Related Research Articles
You Can Dance is the first remix album by American singer and songwriter Madonna. It was released on November 17, 1987, by Sire Records. The album contains remixes of tracks from her first three studio albums—Madonna (1983), Like a Virgin (1984) and True Blue (1986)—and a new track, "Spotlight". In the 1980s, remixing was still a new concept. The mixes on You Can Dance exhibited a number of typical mixing techniques. Instrumental passages were lengthened to increase the time for dancing and vocal phrases were repeated and subjected to multiple echoes. The album cover denoted Madonna's continuous fascination with Hispanic culture.
The Shapeshifters is the current alias of English house producer Simon Marlin and a former duo comprising Marlin and Swedish producer Max Reich, from Gothenburg. The Shapeshifters have been signed to Defected Records since 2008, and the duo were previously signed to Positiva. They are best known for their debut single "Lola's Theme", which went to No. 1 on the UK Singles Chart in July 2004.
"Don't You Want Me" is a song by British synth-pop group the Human League. It was released on 27 November 1981 as the fourth single from their third studio album, Dare (1981). The band's best known and most commercially successful song, it was the best selling UK single of 1981, that year's Christmas number one, and has since sold over 1,560,000 copies in the UK, making it the 23rd-most successful single in UK Singles Chart history. It topped the Billboard Hot 100 in the US on 3 July 1982, where it stayed for three weeks.
"Emotions" is a song recorded by American singer-songwriter Mariah Carey for her second studio album of the same name (1991). It was written and produced by Carey, Robert Clivillés, and David Cole of C+C Music Factory and released as the album's lead single on August 13, 1991 by Columbia Records. The song's lyrics has its protagonist going through a variety of emotions from high to low, up to the point where she declares, "You got me feeling emotions." Musically, it is a gospel and R&B song heavily influenced by 1970s disco music and showcases Carey's upper range and extensive use of the whistle register. Jeff Preiss directed the song's music video.
Marvin Burns, known by his stage name Li'l Louis, is a Chicago-born house-music producer and DJ. He scored a number of hits on the Billboard Hot Dance Music/Club Play chart in the 1980s and 1990s, three of which hit #1.
Londonbeat are a British dance-pop band who scored a number of pop and dance hits in the early 1990s. They currently consist of vocalists Jimmy Helms, Jimmy Chambers, and Charles Pierre. Former members include multi-instrumentalist William Henshall, George Chandler, Marc Goldschmitz, and Myles Kayne. As of 2024, the band has released six studio albums and numerous compilations.
"Into the Groove" is a song recorded by American singer Madonna, and featured on the 1985 film Desperately Seeking Susan. Written and produced by both Madonna and Stephen Bray, the main inspiration behind the song was the dance floor; the singer wrote it while watching a Latin American man to whom she was attracted. Its instrumentation features synthesizers and drum machines, with Madonna's voice being double tracked on the chorus. Sexual innuendos and undertones are present throughout the lyrics, which are written as an invitation to dance with the singer. Originally written for her friend Mark Kamins, Madonna later decided to use it on the film, as one of the scenes needed a dance song. It was later added to the 1985 international re-issue of her second studio album, Like a Virgin (1984), and remixed for her compilations You Can Dance (1987), The Immaculate Collection (1990), and Finally Enough Love: 50 Number Ones (2022).
Madison Park is an American electronica duo composed of husband and wife James and DeAnna Cool.
"The Tide Is High" is a 1967 rocksteady song written by John Holt, originally produced by Duke Reid and performed by the Jamaican group the Paragons, with Holt as lead singer. The song gained international attention in 1980, when a cover version by the American band Blondie became a US and UK number one hit. The song topped the UK Singles Chart again in 2002 with a version by the British girl group Atomic Kitten, while Canadian rapper Kardinal Offishall had a minor hit with his interpretation in 2008.
"Good Life" is a song by American electronic music group Inner City, featuring vocals by Paris Grey, and was released in November 1988 as the second single from their debut album, Paradise (1989). It is written and produced by Kevin Saunderson, and became a hit all over the world, reaching number-one in Finland and number four in the UK. In the US, it peaked at number-one on the Billboard Hot Dance Club Play chart. Its music video is directed by Andrew Doucette and filmed in London. "Good Life", along with "Big Fun", have been considered prototypes for Belgian act Technotronic's 1989 hit "Pump Up The Jam", and is today widely considered a classic of its genre.
