Back Against the Wall is an album released in 2005 by Billy Sherwood in collaboration with a number of (mostly) progressive rock artists as a tribute to Pink Floyd's album The Wall. A year later, Sherwood followed it with the release of Return to the Dark Side of the Moon, a tribute to Pink Floyd's The Dark Side of the Moon.
Tom Coster is an American keyboardist, composer, and longtime backing musician for Carlos Santana.
Junction Seven is the seventh solo studio album by English musician and songwriter Steve Winwood, released in June 1997. The album broke the Top 40 in the UK but did not sell well in the US, and Winwood took a six-year break from making solo albums. This album was co-produced with Narada Michael Walden, while Winwood's wife Eugenia co-wrote several songs. Des'ree provided vocals on 'Plenty Lovin'.
Rainbow is the twenty-eighth solo studio album by Dolly Parton. It was released on November 25, 1987, by Columbia Records. The original plan, when Parton signed with CBS, was for her to alternate between releasing pop and country albums, but due to Rainbow's poor sales and tepid critical reception, the plan was quickly abandoned, and Parton more or less focused on recording country material for the remainder of her association with the label.
Something Worth Leaving Behind is the fourth studio album from American country music singer Lee Ann Womack, released in 2002. It peaked on the Billboard 200 at #16 and the Top Country Albums at #2. Two singles were released from the album; the title-track and "Forever Everyday". This was also the first album of Womack's career not to produce a Top Ten country hit, as well as the first to not feature any tracks written or co-written by her.
Short Stories is the 28th studio album by Japanese singer-songwriter Miyuki Nakajima, released in November 2000. The album features commercially successful double A-Side single "Earthly Stars "/"Headlight, Taillight", which became the number-one hit in later years and sold more than a million copies in Japan alone.
My Utmost for His Highest is the first of three albums of songs inspired by Oswald Chambers' devotional of the same name. The album, produced by Brown Bannister, features performances by popular Christian musicians of songs relating to a day from Chamber's book. It was the first album to receive the GMA Dove Award for Special Event Album of the Year, and was nominated for a Grammy Award for Best Pop/Contemporary Gospel Album.
Inphasion is Papa John Creach's seventh solo album and his last with DJM Records. Creach would not record another studio album until 1992.
Tribute to Bobby is a 2008 album by Simply Red frontman Mick Hucknall under the mononym 'Hucknall' and was his first solo album. It was released in the United Kingdom on 19 May 2008 and is a collection of songs in tribute to the blues singer Bobby Bland. The album charted at number 18 in the UK Official Albums Chart and spent two weeks inside the Top 75.
Bloodline is the thirty-first studio album by American singer/guitarist Glen Campbell, released in 1976.
No Ordinary World is the seventeenth studio album by Joe Cocker, released on 8 October 1999 in Europe and on 22 August 2000 in USA. The US edition of the album features two bonus tracks and has different cover artwork. Notable songs on the album include a cover of Leonard Cohen's "First We Take Manhattan" and "She Believes in Me" co-written by Bryan Adams, who had also provided backing vocals for the song.
Joey Lawrence is the debut album by American singer and actor Joey Lawrence, released on February 2, 1993, on MCA Records. It features a total of three singles; the biggest of which, the Lawrence co-written "Nothin' My Love Can't Fix", reached number 19 on the Billboard Hot 100.
Love Will Turn You Around is the thirteenth studio album by American singer Kenny Rogers, released in 1982.
Live and Kickin' was a 2003 all-star concert by country singer Willie Nelson on April 9, 2003, featuring music stars of diverse genres like Eric Clapton, Shania Twain, Elvis Costello, Diana Krall, Norah Jones, Ray Charles and Steven Tyler. The concert was held at the Beacon Theatre in New York City in celebration of Willie Nelson's 70th Birthday. Announcers were Robert De Niro, Whoopi Goldberg and Bill Clinton. A large cake in the shape of Willie's iconic "Trigger" Martin guitar was wheeled onstage towards the end of the show.
No More Mr. Nice Guy is an instrumental album released in 1996 by American country music artist Steve Wariner. His final album for Arista Records, it comprises twelve instrumental tracks. No singles were released from it, although "The Brickyard Boogie" was nominated for Best Country Instrumental at the Grammy Awards of 1997. This song features former Pearl River member Derek George, former Boy Howdy member Jeffrey Steele, as well as Bryan White and Bryan Austin. Jimmy Olander, guitarist for Diamond Rio, is featured on the track "Hap Towne Breakdowne".
Milestones: Greatest Hits is a compilation album by American country music singer-songwriter Holly Dunn. It was released by Warner Bros. Nashville in July 1991.
Alabama & Friends is a tribute album to American country rock group Alabama. It was released on August 27, 2013 via Show Dog-Universal Music. The album includes two new tracks, "That's How I Was Raised" and "All American", performed by Alabama.
Smoke Signals is a studio album by the American singer Smokey Robinson, released in 1986 by Motown. "Be Kind to the Growing Mind", featuring the Temptations, encourages songwriters to avoid distasteful lyrics. "Hold On to Your Love" was written with Stevie Wonder. Robinson supported the album with a North American tour.
Christmas is a studio album by American recording artist Stephanie Mills, released in October 1991 on MCA Records. The album is a Christmas album, the first by Mills that showcases her soulful renditions of classic Christmas carols such as "White Christmas", "Silent Night", "Rudolph the Red-Nose Reindeer", and soul singer Donny Hathaway's, "This Christmas".
Take Me All the Way is an album by the American musician Stacy Lattisaw, released in 1986 on Motown Records. The album features the song "Nail It to the Wall". The Washington Post concluded that, "though Lattisaw's voice has developed muscles and her new aggressive approach is an improvement over her bubblegum soul beginnings, her phrasing and musical personality remain unformed; she sounds like a girl playing dress-up."
