Cardiacs are an English rock band formed in Kingston upon Thames by Tim Smith and his brother Jim in 1977 under the name Cardiac Arrest. The band's sound fused circus, baroque pop and medieval music with progressive rock and post-punk, adding other elements like nursery rhymes and sea shanties. Tim Smith was the primary lyricist, noted for his complex and innovative compositional style. He and his brother were the only constant members in the band's regularly changing lineup.
Sidi Bou Said were a British rock band formed in 1990 by Claire Lemmon, Gayl Harrison and Melanie Woods. Their music combined an indie rock/folk sound with complex arrangements and literate lyrics. They were often compared to Throwing Muses and the Pixies, with whom they shared a taste for sometimes uncomfortable lyrical themes—murder, religion, the workings of the human body and surrealist stories and films. Their name comes from a town in Tunisia.
On Land and in the Sea is the second studio album proper by the English rock band Cardiacs. Produced by band leader Tim Smith, it was recorded and mixed in 1988 at The Slaughterhouse studios in Yorkshire and released in May 1989 by the band's label Alphabet Business Concern. The record features a complex sound, with songs moving through rapid shifts in tempo and key, as well as more experimentation with song structures than the group's previous album. Critics have described the record as art rock and pop in style. It was their final album with their "classic" six-piece line-up.
A Little Man and a House and the Whole World Window is the debut studio album by the English rock band Cardiacs. It was released on 21 March 1988 in the United Kingdom by their own label the Alphabet Business Concern and in the Netherlands by Torso Records. Its single "Is This the Life" saw brief chart success due to exposure on mainstream radio, and garnered the attention of a wider audience when it entered the Independent Top 10 in the UK, peaking at number 80.
Heaven Born and Ever Bright is the third studio album by British rock band Cardiacs. It was produced by Tim Smith, engineered by David Murder and mixed by both. Due to Rough Trade going bankrupt soon after the album's release, it was scarce until reissued in 1995 by the Alphabet Business Concern. This reissue was remastered and given new cover art.
The Seaside is the third demo album from English rock group Cardiacs. The album originally featured the second recording of what would become the band's only hit single, "Is This the Life?". It is the last of the band's releases to feature keyboard player/drummer/singer Mark Cawthra and the first to feature keyboard player William D. Drake.
Big Ship is the second extended play (EP) by the English band Cardiacs, released in January 1987 by the Alphabet Business Concern. It is an album-sized vinyl record played at the speed of a single (45rpm) and was issued with a lyric insert. It was the first Cardiacs release to exclusively feature the so-called classic 1980s line-up of the band.
"There's Too Many Irons in the Fire" is the second single by the English rock band Cardiacs, released on 12 August 1987.
"Is This the Life" is a song by English rock band Cardiacs from their debut studio album A Little Man and a House and the Whole World Window (1988). The song was released on vinyl by the Alphabet Business Concern and Torso on 16 April 1988 as the only single from the album. The song was previously recorded for the demo albums Toy World (1981) and The Seaside (1984). It also briefly attained chart success after being played on various Radio 1 shows thanks to DJ Liz Kershaw. The Torso version of the 7" is exactly the same as the Alphabet release although it comes in a paper sleeve instead of a cardboard one. Only the Torso 12" differs in both track listing and cover design.
Rude Bootleg is a live album by the English rock band Cardiacs. It is the band's first live album, and was originally recorded at the Reading Rock Festival on 24 August 1986.
All That Glitters Is a Mares Nest is a live album and concert film by the English rock band Cardiacs. It is their third live album, and was originally recorded in the afternoon in the Salisbury Arts Centre on 30 June 1990 with Napalm Death. It is the only Cardiacs album to feature guitarist Christian Hayes throughout. The album was released on VHS in 1992 and as a live album on 1 June 1995.
"A Bus for a Bus on the Bus" is the debut single by English rock band Cardiacs, then known as Cardiac Arrest, released in 1979 under Tortch Records. The song's title recalls "A Pound for a Brown on the Bus" from the Mothers of Invention album Uncle Meat (1969).
William Derek Drake is an English musician, keyboardist, pianist, composer and singer-songwriter. He is best known as a former member of the cult English rock band Cardiacs, whom he played with for nine years between 1983 and 1992. He has also been a member of the Sea Nymphs, North Sea Radio Orchestra, Nervous, Wood, Lake of Puppies and The Grown-Ups, as well as pursuing a career as a solo artist. He is a distant cousin of the English singer-songwriter Nick Drake.
The Trudy are an English post-punk band formed in Kingston upon Thames in 1979 by former Cardiacs members Peter Tagg (drums) and Ralph Cade along with Derek Tagg (guitar) and Sue Smallwood (bass).
The English rock band Cardiacs have released five studio albums and two extended plays along with a number of singles, compilations, live albums and demos. The group was formed by brothers Tim and Jim Smith in 1977 under the name Cardiac Arrest, releasing their debut single "A Bus for a Bus on the Bus" in 1979 and the demo album The Obvious Identity the following year. After being renamed to Cardiacs, the band released two more cassettes, Toy World (1981) and The Seaside (1984).
"Day Is Gone" is a song by English rock band Cardiacs from their third studio album, Heaven Born and Ever Bright (1992). It was released as a twelve-inch single preceding the album on 28 October 1991 alongside a free 7-inch titled "Appealing to Venus" by side project the Sea Nymphs from their eponymous debut studio album (1992). Both tracks were written by Tim Smith who solely produced the former, while the Sea Nymphs produced the latter. Musicially, "Day Is Gone" has been described as a power pop song with a 5
4 time signature and prominent guitars.
"Stoneage Dinosaurs" is a song by English rock band Cardiacs from their EP Big Ship (1987). The song was written by frontman Tim Smith and produced by Smith alongside Graham Simmonds. Musically, the song is a melancholy track with violins, saxophones and funeral paced drums. Its lyrics reference family, contemporary celebrities and the First World War. The song received generally positive reviews from music critics, who noted its stark difference to the other tracks on the EP.
James A. Smith is an English musician, best known as the bass guitarist for the rock band Cardiacs which he formed with his brother Tim Smith. Along with performing backing vocals for the group, he co-wrote the hymn "The Alphabet Business Concern ", sang lead vocals on "Food on the Wall" live, and his girlfriend ran the band's merch stall.
The Sea Nymphs is the self-titled debut studio album by the English psychedelic folk band the Sea Nymphs, an offshoot of the rock band Cardiacs featuring Tim Smith, Sarah Smith and William D. Drake. It was originally released as a limited edition promotional cassette by All My Eye and Betty Martin Music in 1992 and was reissued on CD via Cardiacs' label the Alphabet Business Concern in 1995.
Timothy Graham Quy was a British musician, best known as the percussionist for the rock band Cardiacs from 1981 to 1990. Initially the band's sound engineer, Quy first gigged as reserve bass player in 1980 and joined full-time on percussion in 1981. He became a key part of the band's classic six-piece lineup, performing on all their releases from The Seaside (1983) to On Land and in the Sea (1989), and was a popular face in the UK underground. Quy's last performance with Cardiacs was documented in the live video All That Glitters Is a Mares Nest (1992), where his marimba figures particularly high in the mix.
[2] 
