Cardiacs are an English rock band formed in Kingston upon Thames by Tim Smith and his brother Jim in 1977 under the name Cardiac Arrest. One of Britain's leading cult rock bands, Cardiacs' sound folded in genres including art rock, progressive rock, art punk, post-punk, jazz, psychedelia and heavy metal, all of which was topped by Smith's anarchic vocals and hard-to-decipher lyrics. The band's theatrical performance style often incorporated off-putting costumes and make-up, complete with on-stage confrontations. Their bizarre sound and image made them unpopular with the press, but they amassed a devoted following.
On Land and in the Sea is the second studio album proper by the English rock band Cardiacs. Produced by band leader Tim Smith, it was recorded and mixed in 1988 at The Slaughterhouse studios in Yorkshire and released in May 1989 by the band's label Alphabet Business Concern. The record features a complex sound, with songs moving through rapid shifts in tempo and key, as well as more experimentation with song structures than the group's previous album. Critics have described the record as art rock and pop in style. It was their final album with their "classic" six-piece line-up.
A Little Man and a House and the Whole World Window is the debut studio album by the English rock band Cardiacs. It was released on 21 March 1988 in the United Kingdom by their own label the Alphabet Business Concern and in the Netherlands by Torso Records. Its single "Is This the Life" saw brief chart success due to exposure on mainstream radio, and garnered the attention of a wider audience when it entered the Independent Top 10 in the UK, peaking at number 80.
Heaven Born and Ever Bright is the third studio album by British rock band Cardiacs, released on 15 May 1992 through the band's label Alphabet Business Concern, originally marketed by Rough Trade and distributed by Rough Trade and Pinnacle. It was produced by Tim Smith, engineered by David Murder and mixed by both. Due to Rough Trade going bankrupt soon after the album's release, it was scarce until reissued in 1995. This reissue was remastered and given new cover art.
The Seaside is the third demo album from English rock group Cardiacs. The album originally featured the second recording of what would become the band's only hit single, "Is This the Life?". It is the last of the band's releases to feature keyboard player/drummer/singer Mark Cawthra and the first to feature keyboard player William D. Drake.
Archive Cardiacs is a compilation album by English rock band Cardiacs. The album is composed of early tracks by the band recorded from 1977 to 1979. The tracks were compiled from Cardiacs' demo albums The Obvious Identity (1980) and Toy World (1981), as well as four pieces recorded by Tim Smith and Dominic Luckman for a side project that never saw fruition.
Big Ship is the second extended play (EP) by the English band Cardiacs, released in January 1987 by the Alphabet Business Concern. It is an album-sized vinyl record played at the speed of a single (45rpm) and was issued with a lyric insert. It was the first Cardiacs release to exclusively feature the so-called classic 1980s line-up of the band.
"Susannah's Still Alive" is a song by Dave Davies, released for his second solo single. The recording featured all of the Kinks' members as his backing band. It was a hit but it did not live up to the expectations of Davies' last single "Death of a Clown", which was a Top 5 hit. It failed to chart in the US, but was a significant success in Europe, reaching #10 in the Netherlands, #27 in Germany, #18 in Belgium and #18 in Sweden. Although it was never featured on an LP, its B-side "Funny Face" was included on the Kinks' 1967 album Something Else by the Kinks.
The Sea Nymphs were an English band from Kingston upon Thames, England. The group comprised Cardiacs' core members Tim Smith, William D. Drake and Sarah Smith. They are commonly regarded as the quieter side of the parent band. Rooted in folk and chamber music, their sound is much lighter than that of their parent outfit. The songs dispense with the use of loud guitars and drums, in favour of differing vocal rhythms, keyboards and brass instruments. However, the music still contains Cardiacs' trademark off-the-wall chord progressions and sudden time changes, albeit in a slightly gentler fashion.
All That Glitters Is a Mares Nest is a live album and concert film by the English rock band Cardiacs. It is their third live album, and was originally recorded in the afternoon in the Salisbury Arts Centre on 30 June 1990 with Napalm Death. It is the only Cardiacs album to feature guitarist Christian Hayes throughout. The album was released on VHS in 1992 and as a live album on 1 June 1995.
Greatest Hits is a compilation album by the English rock band Cardiacs, released on 22 February 2002.
"I'm Going Down" is a song written and produced by Norman Whitfield, and performed by American soul and R&B group Rose Royce in 1976. It is from the film Car Wash and is featured on its soundtrack. In 1994, it was covered by American singer Mary J. Blige.
"Ditzy Scene" is a song by English rock band Cardiacs. It was planned as the opening track and lead single from the band's unfinished sixth album, LSD. It was released on Org Records, and was the band's last single to be released in frontman Tim Smith's lifetime, as well as their most recent to be composed of entirely new material.
The English rock band Cardiacs have released five studio albums and two extended plays along with a number of singles, compilations, live albums and demos. The group was formed by brothers Tim and Jim Smith in 1977 under the name Cardiac Arrest, releasing their debut single "A Bus for a Bus on the Bus" in 1979 and the demo album The Obvious Identity the following year. After being renamed to Cardiacs, the band released two more cassettes, Toy World (1981) and The Seaside (1984).
"Day Is Gone" is a song by English rock band Cardiacs from their third studio album, Heaven Born and Ever Bright (1992). It was released as a twelve-inch single preceding the album on 28 October 1991 alongside a free 7-inch titled "Appealing to Venus" by side project the Sea Nymphs from their eponymous debut studio album (1992). Both tracks were written by Tim Smith who solely produced the former, while the Sea Nymphs produced the latter. Musically, "Day Is Gone" has been described as a power pop song with a 5
4 time signature and prominent guitars.
LSD is the unfinished sixth and final studio album by the English rock band Cardiacs. Recording began following lineup changes, with the lead single "Ditzy Scene" released by Org Records in 2007 to tease the upcoming double album. It was due to be released in October 2008, promoted by singles in August and November, a fall tour, a radio session with Marc Riley and a reissue of the concert film All That Glitters Is a Mares Nest (1992). Production was indefinitely postponed after frontman Tim Smith had a cardiac arrest and stroke on 25 June 2008 leaving him unable to play or provide vocals.
"Stoneage Dinosaurs" is a song by English rock band Cardiacs from their EP Big Ship (1987). The song was written by frontman Tim Smith and produced by Smith alongside Graham Simmonds. Musically, the song is a melancholy track with violins, saxophones and funeral paced drums. Its lyrics reference family, contemporary celebrities and the First World War. The song received generally positive reviews from music critics, who noted its stark difference to the other tracks on the EP.
The Sea Nymphs is the self-titled debut studio album by the English psychedelic folk band the Sea Nymphs, an offshoot of the rock band Cardiacs featuring Tim Smith, Sarah Smith and William D. Drake. It was originally released as a limited edition promotional cassette by All My Eye and Betty Martin Music in 1992 and was reissued on CD via Cardiacs' label the Alphabet Business Concern in 1995.
"Foundling" is a song by the English rock band Cardiacs from their fourth studio album, Sing to God (1996). Written and produced by Tim Smith, it is a ballad built on dense keyboards and searing synth with gentle vocals and lyrical ideas about the afterlife. Reviewers considered the song an effective album closer, noting its beauty and emotional resonance. The song was included on compilations released by Org Records; a cover version by Spiritwo was released as a single by Org in 2007.
