Slaven Tolj | |
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Slaven Tolj (born 14 April 1964) is a Croatian conceptual, performance, and media artist, curator, and cultural worker from Dubrovnik, Croatia. He achieved international recognition for his installations, body art, and performances presenting distinct political and social-cultural criticism.
The beginning of Slaven Tolj’s work, as an artist, was determined by his experiences of the Yugoslav War, the Siege of Dubrovnik by the Yugoslavian army in the years 1991-1992, as well as the disintegration of former Yugoslavia. In the course of the late 1990s Slaven Tolj gradually extended the scope of his art, incorporating themes and issues related to political transformation and the emergence of multiculturalism and globalization.
Slaven Tolj has also been involved in organisational and curatorial activities. He is one of the founders of Art Workshop Lazareti in Dubrovnik – a key institution for the contemporary art scene in Dubrovnik and Croatia. He was a director of the Museum of Modern and Contemporary Art in Rijeka from 2012 until 2020, as well as the artistic director of Rijeka 2020 European Capitol of Culture. [1] [2]
In 2005 he was the commissioner of the Croatian pavilion at the Venice Biennale. [3]
Rijeka, also known as Fiume, is the principal seaport and the third-largest city in Croatia. It is located in Primorje-Gorski Kotar County on Kvarner Bay, an inlet of the Adriatic Sea and in 2021 had a population of 108,622 inhabitants. Historically, because of its strategic position and its excellent deep-water port, the city was fiercely contested, especially between the Holy Roman Empire, Italy and Croatia, changing rulers and demographics many times over centuries. According to the 2011 census data, the majority of its citizens are Croats, along with small numbers of Serbs, Bosniaks and Italians.
Edo Murtić was a painter from Croatia, best known for his lyrical abstraction and abstract expressionism style. He worked in a variety of media, including oil painting, gouache, graphic design, ceramics, mosaics, murals and theatrical set design. Murtić travelled and exhibited extensively in Europe and North America, gaining international recognition for his work, which can be found in museums, galleries and private collections worldwide. He was one of the founders of the group "March" (Mart) in 1956, and received many international awards. In 1958 Murtić participated in the three biggest events in the world of contemporary art: the Venice Biennale, the Carnegie Prize in Pittsburgh, and Documenta in Kassel. Interest in the art of Edo Murtić continues to grow, with retrospective exhibits in major museums.
Hrvatska radiotelevizija, or Croatian Radiotelevision, is Croatia's public broadcasting company. It operates several radio and television channels, over a domestic transmitter network as well as satellite. HRT is divided into three joint companies – Croatian Radio, Croatian Television and Music Production, which includes three orchestras and a choir.
Frano Supilo was a Croatian politician and journalist. He opposed the Austro-Hungarian domination of Europe prior to World War I. He participated in the debates leading to the formation of Yugoslavia as a member of the Yugoslav Committee. The author, R. A. Stradling, calls him "one of the most capable Croatian politicians ever."
Vuk Ćosić is a Slovenian contemporary artist associated with the net.art movement.
Vasko Lipovac was a Yugoslavian and Croatian painter, sculptor, printmaker, designer, illustrator and scenographer and one of the most prominent artists of the region. He is best known for his minimalist figuration and use of intense, unmodulated and often dissonant palette. With the exception of his juvenile period of geometric abstraction, he remained loyal to figuration throughout his whole career. Exceptionally prolific, he worked in various techniques and was equally skilful in using high-polished metal, polychromous wood, enamel, terracotta or polyester to create his sculptures, reliefs and mobiles.
Croatian art describes the visual arts in Croatia, and art by Croatian artists from prehistoric times to the present. In Early Middle Ages, Croatia was an important centre for art and architecture in south eastern Europe. There were many Croatian artists during the Medieval period, and the arts flourished during the Renaissance. Later styles in Croatia included Baroque and Rococo.
Tomi Janežič is a Slovenian theatre director, professor at the Academy for Theatre, Radio, Film, and Television (AGRFT) in Ljubljana, Slovenia, and a psychodrama psychotherapist. He is also one of the founders and the artistic director of the Studio for Research on the Art of Acting which runs its activities mostly at Krušče Workcenter for Artistic Research, Creation, Residency and Education in Krušče, Slovenia.
