| Sound Of Impact | ||||
|---|---|---|---|---|
 | ||||
| Live album by | ||||
| Released | 1987 | |||
| Genre | ||||
| Length | 50:51 | |||
| Label | Blast First | |||
| Producer | Big Black | |||
| Big Black chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |    [1] |
| The Encyclopedia of Popular Music | [2] |
| Sounds | [3] |
Sound of Impact is a live album by the American post-hardcore band Big Black. [4] [5] [6] It was released in limited edition in 1987. The band did not include its name anywhere on the album. [7]
Alternative Rock wrote that the album captured a "typically brutal" live performance. [7]
Gothic rock is a style of rock music that emerged from post-punk in the United Kingdom in the late 1970s. The first post-punk bands which shifted toward dark music with gothic overtones include Siouxsie and the Banshees, Joy Division, Bauhaus, and the Cure.
Fugazi was an American post-hardcore band that formed in Washington, D.C., in 1986. The band consists of guitarists and vocalists Ian MacKaye and Guy Picciotto, bassist Joe Lally, and drummer Brendan Canty. They are noted for their style-transcending music, DIY ethical stance, manner of business practice, and contempt for the music industry.
Big Black was an American punk rock band from Evanston, Illinois, active from 1981 to 1987. Founded by singer and guitarist Steve Albini, the band's initial lineup also included guitarist Santiago Durango and bassist Jeff Pezzati, both of Naked Raygun. In 1985, Pezzati was replaced by Dave Riley, who played on Big Black's two full-length studio albums, Atomizer (1986) and Songs About Fucking (1987).
Killing Joke are an English rock band from Notting Hill, London, England, formed in 1978 by Jaz Coleman, Paul Ferguson (drums), Geordie Walker (guitar) and Youth (bass).
James George Thirlwell, also known as Clint Ruin, Frank Want, and Foetus, among other names, is an Australian musician, composer, and record producer. He is known for juxtaposing a variety of different musical styles.
Teenage Fanclub are a Scottish alternative rock band formed in Bellshill near Glasgow in 1989. The group were founded by Norman Blake, Raymond McGinley and Gerard Love, all of whom shared lead vocals and songwriting duties until Love's departure in 2018. As of 2019, the band's lineup consists of Blake, McGinley, Francis Macdonald, Dave McGowan and Euros Childs.
Chrome is an American rock band founded in San Francisco in 1976 by musician Damon Edge and associated with the 1970s post-punk movement. The group's raw sound blended elements of punk, psychedelia, and early industrial music, incorporating science-fiction themes, tape experimentation, distorted acid rock guitar, and electronic noise. They have been cited as forerunners of the 1980s industrial music boom.
Tested is a live album by punk rock band Bad Religion. It was recorded in the USA, Canada, Germany, Estonia, Denmark, Italy and Austria, in 1996, and released in 1997. It is Bad Religion's second live album. Instead of using crowd microphones and mobile studios like most live albums, the band tapped the inputs, for a result that portrays Bad Religion's live sound without crowd noise. It also includes three new songs; "Dream of Unity," "It's Reciprocal," and the title track.
The Hammer Party is a 1986 release of Big Black's early EPs made between 1982 and 1984. Originally released by Homestead Records, and later rereleased by Touch and Go, the LP came out at the same time as Big Black's Atomizer album, and featured the six songs from Lungs one side and the six songs from Bulldozer. The CD version was expanded to include Big Black's third record, Racer-X.
Hex Enduction Hour is the fourth studio album by the English post-punk group the Fall. Released on 8 March 1982, it builds on the low-fidelity production values and caustic lyrical content of their earlier recordings, and features a two-drummer lineup. Frontman Mark E. Smith establishes an abrasive Northern aesthetic built in part from the 20th century literary traditions of kitchen sink realism and magic realism. Smith described the album as an often-satirical but deliberate reaction to the contemporary music scene, a stand against "bland bastards like Elvis Costello and Spandau Ballet ... [and] all that shit."
Ride the Tiger is the debut studio album by American indie rock band Yo La Tengo. It was released in 1986 by record label Coyote.
Pigpile is a live album by the American musical group Big Black. It is a recording from July 24, 1987 during the post-hardcore band's final European tour, released in 1992 originally as a VHS tape. It was later issued as an audio-only LP/cassette/CD. The recordings were made at the Hammersmith Clarendon ballroom, London. A 5" transparent heavy-duty vinyl record was included away free with all copies of the VHS tape and some copies of the soundtrack album, featuring a cover version of the Mary Jane Girls song "In My House". Lower-quality recordings from the Hammersmith concert had previously appeared in a different configuration on the bootleg LP Tonight We Walked With Giants.
Tinderbox is the seventh studio album by English rock band Siouxsie and the Banshees. It was released on 21 April 1986 by Wonderland and Polydor Records in the United Kingdom and by Geffen Records in the United States. It was the band's first full-length effort recorded with then-new guitarist John Valentine Carruthers; Carruthers had previously only added a few parts on the 1984 EP The Thorn. The first recording sessions for the album took place at Hansa by the Wall in Berlin in May 1985.
Junkyard is the third studio album by Australian post-punk group The Birthday Party. It was released on 10 May 1982 by Missing Link Records in Australia and by 4AD in the UK. It was the group's last full-length studio recording. It has received critical acclaim.
Song of the Bailing Man is the fifth Pere Ubu album, released in 1982. It was the final Pere Ubu album until 1988's The Tenement Year.
Greed is the third studio album by American experimental rock band Swans. It was released in 1986, through record label K.422. Greed marks the slow turning point for Swans away from the harsh, brutal noise rock of prior releases, and is also the first Swans album to contain contributions from Jarboe.
F-Punk is the eighth studio album by Mick Jones' post-Clash band Big Audio Dynamite, released in 1995. It was the first album to be released under the name of Big Audio Dynamite since 1989's Megatop Phoenix. The title is a pun on the funk group P-Funk, and is supposed to imply "Fuck punk." The album cover lettering takes influence from London Calling, one of Mick Jones' albums with The Clash, which in turn was a copy of Elvis Presley's debut album.
Charmed Life is an album by the punk rock group Half Japanese, released in 1988. It is their second studio album released on their label, 50 Skidillion Watts.
Electronic rock is a music genre that involves a combination of rock music and electronic music, featuring instruments typically found within both genres. It originates from the late 1960s, when rock bands began incorporating electronic instrumentation into their music. Electronic rock acts usually fuse elements from other music styles, including punk rock, industrial rock, hip hop, techno, and synth-pop, which has helped spur subgenres such as indietronica, dance-punk, and electroclash.
Oedipus Schmoedipus is an album by the English musician Barry Adamson, released in 1996. Like Adamson's previous albums, Oedipus Schmoedipus was conceived as a soundtrack to an imaginary film. The album peaked at No. 51 on the UK Albums Chart.
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