including the Communist Party USA, who had vowed to put aside their differences in order to fight fascism and promote racial and religious inclusiveness and workers' rights. The Almanac Singers felt strongly that songs could help achieve these goals.
The Andantes were an American female session group for the Motown record label during the 1960s. Composed of Jackie Hicks, Marlene Barrow, and Louvain Demps, the group sang background vocals on numerous Motown recordings, including songs by Martha Reeves & the Vandellas, the Temptations, Stevie Wonder, the Four Tops, Jimmy Ruffin, Edwin Starr, the Supremes, the Marvelettes, Marvin Gaye and the Isley Brothers, among others. It is estimated they appeared on 20,000 recordings.
"The Bourgeois Blues" is a blues song by American folk and blues musician Lead Belly. It was written in June 1937 in response to the discrimination and segregation that he faced during a visit to Washington, D.C. to record for Alan Lomax. It rails against racism, the Jim Crow laws, and the conditions of contemporary African Americans in the southern United States. The song was recorded in December 1938 for the Library of Congress and re-recorded in 1939 for commercial release.
"Old Dan Tucker," also known as "Ole Dan Tucker," "Dan Tucker," and other variants, is an American popular song. Its origins remain obscure; the tune may have come from oral tradition, and the words may have been written by songwriter and performer Dan Emmett. The blackface troupe the Virginia Minstrels popularized "Old Dan Tucker" in 1843, and it quickly became a minstrel hit, behind only "Miss Lucy Long" and "Mary Blane" in popularity during the antebellum period. "Old Dan Tucker" entered the folk vernacular around the same time. Today it is a bluegrass and country music standard. It is no. 390 in the Roud Folk Song Index.
"The Moonshiner" is a folk song with unknown origins. In Ireland and America, it is sung with similar lyrics but different melodies. It is catalogued as Roud Folk Song Index No. 4301. The song's structure is very similar to The Wild Rover, but instead extolling the virtues of moonshining.
"Greenland Whale Fisheries" is a traditional sea song, originating in the West Indies but known all over the Atlantic ocean. In most of the versions collected from oral sources, the song opens up giving a date for the events that it describes. However, the song is actually older than this and a form of it was published as a ballad before 1725. It has been given a Roud number of 347.
A work song, "Pay Me My Money Down" originated among the Negro stevedores working in the Georgia Sea Islands. It was collected by Lydia Parrish and published in her 1942 book, Slave Songs of the Georgia Sea Islands:
"Darlin' Cory" is a well-known American folk song about love, loss, and moonshine. It is similar in theme to "Little Maggie" and "The Gambling Man" but is not considered the same as those songs.
"Keep Your Eyes on the Prize" is a folk song that became influential during the American Civil Rights Movement of the 1950s and 1960s. It is based on the traditional song, "Gospel Plow," also known as "Hold On," "Keep Your Hand on the Plow," and various permutations thereof.
"Love, Me" is a song written by Skip Ewing and Max T. Barnes, and recorded by American country music artist Collin Raye. It was released in October 1991 as the second single from the album All I Can Be. In January 1992, the single became Raye's first Number One single on the U.S. Billboard Hot Country Singles & Tracks charts; the same year, the song received a Song of the Year nomination from the Country Music Association. The single has been cited as a popular choice for funerals.
"Dink's Song" is an American folk song played by many folk revival musicians such as Pete Seeger, Fred Neil, Bob Dylan, Joan Baez, Dave Van Ronk, Kate & Anna McGarrigle, and Cisco Houston as well as more recent musicians like Jeff Buckley. The song tells the story of a woman deserted by her lover when she needs him the most.
"Take This Hammer" is a prison, logging, and railroad work song, which has the same Roud number as another song, "Nine Pound Hammer", with which it shares verses. "Swannanoa Tunnel" and "Asheville Junction" are similar. Together, this group of songs are referred to as "hammer songs" or "roll songs". Numerous bluegrass bands and singers like Scott McGill and Mississippi John Hurt also recorded commercial versions of this song, nearly all of them containing verses about the legendary railroad worker, John Henry; and even when they do not, writes folklorist Kip Lornell, "one feels his strong and valorous presence in the song".
"Bang Bang Lulu" is a traditional American song with many variations. It derives from older songs most commonly known as "Bang Bang Rosie" in Ireland, "Bang Away Lulu" in Appalachia, and "My Lula Gal" in the West. The form "Bang Bang Lulu" became widespread in the United States from its use as a cadence during the World Wars. The song uses the tune of "Goodnight, Ladies".
"Farewell", also known as "Fare Thee Well", is a song by American singer-songwriter Bob Dylan. Dylan wrote the song in January 1963. He considered it for his third album, The Times They Are a-Changin', but only attempted a few takes during the album's first studio session. Dylan's earlier recordings of "Farewell" found their way onto various bootlegs, and a collection of demos that included the song was released in October 2010 as The Bootleg Series Vol. 9 – The Witmark Demos: 1962–1964.
"Westering Home" is a traditional Scottish folk song that was written by Hugh S. Roberton in the 1920s. The lyrics of the song talk about the Scottish Island of Islay. It was subsequently adopted as the slow march of the Royal Navy.
Folk Song Sing Along with Mitch is an album by Mitch Miller & The Gang. It was released in 1959 on the Columbia label.
