Smokin' Aces | |
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Directed by | Joe Carnahan |
Written by | Joe Carnahan |
Produced by | |
Starring | |
Cinematography | Mauro Fiore |
Edited by | Robert Frazen |
Music by | Clint Mansell |
Production companies |
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Distributed by | Universal Pictures (International; in most territories through United International Pictures [1] ) StudioCanal (France) [1] |
Release dates |
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Running time | 109 minutes |
Countries |
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Languages | English French |
Budget | $17 million [2] [3] |
Box office | $57.3 million [3] |
Smokin' Aces is a 2006 American action thriller film written and directed by Joe Carnahan. The film centers on the chase for Las Vegas magician turned mafia informant Buddy "Aces" Israel (Jeremy Piven), on whom a one-million-dollar bounty is placed. The ensemble cast includes Ryan Reynolds, Ben Affleck, Jason Bateman, Common, Andy García, Alicia Keys, Taraji P. Henson, Ray Liotta, Chris Pine, and Matthew Fox, all co-starring as the various individuals attempting to either capture, kill or protect Israel.
Smokin' Aces was the official acting debut of Keys and Common. The film is set in Lake Tahoe and was mainly filmed at Bally's Lake Tahoe, then known as Caesars Tahoe, and called the "Nomad Casino". It received mixed reviews and grossed $57 million at the box office. It was followed by a 2010 prequel, Smokin' Aces 2: Assassins' Ball , directed by P. J. Pesce and produced and co-written by Carnahan.
Las Vegas magician and wannabe gangster Buddy "Aces" Israel is in hiding at a Lake Tahoe hotel while his agent negotiates a potential immunity deal with FBI Deputy Director Stanley Locke. Special Agents Richard Messner and Donald Carruthers learn that ailing mob boss Primo Sparazza has issued a $1 million bounty on Israel and sent a mysterious "Swede" to bring him Israel's heart. Several assassins also seek the reward: master of disguise Lazlo Soot; hitwomen Sharice Watters and Georgia Sykes, hired by Sparazza's underboss; mercenary Pasquale Acosta; and psychotic neo-Nazi brothers Darwin, Jeeves, and Lester Tremor.
Locke sends Messner and Carruthers to take Israel into protective custody. Bail bondsmen Jack Dupree, "Pistol" Pete Deeks, and Hollis Elmore have been hired by the law firm that posted Israel's bail to capture him as well. The bondsmen are attacked by the Tremors, and only Elmore escapes alive. Messner visits the murder scene while Carruthers proceeds to the hotel, which each of the assassins has infiltrated. Carruthers recognizes Acosta, disguised as a security officer, in an elevator and both are seriously wounded in the ensuing gunfight.
Soot gains access to Israel's penthouse, posing as his henchman Hugo. Sir Ivy, Israel's second-in-command, confronts Israel for agreeing to inform on Ivy and his entourage as part of the plea deal and is subdued by hotel security. In Los Angeles, Locke abruptly withdraws from the deal with Israel and orders that Messner and Carruthers not be told. The Tremor brothers reach the penthouse floor and attack the security team and Ivy, who kill Jeeves and Lester. Israel, learning Locke has terminated the plea deal, attempts suicide.
Finding Carruthers and Acosta, Sykes is cornered when Messner sets up a position around the elevator. Watters provides cover from a nearby hotel with an M82 sniper rifle, outgunning Messner's team. Acosta wounds Sykes, but is shot by a dying Carruthers. Believing Sykes is dead, Watters continues shooting at the FBI. Sykes escapes to the penthouse, where she stops Darwin Tremor before he can kill Ivy. Tremor escapes, and Messner, distraught over Carruthers' death, stops Ivy and Sykes on the stairwell but lets them go. Seeing the pair alive and free through her rifle scope, Watters is approached by FBI agents and gunshots are heard.
Locke and his team descend on the hotel and take Israel to the hospital. Soot escapes, while Acosta is carted away on a gurney, still alive, and Darwin is gunned down by Elmore. At the hospital, Messner learns the truth from Locke: the Swede is a prominent heart surgeon, and Soot was hired to retrieve Israel's heart as a transplant for Sparazza; Israel is Sparazza's illegitimate son and most compatible donor. Sparazza is revealed to be Freeman Heller, a former undercover FBI agent who was thought to have been killed by the mob. In reality, the FBI attempted to kill Heller for blurring the lines between mobster and agent. Heller survived, permanently adopting the identity of Sparazza in anger.
Messner is furious over the unnecessary deaths of Carruthers and his fellow agents, and Locke's plan to complete the transplant, sacrificing Israel to save Sparazza and exploit his decades of criminal operations. Ordered to keep quiet, Messner instead locks himself in the operating room and takes Israel and Sparazza off life support, killing them both. As Locke and his men desperately try to break in, Messner lays his gun and badge on the floor, apparently resigning from the FBI and awaiting his punishment.
Wayne Newton makes a cameo appearance as himself. Joe Carnahan, the film's writer-director, makes a cameo as an armed robber at the beginning of the film.
