Snood scarf is a type of scarf that can be considered as combining a muffler with a turtleneck. A snood is a tube-shaped piece of stretchable cloth that can be worn either around the neck as a scarf or around the head as a kind of hood. [1]
Snood scarves can be made from the light clothing material, like silk, to wear in the spring- and summertime, or knitted cloth and even fur to provide warmth in the winter. Snood arrangements on the neck and head are flexible enough to highlight the individuality of a wearer. [1]
The snood scarf appeared, and got its name through redefining a term used for the women's headgear, in the 21st century. While clearly a scarf, it broke out of the standard classification of scarves that was based on a shape of the cloth (triangular, rectangular, etc.) as the snood scarf has no ends. [2]
While the first snood scarves appeared in 2000s, celebrities included snood scarves into their outfits in the early 2010s, creating a "wave of snoods on the street". [1]
Just like other scarves, snoods are fashion accessories, quickly evolving with the change of fashion, and are used in a decorative role to highlight the personality of the owner. [2]
Yang & Lee (2010) found that the images of snoods in fashion publications belong to one of the three types:
Snoods briefly became popular among soccer players about 2005 but had been banned by the IFAB in the summer of 2011. [6]
Clothing is any item worn on the body. Typically, clothing is made of fabrics or textiles, but over time it has included garments made from animal skin and other thin sheets of materials and natural products found in the environment, put together. The wearing of clothing is mostly restricted to human beings and is a feature of all human societies. The amount and type of clothing worn depends on gender, body type, social factors, and geographic considerations. Garments cover the body, footwear covers the feet, gloves cover the hands, while hats and headgear cover the head, and underwear covers the private parts.
A neckerchief, sometimes called a necker, kerchief or scarf, is a type of neckwear associated with those working or living outdoors, including farm labourers, cowboys and sailors. It is most commonly still seen today in the Scouts, Girl Guides and other similar youth movements. A neckerchief consists of a triangular piece of cloth or a rectangular piece folded into a triangle. The long edge is rolled towards the point, leaving a portion unrolled. The neckerchief is then fastened around the neck with the ends either tied or clasped with a slide or woggle.
A necktie, or simply a tie, is a piece of cloth worn for decorative purposes around the neck, resting under the shirt collar and knotted at the throat, and often draped down the chest.
A scarf is a long piece of fabric that is worn on or around the neck, shoulders, or head. A scarf is used for warmth, sun protection, cleanliness, fashion, religious reasons, or to show support for a sports club or team. Scarves can be made from materials including wool, linen, silk, and cotton. It is a common type of neckwear and a perennial accessory.
A hood is a type of headgear or headwear that covers most of the head and neck, and sometimes the face. It may be either a separate item of dress or part of a piece of clothing that may be pulled up to cover the head. Hoods that cover mainly the sides and top of the head, and leave the face mostly or partly open may be worn for protection from the environment, for fashion, as a form of traditional dress or uniform, or in the case of knights, an armoured hood is used for protection against bladed weapons. In some cases, hoods are used to prevent the wearer from seeing where they are going. Hoods with eye holes may be used for religious purposes to prevent the wearer from being seen. In the case of Ku Klux Klan members, terrorists, or criminals such as robbers, a hood with eye holes helps prevent identification.
A snood is a type of traditionally female headgear, with two types known. The long-gone Scottish snood was a circlet made of ribbon worn by Scottish young women as a symbol of chastity. The other type was intended to hold the hair in a cloth or net-like hat. In the most common form, the headgear resembles a close-fitting hood worn over the back of the head. It is similar to a hairnet, but snoods typically have a looser fit.
1860s fashion in European and European-influenced countries is characterized by extremely full-skirted women's fashions relying on crinolines and hoops and the emergence of "alternative fashions" under the influence of the Artistic Dress movement.
Huipil is the most common traditional garment worn by indigenous women from central Mexico to Central America.
Kurdish traditional clothing, also known as Kurdish dress, refers to the folk costumes of the Kurdish people. The traditions typically vary across different regions and tribes of Kurdistan, but it has some common elements. Historically, Kurdish clothing was more complex and varied, but it has evolved to a simpler form over time. It is also prominently worn during festivals and special occasions such as Newroz.
