Slick Jones | |
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Background information | |
Born | April 13, 1907 |
Died | November 2, 1969 62) | (aged
Genres | Jazz |
Slick Jones (April 13, 1907 – November 2, 1969) was an American jazz drummer, best known for his work with Fats Waller.
Jazz is a music genre that originated in the African-American communities of New Orleans, United States, in the late 19th and early 20th centuries, and developed from roots in blues and ragtime. Jazz is seen by many as "America's classical music". Since the 1920s Jazz Age, jazz has become recognized as a major form of musical expression. It then emerged in the form of independent traditional and popular musical styles, all linked by the common bonds of African-American and European-American musical parentage with a performance orientation. Jazz is characterized by swing and blue notes, call and response vocals, polyrhythms and improvisation. Jazz has roots in West African cultural and musical expression, and in African-American music traditions including blues and ragtime, as well as European military band music. Intellectuals around the world have hailed jazz as "one of America's original art forms".
Thomas Wright "Fats" Waller was an American jazz pianist, organist, composer, singer, and comedic entertainer. His innovations in the Harlem stride style laid the groundwork for modern jazz piano. His best-known compositions, "Ain't Misbehavin'" and "Honeysuckle Rose", were inducted into the Grammy Hall of Fame in 1984 and 1999.
Born Wilmore Jones [1] in Roanoke, Virginia, [2] he worked with Fletcher Henderson from 1934 to 1936, then recorded and toured with Fats Waller from 1936 to 1941. Concomitantly he also appeared on record with Gene Sedric, Don Redman, Lionel Hampton, and Una Mae Carlisle. Following his time with Waller, he played with Stuff Smith, Eddie South, Claude Hopkins, Hazel Scott, and Don Byas, in addition to further work with Sedric and Redman. In the 1950s he worked with Sidney Bechet, Wilbur DeParis (1954–55), and Doc Cheatham. He worked with Eddie Durham and Eddie Barefield in the 1960s, and remained active almost up until his death, though he never recorded as a leader.
Roanoke is an independent city in the U.S. state of Virginia. At the 2010 census, the population was 97,032. It is located in the Roanoke Valley of the Roanoke Region of Virginia.
James Fletcher Hamilton Henderson Jr. was an American pianist, bandleader, arranger and composer, important in the development of big band jazz and swing music. He was one of the most prolific black musical arrangers and, along with Duke Ellington, is considered one of the most influential arrangers and bandleaders in jazz history. Henderson's influence was vast. He helped bridge the gap between the Dixieland and the swing eras. He was often known as "Smack" Henderson.
Gene Sedric was an American jazz clarinetist and tenor saxophonist. He acquired the nickname "Honey Bear" in the 1930s because of his large camelhair coat.
Donald Matthew Redman was an American jazz musician, arranger, bandleader, and composer.
Carlos Wesley "Don" Byas was an American jazz tenor saxophonist, most associated with bebop. He played with Count Basie, Duke Ellington, Art Blakey, and Dizzy Gillespie, among others, and also led his own band. He lived in Europe for the last 26 years of his life.
James Price Johnson was an American pianist and composer. A pioneer of the stride style of jazz piano, he was one of the most important pianists who bridged the ragtime and jazz eras, and, with Jelly Roll Morton, one of the two most important catalysts in the evolution of ragtime piano into jazz. As such, he was a model for Count Basie, Duke Ellington, Art Tatum, and Fats Waller.
McKinney's Cotton Pickers were an African American jazz band, in Detroit, Michigan in 1926 led by William McKinney, who expanded his Synco Septet to ten pieces. Cuba Austin took over for McKinney on drums. Between 1927 and 1931, they were one of the most popular African-American bands. Many of their records for Victor were bestsellers.
Charlie Green was an American jazz musician, who was born in Omaha, Nebraska, and died in New York City. He was one of the early jazz trombonists and the soloist in the Fletcher Henderson orchestra.
Harlan Lattimore, was a popular African-American singer with several jazz orchestras of the 1930s, most notably Don Redman's. He was known as "The Colored Bing Crosby" (sic).
Harold Mabern, Jr. is an American jazz pianist and composer, principally in the hard bop, post-bop, and soul jazz fields. He is described in The Penguin Guide to Jazz Recordings as "one of the great post-bop pianists".
"I'm in the Mood for Love" is a popular song published in 1935. The music was written by Jimmy McHugh, with the lyrics by Dorothy Fields. The song was introduced by Frances Langford in the movie Every Night at Eight released that year.
Reunald Jones Sr., was a jazz trumpeter who worked both in big bands and as a studio musician.
Rudy Powell was an American jazz reed player.
Herman Autrey was an American jazz trumpeter.
Charles Cyril Creath was an American jazz trumpeter, saxophonist, accordionist, and bandleader.
Cedric Wallace was an American jazz double-bassist.
Dick Vance was an American jazz trumpeter and arranger.
A Handful of Keys is an album of live performances by Fats Waller and His Rhythm, the only authorized live performances of the musician. It features previously unreleased live radio transcriptions originally broadcast in 1938.
Joe Evans was a jazz alto saxophonist.
A Study in Frustration: The Fletcher Henderson Story is a box set compilation surveying studio recordings of the Fletcher Henderson Orchestra from 1923 to 1938, released in 1961 on Columbia Records, CXK 85470. It initially appeared as a four-album set produced by Frank Driggs and assembled by John Hammond, both of whom also wrote the liner notes. The set was part of a Thesaurus of Classic Jazz series on Columbia which included King of the Delta Blues Singers also worked on by Hammond and Driggs and released in 1961, the first album reissue of songs by blues legend Robert Johnson.
Kindness Joy Love & Happiness is an album by the Great Jazz Trio; pianist Hank Jones, bassist Ron Carter and drummer Tony Williams, recorded in 1977 for the Japanese East Wind label.