"So Gone" is a song by American R&B recording artist Monica. It was one out of several tracks rapper-producer Missy Elliott wrote and produced along with Kenneth Cunningham and Jamahl Rye from production duo Spike & Jamahl for Monica's fourth studio album, After the Storm (2003), following the delay and subsequent reconstruction of her 2002 album, All Eyez on Me. Incorporating elements of hip hop and 1970s-style smooth jazz as well as soul music, it features a sample from the 1976 song "You Are Number One", penned by Zyah Ahmonuel and performed by The Whispers.
Chocolate Puma are a DJ and music production duo from Haarlem, North Holland, consisting of René ter Horst and Gaston Steenkist ("Dobre"). Their stage names include "Zki & Dobre", "The Good Men", and "Riva".
"Killer" is a song by British DJ and record producer Adamski. It was written by Adamski and British singer-songwriter Seal, who also provided vocals. It was released in March 1990 by MCA Records as the first single from Adamski's second album, Doctor Adamski's Musical Pharmacy (1990), and reached number one on the UK Singles Chart. The single spent four weeks at the top in May and June 1990 and sold over 400,000 copies in the UK, earning it gold certification. It also reached number one in Belgium and Zimbabwe and number two in the Netherlands and West Germany.
"It's a Fine Day" is a song written by English poet and musician Edward Barton. It was originally recorded a cappella in 1983 by Jane and later by Opus III, for whom it was a major international hit in 1992.
"Boot Scootin' Boogie" is a song first recorded by the band Asleep at the Wheel for their 1990 album, Keepin' Me Up Nights. American country music duo Brooks & Dunn recorded a cover version, which was included as the eighth track on their 1991 debut album, Brand New Man. It originally served as the B-side to their second single, "My Next Broken Heart". It became the duo's fourth single release and fourth consecutive number-one single on the U.S. Billboard Hot Country Singles chart. A dance remix of the song features as the eleventh and final track on their 1993 album Hard Workin' Man.
"Push the Feeling On" is a house song by the Scottish music group Nightcrawlers and American DJ Marc Kinchen (MK). The original version released in 1992 was also partially disco and acid jazz-influenced and was a minor chart hit in the United Kingdom. The song was later remixed extensively by Kinchen, creating a series of additional remixes for the song. One remix known as "Push the Feeling On (MK Dub Revisited Edit)" became an international chart hit in 1995, reaching the top 10 in various European countries, including the UK, where it peaked at number three.
"Suavemente" is a song recorded and composed by Puerto Rican artist Elvis Crespo on his first solo album, Suavemente, which followed his departure from Grupo Manía. Released as the lead single, "Suavemente" reached number one on the Billboard Hot Latin Tracks on May 16, 1998, and remained atop the chart for six weeks. Crespo re-recorded it with Spanglish lyrics. The song also hit the Billboard Hot 100 as well as received a Premios Lo Nuestro award and two Latin Billboard Music Awards the following year. "Suavemente" was the tenth best-performing Latin single of 1998. The song has been covered by several artists, some of whom also charted.
"A Deeper Love" is a song written by American producers Robert Clivillés and David Cole, and performed by them as Clivillés & Cole featuring vocals by Deborah Cooper. Released by Columbia in 1991, the song was the duo's fifth number-one on the US Billboard Hot Dance Club Play chart. On other US charts, "A Deeper Love" peaked at number 83 on the soul singles chart and number 44 on the pop chart. Overseas, especially in Europe the single charted higher, going to number 15 in the UK and number eight on the Dutch Top 40.
UK garage, abbreviated as UKG, is a genre of electronic dance music which originated in England in the early to mid-1990s. The genre was most clearly inspired by jungle, but also incorporates elements from dance-pop and R&B. It is defined by percussive, shuffled rhythms with syncopated hi-hats, cymbals, and snares, and may include either 4/4 house kick patterns or more irregular "2-step" rhythms. Garage tracks also commonly feature 'chopped up' and time-stretched or pitch-shifted vocal samples complementing the underlying rhythmic structure at a tempo usually around 130 BPM.
"Ride the Bullet" is a song recorded by Swedish Eurodance group Army of Lovers. It is written by group members Alexander Bard, Jean-Pierre Barda and Camilla Henemark with Emil Hellman and Anders Wollbeck, and was originally released on their debut album, Disco Extravaganza (1990). In 1991, the song was remixed and included on the group's second album, Massive Luxury Overdose (1991), and the US release of Disco Extravaganza titled Army of Lovers. A single was released both times; in 1990 and 1992. And both years, a music video was produced, directed by Fredrik Boklund.
References
- 1 2 Colin Larkin, ed. (1998). The Virgin Encyclopedia of Dance Music (First ed.). Virgin Books. p. 319. ISBN 0-7535-0252-6.
- ↑ Whitburn, Joel (2004). Hot Dance/Disco: 1974–2003. Record Research. p. 241.
