| Soundsigns | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1979 | |||
| Recorded | October 18 & 19, 1978 | |||
| Genre | Jazz | |||
| Length | 40:29 | |||
| Label | Galaxy | |||
| Dewey Redman chronology | ||||
| ||||
Soundsigns is an album by the American jazz saxophonist Dewey Redman. [1] It was recorded in 1978 for the Galaxy label. [2]
The AllMusic review by Scott Yanow stated: "Recorded at the same sessions that resulted in Musics, this LP (which has not yet been reissued on CD) is actually more exploratory". [3]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [3] |
| The Rolling Stone Jazz Record Guide | [4] |
Eyes of The Heart is a live album by American pianist Keith Jarrett recorded at the Theater am Kornmarkt in Bregenz, Austria in May 1976 and released on ECM in 1979—the last release by Jarrett's "American Quartet", featuring saxophonist Dewey Redman and rhythm section Charlie Haden and Paul Motian.
Ming is an album by David Murray, released in 1980 on the Italian Black Saint label and the first to feature his Octet. It features performances by Murray, Henry Threadgill, Olu Dara, Lawrence "Butch" Morris, George E. Lewis, Anthony Davis, Wilber Morris and Steve McCall.
Bop-Be is the final album on the Impulse label by jazz pianist Keith Jarrett's 'American Quartet'. Released in 1978, it features performances by Jarrett, Dewey Redman, Charlie Haden, and Paul Motian. Its tracks were recorded in October 1976, along with those that produced Byablue. These two albums document the swan song of Jarrett's American Quartet and, aside from "classical music", the last albums Jarrett released on a label other than ECM.
Death and the Flower is an album recorded by Keith Jarrett in October 1974 during two sessions that also produced Back Hand. Released in 1975, the disc features the pianist's "American Quartet" with percussionist Guilherme Franco.
Shades is the fifth album on the Impulse label by jazz pianist Keith Jarrett. Originally released in 1976, it features performances by Jarrett's 'American Quartet', which included Dewey Redman, Charlie Haden and Paul Motian with Guilherme Franco added on percussion.
Back Hand is an album by American jazz pianist Keith Jarrett recorded in two sessions in October 1974 that also gave way to the album Death and the Flower. Originally released in 1975 by Impulse!, it features performances by Jarrett's American Quartet, which included Dewey Redman, Charlie Haden and Paul Motian along with Guilherme Franco added on percussion. For a long time, the album remained a relatively obscure work until it was resuscitated by Impulse! years later.
The Mourning of a Star is an album by Keith Jarrett recorded in 1971 with his regular working trio and released that same year by Atlantic Records. On five dates in July and August 1971 Jarrett went into the studio with Haden and Motian and, along with Dewey Redman on tenor saxophone, produced enough material for three albums, The Mourning of a Star, El Juicio and Birth. Although Dewey Redman does not appear on this album, the July and August 1971 sessions marked the metamorphosis of Jarrett's first trio into what would be his future quartet.
Birth is an album by Keith Jarrett recorded in 1971 and released the next year. On five dates in July and August 1971 Jarrett went into the studio with his trio augmented with Dewey Redman on tenor saxophone and produced enough material for three albums, The Mourning of a Star, El Juicio and Birth. These albums marked the emergence of what would later be called Jarrett's "American quartet."
The Ear of the Behearer is an album by American jazz saxophonist Dewey Redman featuring performances recorded in 1973 for the Impulse! label. The CD reissue added four performances from Coincide (1974) as bonus tracks.
Coincide is an album by American jazz saxophonist Dewey Redman featuring performances recorded in 1974 for the Impulse! label. Four performances from Coincide were included on the 1998 CD reissue of The Ear of the Behearer as bonus tracks.
Musics is an album by American jazz saxophonist Dewey Redman featuring performances recorded in 1978 for the Galaxy label.
Living on the Edge is an album by American jazz saxophonist Dewey Redman featuring performances recorded in 1989 for the Italian Black Saint label.
Look for the Black Star is the debut album by American jazz saxophonist Dewey Redman featuring performances recorded in 1966 and originally released on the Dutch Fontana label but later released in the U.S. on the Freedom label in 1975.
Momentum Space is an album by American jazz saxophonist Dewey Redman, pianist Cecil Taylor and drummer Elvin Jones featuring performances recorded in 1998 and released on the Verve label.
Old and New Dreams is the self-titled second album by jazz quartet Old and New Dreams, recorded in 1979 and released on ECM later that year. The quintet features trumpeter Don Cherry, saxophonist Dewey Redman, and rhythms section Charlie Haden and Ed Blackwell—their debut, released on Black Saint, was also self titled.
Playing is a live album by American jazz quartet Old and New Dreams recorded at the Cornmarket Theater in Austria and released on ECM the following year. The quartet consists brass section Don Cherry and Dewey Redman and rhythm section Charlie Haden and Ed Blackwell.
A Tribute to Blackwell is a live album by jazz quartet Old and New Dreams. Recorded in 1987, it features trumpeter Don Cherry, saxophonist Dewey Redman, bassist Charlie Haden and drummer Ed Blackwell. It was released on the Italian Black Saint label.
Science Fiction is an album by the American jazz saxophonist and composer Ornette Coleman, recorded in 1971 and released on the Columbia label.
Broken Shadows is an album by the American jazz saxophonist and composer Ornette Coleman recorded in 1971, at the same sessions that produced Science Fiction, but not released on the Columbia label until 1982.
Friends and Neighbors: Live at Prince Street is a live album by the American jazz saxophonist and composer Ornette Coleman recorded in 1970 and released on the Flying Dutchman label.