The Marinko Sudac Collection, based in Zagreb, Croatia, has been created with a clear collecting strategy based on the region of Central and Eastern Europe, additionally spanning from the Baltic area to the Black Sea. The guiding principle of the Collection is systematic exploration, researching, and promotion of the avant-garde practices which have been marginalized, forbidden, and at times completely negated due to the historical, social and political circumstances. In this context, the Marinko Sudac Collection gives the most complete and comprehensive overview on the art of this region. The Collection starts at 1909, and it show the continuity from the first Avant-Gardes, through neo-avant-garde and New Artistic Practices, ending with the fall of the Berlin Wall. The global uniqueness of the Marinko Sudac Collection is also seen in the kind of media it contains. It contains not only traditional artworks, such as paintings, sculptures, and photographs, but it gives equal importance to documentary and archival material. Great importance is put on these almost forgotten media, which enable research of specific phenomena, artists and the socio-political situation which affected this type of art. The Collection contains a great number of museological units, and it treats the documentary and archival material on the same level as traditional artworks. By examining the units contained in the Marinko Sudac Collection, one can read not only the art scene or the art production of a certain artist, but the full status of the society, the socio-political atmosphere of the region in which this art was created in.
Asia Art Archive (AAA) is a nonprofit organisation based in Hong Kong which focuses on documenting the recent history of contemporary art in Asia within an international context. AAA incorporates material that members of local art communities find relevant to the field, and provides educational and public programming. AAA is one of the most comprehensive publicly accessible collections of research materials in the field. In activating its collections, AAA initiates public, educational, and residency programmes. AAA also offers research grants and publishes articles on IDEAS Journal.
The Art Workshop Lazareti in Dubrovnik, Croatia, is an independent cultural center for contemporary art and performing arts venue that hosts artists, theorists, writers, activists and promotes an active and investigative approach to contemporary art and culture, society, politics and its inter-relations. Its club also hosted wide range of programs from mainstream to alternative music programs.
Vladimir Becić (1886–1954) was a Croatian painter, best known for his early work in Munich, which had a strong influence on the direction of modern art in Croatia.
Menci Clement Crnčić was a Croatian painter, printmaker, teacher and museum director. He studied painting and drawing in Vienna and Munich, and trained in graphic arts in Vienna, studying etching and engraving. He was the first artist in the Croatian graphic tradition to abandon a strictly linear style and use tonal variation to create contrasting areas of light and shade.
Darko Lukić is a Croatian theatre scholar, writer, cultural theorist and playwright living and working in Germany. As an expert in multi-disciplinary expert pool for capacity building for European Capitals of Culture worked at audience development program ADESTE+. and Rijeka, European capital of Culture 2020. Lukić also publishes scientific papers and participates in international conferences and seminars and translates from English and Spanish language. He is the member of Programme Board of Maribor 2012, European Capital of Culture 2012. He was a member of the European jury of theatrologists for “Premio Europa per il teatro” award (2009), member of the jury for “Marko Fotez” theatre award of HAZU (Croatian Academy of Science and Arts, president of the Board of Gavella Theatre, editor in Hrvatsko glumište magazine HDDU, artistic advisor of HAVC, Hrvatski audiovizualni centar, artistic advisor of Ministry of Culture - Ministarstvo kulture RH and HRT for film, member of the Cultural Council for Performing Arts of Croatian Ministry of Culture, president of the Theatre Committee of the City of Zagreb, member of the Council for International Cultural Cooperation of the City of Zagreb, and President of the Cultural Council for International Cooperation Ministry of Culture - Ministarstvo kulture RH, and member of Croatian centre of PEN International, member of IETM, CAE, ENCATC, Memory Studies Association, IFTR and EASTAP.
Alban Muja is a Kosovan contemporary artist and film-maker. In 2019 he represented Kosovo at the 58th Venice Biennale. In his work he is mostly influenced by the social, political and economical transformation processes in wider surrounding region, he investigates history and socio-political themes and links them to his position in Kosovo today. His works cover a wide range of media including video installation, films, drawings, paintings, photographs and performance which have been exhibited extensively in various exhibitions and festivals.
Libertas convoy was a partly grassroots humanitarian action aimed at breaking through Yugoslav People's Army's naval blockade of the Croatian city of Dubrovnik during the Croatian War of Independence and the siege of Dubrovnik in 1991. The purpose of the convoy was to bring supplies to Dubrovnik's inhabitants who, in connection with the siege, were living without electricity and access to fresh drinking water, food and medicine. The convoy's name 'Libertas' alludes to the Latin word for freedom which is the historical motto of Dubrovnik.
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Shadow Casters is a non-profit organization from Zagreb (Croatia) working as an international artistic and production platform for interdisciplinary cooperations in intermedia arts in urban context. It was founded in 2002 by artists Boris Bakal and Željko Serdarević, with Katarina Pejović, Stanko Juzbašić, Vanja Žanko, Srećko Horvat, Sandra Uskoković, Leo Vukelić and other collaborators. Since 2006 they are a Clubture Network member.
Clubture is a non-profit, inclusive, participatory network that works on gathering actors and strengthening collaboration between non-profit organizations in Croatia, founded in May 2002 in Zagreb. The network works towards achieving its goals through the exchange of cultural and artistic activities and programs across different parts of the country. It was formally registered on June 16, 2002.