Serbian traditional clothing, also called as Serbian national costume or Serbian dress, refers to the traditional clothing worn by Serbs living in Serbia, Croatia, Bosnia and Herzegovina, Montenegro, and the extended Serbian diaspora communities in Austria, Australia, Bulgaria, Canada, France, Germany, Greece, Hungary, North Macedonia, Romania, Russia, Slovenia, United States, etc. Like any traditional dress of a nation or culture, it has been lost to the advent of urbanization, industrialization, and the growing market of international clothing trends. The wide range of regional folk costumes show influence from historical Austrian, Hungarian, German, Italian, and Ottoman Turkish presence. Nonetheless, the costumes are still a pinnacle part of Serbian folk culture. From the 19th century and onwards, Serbs have adopted western-styled clothing. This change has started in larger settlements such as cities and towns, although it was not uncommon to see rural women in traditional working costumes all the way until the end of 1970s. Today, these national costumes are only worn by some elderly in rural areas but are most often worn with connection to special events and celebrations, mostly at ethnic festivals, religious and national holidays, weddings, tourist attractions, and by dancing groups who dance the traditional Serbian kolo, or circle dance.
According to halacha, married Jewish women are expected to cover their hair when in the presence of men other than their husband or close family members. Such covering is common practice among Orthodox Jewish women.
Fashion in the period 1500–1550 in Europe is marked by very thick, big and voluminous clothing worn in an abundance of layers. Contrasting fabrics, slashes, embroidery, applied trims, and other forms of surface ornamentation became prominent. The tall, narrow lines of the late Medieval period were replaced with a wide silhouette, conical for women with breadth at the hips and broadly square for men with width at the shoulders. Sleeves were a center of attention, and were puffed, slashed, cuffed, and turned back to reveal contrasting linings.
The most characteristic North American fashion trend from the 1930s to 1945 was attention at the shoulder, with butterfly sleeves and banjo sleeves, and exaggerated shoulder pads for both men and women by the 1940s. The period also saw the first widespread use of man-made fibers, especially rayon for dresses and viscose for linings and lingerie, and synthetic nylon stockings. The zipper became widely used. These essentially U.S. developments were echoed, in varying degrees, in Britain and Europe. Suntans became fashionable in the early 1930s, along with travel to the resorts along the Mediterranean, in the Bahamas, and on the east coast of Florida where one can acquire a tan, leading to new categories of clothes: white dinner jackets for men and beach pajamas, halter tops, and bare midriffs for women.
Fashion in 15th-century Europe was characterized by a surge of experimentation and regional variety, from the voluminous robes called houppelandes with their sweeping floor-length sleeves to the revealing giornea of Renaissance Italy. Hats, hoods, and other headdresses assumed increasing importance, and were draped, jeweled, and feathered.
Chinese clothing, including traditional Hanfu, ethnic minority garments, and modern adaptations of indigenous styles, is a vital aspect of Chinese culture and civilization. For thousands of years, Chinese clothing has evolved with dynastic traditions, foreign influences, and cultural exchanges, adapting to the needs of each era. Each dynasty maintained specific styles, colors, and forms that reflected social class distinctions and regional diversity. Beyond its practical functions—such as protection from weather and modesty—clothing also served as a cultural marker, distinguishing social roles, rank, and relationships. Ancient Chinese attire reflected the social and political structures of its time, while also showcasing textile, dyeing, and embroidery techniques. It stands as a testament to the creativity and ingenuity of the Chinese people, as well as the rich intercultural exchanges that shaped its development across centuries.
Croatian national costume, also called as Croatian traditional clothing or Croatian dress, refers to the traditional clothing worn by Croats living in Croatia, Bosnia and Herzegovina, Serbia, with smaller communities in Hungary, Austria, Montenegro, and Romania. Since today Croats wear Western-style clothing on a daily basis, the national costumes are most often worn with connection to special events and celebrations, mostly at ethnic festivals, religious holidays, weddings, and by dancing groups who dance the traditional Croatian kolo, or circle dance.
Traditional clothing is one of the factors that has differentiated Kosovo from neighboring countries, dating back as far as the Illyrian era.
Kazakh clothing, worn by the Kazakh people, is often made of materials suited to the region's extreme climate and the people's nomadic lifestyle. It is commonly decorated with elaborate ornaments made from bird beaks, animal horns, hooves and feet. Although contemporary Kazakhs usually wear Western dress, the Turkic people wear more traditional clothing for holidays and special occasions.
The keffiyeh or kufiyyeh, also known in Arabic as a hattah, is a traditional headdress worn by men from parts of the Middle East. It is fashioned from a square scarf, and is usually made of cotton. The keffiyeh is commonly found in arid regions, as it provides protection from sunburn, dust, and sand. The regional variations are called ghutrah and shemagh. A head cord, agal, is often used by Arabs to keep the ghutrah in place.
The Palestinian keffiyeh is a distinctly patterned black-and-white keffiyeh.