After quitting work on Mission: Impossible III , Joe Carnahan wrote a draft of what he called a version of It's a Mad, Mad, Mad, Mad World , with dark humor and heavy violence. Liza Chasin of Working Title met with Carnahan based on how much she liked his previous film, Narc . Several members of the cast signed on because of Carnahan's association with Narc, and they trained with experts to produce the majority of their own stunts in camera. [4]
During the making of the film, Carnahan's on-set photographer captured thousands of stills. These stills (over 3,000) were given to the London-based studio VooDooDog, who found sequential photographs that could be animated into title sequences. The images were then manipulated using After Effects, giving control of camera movement and depth of field. The sequence takes inspiration from Butch Cassidy and the Sundance Kid and other 1970s movies. To give the rostrum-type hand-made feel, ink textures were filmed using a Canon 5D stills camera. Originally two sequences were produced, an opening sequence and an end sequence. However, only the end sequence was used. Creative director Paul Donnellon remarked "Yes, Joe liked the opening credits we did but after their edit, they felt it slowed the momentum of the introduction. That seems to be a big concern for filmmakers now—they're aware of the short attention span of audiences and don't want to delay the story. As a designer, I am not sure I would agree, of course. I think that if credit sequences are good and entertaining, they can hold an audience's attention". [5]
The movie itself contains 18 songs, [6] leaving only one out of the official soundtrack which was "Spottieottiedopaliscious" by Outkast. The score music was composed by Clint Mansell who has also scored such movies as The Fountain and Requiem for a Dream . The Song "First Warning" By The Prodigy Appeared In The Racing Game Need for Speed: Undercover & TV Show Top Gear Review For The Car BAC Mono.
No. | Title | Artist | Length |
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1. | "First Warning" | The Prodigy | 4:21 |
2. | "Big White Cloud" | John Cale (U.S. release only) | 4:05 |
3. | "Ace of Spades" | Motörhead | 2:48 |
4. | "Down on the Street" | The Stooges | 3:45 |
5. | "Play Your Cards Right" | Common feat. Bilal | 3:09 |
6. | "Trespassing" | Skull Snaps | 4:00 |
7. | "Segura o Sambura" | Nilton Castro | 2:55 |
8. | "Touch Me Again" | Bernard "Pretty" Purdie | 4:23 |
9. | "Under the Street Lamp" | Joe Bataan | 2:52 |
10. | "I Gotcha' Back" | GZA | 5:00 |
11. | "I Love You" | The Bees | 4:33 |
12. | "Morte di un Soldato" | Ennio Morricone | 3:12 |
13. | "Save Yourself" | The Make-Up | 3:22 |
14. | "Like Light to the Flies" | Trivium | 5:43 |
15. | "FBI" | Clint Mansell | 3:00 |
16. | "Shell Shock" | Clint Mansell | 3:09 |
17. | "Dead Reckoning" | Clint Mansell | 3:16 |
According to Box Office Mojo, the movie grossed $14,638,755 on its opening weekend (2,218 theaters, averaging $6,599 per theater). The movie grossed a total of $35,662,731 in the North American market and $21,600,709 outside the United States, making a total worldwide gross of $57,263,440. [3]
Smokin' Aces has an approval rating of 31% on Rotten Tomatoes, based on 158 reviews, with an average score of 4.50/10. The site's critical consensus reads, "A violent mess of a movie, Smokin' Aces has some of Quentin Tarantino's style but not much of his wit or humor". [7] On Metacritic, the film has a score of 45 out of 100, based on 32 critics, indicating "mixed or average reviews". [8] Audiences surveyed by CinemaScore gave the film a grade "B" on a scale of A to F. [9] [2]
David Denby of The New Yorker gave a negative review of the film, stating that it has "a rabid, itchy, crack-den heartlessness to it—screw-you nihilism as a joke" and "has been made with the kind of antic violence that wins a movie the honorific title of "black comedy." What that indicates in this case is that nothing makes sense—and that's supposed to be cool." [10] Peter Travers of Rolling Stone gave the film three out of four stars; although he noted that the film has "too many characters and too many plot strands" as well as an abrupt ending, he stated that the film is "shamelessly and unapologetically a guy movie... Carnahan can still fire up action and laughs like nobody's business." [11]
During a rare talk session for Princeton University's series of film screenings in October 2016, director Terrence Malick praised the film, stating that it was "very well directed" and impressive in how it was able to balance numerous plotlines. [12]
This section needs additional citations for verification .(January 2023) |
Smokin' Aces was released on DVD and HD DVD on April 17, 2007, and sold 1,853,397 DVD units which produced a revenue of $35,714,831, or more than double the movie's budget. [13] It was later released on Blu-ray on January 19, 2010, and then on Ultra HD Blu-ray on May 3, 2022.
On July 17, 2007, director Joe Carnahan announced that production had been approved by Universal Pictures for a second Smokin' Aces film, which he would not direct. The film is a prequel to the original and was released straight to DVD on January 19, 2010. [14] [15]
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reported $17 mil production budget