The system consisted of an external 2U rack unit which housed the audio processing hardware, based on Motorola 56000 family DSPs, 2 inputs and 4 outputs in both unbalanced analogue and S/PDIF digital and two IDE hard disk drives. Synchronisation was via MIDI in/out/thru via MIDI Timecode and an optional I/O board provided balanced analogue and AES/EBU connections. Each unit could record and play 4 tracks of 16bit 48kHz audio but later software upgrades increase this to 8 tracks.
The unit connected to an ISA card fitted into a PC expansion slot, each of which could host 2 x SSHDR1 units. Multiple host cards could be used.
Windows software (for Windows 3.1, 95/98/ME, 2000, XP) controlled the unit and provided 256 virtual tracks, mixing and editing.
Up to 16 units could be used simultaneously, with full sample accurate synchronisation, controlled by one Soundscape editing application.
In 1995 an optional DSP board added a configurable mixer with real-time DSP plugins, an extra 8 in/out via a TDIF port and allowed the unit to record 10 or playback 12 tracks simultaneously at up to 24bit 48kHz. The card could be retro-fitted into any unit.
Optional software packages for Auto-Conforming (for film and TV post-production use) and CD Mastering were available as well as a selection of plug-in effects developed by well known companies such as TC Electronics and Dolby.
A sound card is an internal expansion card that provides input and output of audio signals to and from a computer under the control of computer programs. The term sound card is also applied to external audio interfaces used for professional audio applications.
Sound Blaster is a family of sound cards and audio peripherals designed by Creative Technology/Creative Labs of Singapore. The first Sound Blaster card was introduced in 1989.
Multitrack recording (MTR), also known as multitracking, is a method of sound recording developed in 1955 that allows for the separate recording of multiple sound sources or of sound sources recorded at different times to create a cohesive whole. Multitracking became possible in the mid-1950s when the idea of simultaneously recording different audio channels to separate discrete tracks on the same reel-to-reel tape was developed. A track was simply a different channel recorded to its own discrete area on the tape whereby their relative sequence of recorded events would be preserved, and playback would be simultaneous or synchronized.
Steinberg Media Technologies GmbH is a German musical software and hardware company based in Hamburg. It develops software for writing, recording, arranging and editing music, most notably Cubase, Nuendo, and Dorico. It also designs audio and MIDI hardware interfaces, controllers, and iOS/Android music apps including Cubasis. Steinberg created several industry standard music technologies including the Virtual Studio Technology (VST) format for plug-ins and the ASIO protocol. Steinberg has been a wholly owned subsidiary of Yamaha since 2005.
Virtual Studio Technology (VST) is an audio plug-in software interface that integrates software synthesizers and effects units into digital audio workstations. VST and similar technologies use digital signal processing to simulate traditional recording studio hardware in software. Thousands of plugins exist, both commercial and freeware, and many audio applications support VST under license from its creator, Steinberg.
Pro Tools is a digital audio workstation (DAW) developed and released by Avid Technology for Microsoft Windows and macOS. It is used for music creation and production, sound for picture and, more generally, sound recording, editing, and mastering processes.
A digital audio workstation is an electronic device or application software used for recording, editing and producing audio files. DAWs come in a wide variety of configurations from a single software program on a laptop, to an integrated stand-alone unit, all the way to a highly complex configuration of numerous components controlled by a central computer. Regardless of configuration, modern DAWs have a central interface that allows the user to alter and mix multiple recordings and tracks into a final produced piece.
Rosegarden is a free software digital audio workstation program developed for Linux with ALSA, JACK and Qt4. It acts as an audio and MIDI sequencer, scorewriter, and musical composition and editing tool. It is intended to be a free alternative to such applications as Cubase.
Renoise is a digital audio workstation (DAW) based upon the heritage and development of tracker software. Its primary use is the composition of music using sound samples, soft synths, and effects plug-ins. It is also able to interface with MIDI and OSC equipment. The main difference between Renoise and other music software is the characteristic vertical timeline sequencer used by tracking software.
The Gravis UltraSound or GUS is a sound card for the IBM PC compatible system platform, made by Canada-based Advanced Gravis Computer Technology Ltd. It was very popular in the demoscene during the 1990s.
Sound Blaster X-Fi is a lineup of sound cards in Creative Technology's Sound Blaster series.
The Nord Modular series is a line of synthesizers produced by Clavia, a Swedish digital synthesizer manufacturer. The Nord Modular series, in common with their sister range the Nord Lead series, are analogue modelling synthesizers, producing sounds that approximate those produced by conventional analogue synths by using DSP chips to digitally model analogue circuitry.
Soundscape S-2000 was Ensoniq's first direct foray into the PC sound card market. The card arrived on the market in 1994. It is a full-length ISA digital audio and sample-based synthesis device, equipped with a 2 MiB Ensoniq-built ROM-based patch set. Some OEM versions of the card feature a smaller 1 MiB patch set. It was praised for its then-high quality music synthesis and sound output, high compatibility and good software support.
The Soundscape Elite was Ensoniq's high-end ISA PC sound card offering. It offers the highest MIDI quality of any PC sound card Ensoniq produced. The board is an evolution of the company's previous Soundscape S-2000. The Soundscape ELITE was launched in March 1995.
The Ensoniq AudioPCI is a Peripheral Component Interconnect (PCI)-based sound card released in 1997. It was Ensoniq's last sound card product before they were acquired by Creative Technology. The card represented a shift in Ensoniq's market positioning. Whereas the Soundscape line had been made up primarily of low-volume high-end products full of features, the AudioPCI was designed to be a very simple, low-cost product to appeal to system OEMs and thus hopefully sell in mass quantities.
Sound Blaster Live! is a PCI add-on sound card from Creative Technology Limited for PCs. Moving from ISA to PCI allowed the card to dispense with onboard memory, storing digital samples in the computer's main memory and then accessing them in real time over the bus. This allowed for a much wider selection of, and longer playing, samples. It also included higher quality sound output at all levels, quadrophonic output, and a new MIDI synthesizer with 64 sampled voices. The Live! was introduced on August 11, 1998 and variations on the design remained Creative's primary sound card line into the early 2000's.
Sound Blaster Audigy is a product line of sound cards from Creative Technology. The flagship model of the Audigy family used the EMU10K2 audio DSP, an improved version of the SB-Live's EMU10K1, while the value/SE editions were built with a less-expensive audio controller.
Disklavier is a brand of reproducing pianos manufactured by Yamaha Corporation. The first Disklavier was introduced in the United States in 1987.
The Soundscape R.Ed (1997–2001) was the second generation digital audio workstation manufactured by Soundscape Digital Technology Ltd. It was renamed the Soundscape 32 after Mackie acquired the product and continued to be available until around 2007.
MAGIX Samplitude/ Sequoia is a computer program made by MAGIX for recording, editing, mixing, mastering and outputting audio. The first version was released in 1992 for the Amiga and three years later for Microsoft Windows. The latest versions of the software are Samplitude Pro X5, Samplitude Pro X8 Suite and Sequoia 17. Samplitude is an example of a digital audio workstation (DAW).
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