Ellen Taaffe Zwilich is an American composer, the first female composer to win the Pulitzer Prize for Music. Her early works are marked by atonal exploration, but by the late 1980s, she had shifted to a postmodernist, neoromantic style. She has been called "one of America's most frequently played and genuinely popular living composers." She was a 1994 inductee into the Florida Artists Hall of Fame. Zwilich has served as the Francis Eppes Distinguished Professor at Florida State University.
Grażyna Bacewicz Biernacka was a Polish composer and violinist of Lithuanian origin. She is the second Polish female composer to have achieved national and international recognition, the first being Maria Szymanowska in the early 19th century.
Jean Coulthard, was a Canadian composer and music educator. She was one of a trio of women composers who dominated Western Canadian music in the twentieth century: Coulthard, Barbara Pentland, and Violet Archer. All three died within weeks of each other in 2000. Her works might be loosely termed "prematurely neo-Romantic", as the orthodox serialists who dominated academic musical life in North America during the 1950s and 1960s had little use for her.
Bernhard Heinrich Romberg was a German cellist and composer.
Gwendoline Linda Louise Thompson is a Canadian violinist and music educator. She has been a member of two notable chamber music ensembles with whom she has made several commercial recordings: the Masterpiece Trio (1977–1988) and Viveza, the latter of which she formed in 1989 with Lee Duckles (cello), Wilmer Fawcett (double-bass), Mark Koenig (violin), and Linda Lee Thomas (piano). She has also appeared in concert as a soloist with several Canadian orchestras, including the Vancouver Symphony Orchestra, Victoria Symphony and the British Columbia Chamber Orchestra.
Heinrich Picot de Peccaduc, Freiherr von Herzogenberg was an Austrian composer and conductor descended from a French aristocratic family.
Boudewijn Buckinx is a Belgian composer and writer on music.
Viktor Kalabis was a Czech composer, music editor, musicologist, and husband of harpsichordist Zuzana Růžičková.
Lucijan Marija Škerjanc was a Slovene composer, music pedagogue, conductor, musician, and writer who was accomplished on and wrote for a number of musical instruments such as the piano, violin and clarinet. His style reflected late romanticism with qualities of expressionism and impressionism in his pieces, often with a hyperbolic artistic temperament, juxtaposing the dark against melodic phrases in his music.
Robert Comrie Turner, was a Canadian composer, educator, and radio producer.
Gary Alan Kulesha is a Canadian composer, pianist, conductor, and educator. Since 1995, he has been Composer Advisor to the Toronto Symphony Orchestra. He has been Composer-in-Residence with the Kitchener-Waterloo Symphony (1988–1992) and the Canadian Opera Company (1993–1995). He was awarded the National Arts Centre Orchestra Composer Award in 2002.
Lubor Bárta was a Czech composer.
Emilie Luise Friderica Mayer was a German composer of Romantic music. Although Emilie Mayer began her serious compositional study relatively late in life, she was a very prolific composer, eventually producing some 8 symphonies and at least 15 concert overtures, as well as numerous chamber works and lieder. She is often referred to as the "Female Beethoven" because of her pioneering attitude and similarities in style.
Roger John Goeb was an American composer.
Alan Belkin is a Canadian composer, organist, pianist as well as a pedagogue.
Jerzy Fitelberg was a Polish-American composer.
Victor Bruns was a German composer and bassoonist. He played with the Leningrad Opera, the Volksoper Berlin and the Staatskapelle Berlin. As a composer, he is known for his ballets and for bassoon concertos and sonatas.
Eda Rothstein Rapoport was a Jewish-American composer and pianist born in the Russian Empire.
(Ernest) John Robertson is a New Zealand born Canadian composer of concert music. He received his preliminary musical educational as part of his schooling in New Zealand. Upon emigrating to Canada in 1967 he took a position in the general insurance business, but in the mid 1970s he embarked on a course of private study in composition and counterpoint at the Royal Conservatory of Music in Toronto with Dr Sam Dolin. In 1987, the entry in the Composer's Competition won him a performance of his Variations for small orchestra Op 14. After his retirement, he has concentrated on getting his work heard more broadly and, since this moment, his music has been heard in Canada, Australia, Mexico, the UK, Sweden and Bulgaria. In 2014 after some orchestral pieces of his were played in Ruse, Bulgaria, the Ruse State Opera asked him to write an opera and the one hour long Orpheus was staged there in June 2015 and was revived in February and May 2016 and in June 2017.A companion piece for Orpheus, the dance piece with actors Lady Jane, appeared in 2017 and was seen in a new production in Stara Zagora, Bulgaria, in August 2022 and repeated a month later.
