| Sour Mash | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1988 | |||
| Recorded | 1988 | |||
| Studio | Electric Avenue Studios, Sydney Australia | |||
| Genre | ||||
| Length | 43:48 | |||
| Label | Red Eye RED LP 5 | |||
| Producer | Phil Punch and The Beasts | |||
| Beasts of Bourbon chronology | ||||
| ||||
Sour Mash is the second album by Australian blues rock band Beasts of Bourbon which was recorded in 1988 and originally released on the Red Eye label. [2] [3]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [1] |
In the review on Allmusic, Skip Jansen states "With The Johnnys and Scientists both calling it a day just prior to Sour Mash, the collective creative forces were pooled to make the Beasts of Bourbon's landmark in which remains their prime document. A raw blues-rock album with post-punk afflictions ... With the enigmatic Tex Perkins, who could be one of rock & roll's last great frontmen, and the blistering slide-guitar-driven sound, the band does a fine job of re-creating the sound of a twisted night out at the pub". [1]
All songs by Kim Salmon and Tex Perkins except where noted
with:
Kim Salmon and the Surrealists are an Australian indie rock band formed by Kim Salmon in 1987 when he was living in Perth between the final two tours by The Scientists. When the Scientists stopped, Salmon continued the Surrealists as his main band while playing in Beasts of Bourbon.
Kim Leith Salmon is an Australian rock musician and songwriter from Perth. He has worked in various groups including The Scientists, Beasts of Bourbon, Kim Salmon and the Surrealists, Kim Salmon and the Business, and Darling Downs. Australian rock musicologist, Ian McFarlane, described Salmon as one of the first Australians to "embrace wholeheartedly the emergent punk phenomenon of the mid-to-late 1970s" with The Scientists. He declared that Beasts of Bourbon were "masters of uncompromising gutbucket blues and hard-edged rock'n'roll". In 2004 Salmon was inducted into the West Australian Music Industry Association Hall of Fame and in 2007, into the Music Victoria Awards Hall of Fame.
The Cruel Sea are an Australian indie rock band from Sydney, New South Wales formed in late 1987. Originally an instrumental-only band, they became more popular when fronted by vocalist Tex Perkins in addition to Jim Elliott on drums, Ken Gormly on bass guitar, Dan Rumour on guitar and James Cruickshank on guitar and keyboards. Their albums include The Honeymoon Is Over (1993), Three Legged Dog (1995) and Over Easy (1998). Some of their best-known songs are "Better Get a Lawyer", "Takin' All Day", "The Honeymoon Is Over" and "Reckless Eyeballin'" – an instrumental track from their debut album Down Below that became the theme of Australian TV police drama, Blue Heelers. The band has won eight ARIA Music Awards including five in 1994 for work associated with The Honeymoon Is Over.
Gregory Stephen Perkins, better known by his stage name Tex Perkins, is an Australian singer-songwriter who fronted the Australian rock band The Cruel Sea, but has also performed with the Beasts of Bourbon, Thug, James Baker Experience, The Butcher Shop, Salamander Jim, and Tex, Don and Charlie. He has also released many solo records. In 1997, a portrait of Tex Perkins by artist Bill Leak won the Packing Room award at the Archibald Prize.
Beasts of Bourbon were an Australian blues rock band formed in August 1983, with James Baker on drums, Spencer P. Jones on guitar, Tex Perkins on vocals, Kim Salmon on guitar and Boris Sujdovic on bass guitar. Except for mainstays Jones and Perkins, the line-up changed over time as the group splintered and reformed several times. Their debut album, The Axeman's Jazz was released in July 1984. Their debut single, "Psycho", was a cover version of the Leon Payne original. The group disbanded by mid-1985 and each member pursued other musical projects.
Let It Flow is a solo album by rock musician Elvin Bishop, released in 1974. The album was recorded at Capricorn Studios in Macon, Georgia, several years after he left The Butterfield Blues Band. Guest musicians include Charlie Daniels, Dickey Betts, Toy Caldwell, Vassar Clements, and Sly Stone.
James Lawrence Baker is an Australian musician, best known as the drummer of various rock and punk rock groups, including the Victims, the Scientists, Hoodoo Gurus, Beasts of Bourbon, and the Dubrovniks. In 2006 Baker was inducted into the West Australian Music Industry Hall of Fame. The following year, Hoodoo Gurus were inducted into the ARIA Hall of Fame.
Richard John Ploog is an Australian drummer, songwriter, producer and singer who was a member of rock band The Church between 1981 and 1990. Ploog also drummed for Beasts of Bourbon in 1983, Damien Lovelock in 1988 and with fellow The Church member Peter Koppes in 1991 for an album and tour. He is the father of Irie Ploog.
Anthology is a compilation album by the progressive rock band the Moody Blues. It was released in the US on 20 October 1998. It was not released in the UK until 2001 under the title The Collection with different artwork but with the same tracks as the US release.
Charles Lothian Lloyd "Charlie" Owen is an Australian multi-instrumentalist and producer. He has been a member of The New Christs (1987–90), Louis Tillett and His Cast of Aspersions (1990), Tex, Don and Charlie, Tendrils (1994–99) and Beasts of Bourbon. His solo album, Vertigo and Other Phobias, was released in 1994 on Red Eye/Polydor.
Spencer Patrick Jones was a New Zealand guitar player and singer-songwriter from Te Awamutu. From 1976 he worked in Australia and was a member of various groups including The Johnnys, Beasts of Bourbon, Paul Kelly and The Coloured Girls, Chris Bailey and The General Dog, Maurice Frawley and The Working Class Ringos, and Sacred Cowboys. He also issued ten albums as a solo artist. In May 2012 Australian Guitar magazine rated Jones as one of Australia's Top 40 best guitarists.
Mescalito is the first studio album by American country rock singer/songwriter Ryan Bingham, released in 2007 through Lost Highway Records and produced by Marc Ford.
Gone is the fifth studio album by the Australian rock band Beasts of Bourbon, released in 1996.
The Honeymoon Is Over is the third studio album by Australian indie rock band The Cruel Sea, which was released in May 1993. The album was produced by the band, Tony Cohen and Mick Harvey for Red Eye Records. It peaked at No. 4 on the ARIA Albums Chart and has sold over 140,000 copies. Its lead single, "Black Stick" was released ahead of the album in March 1993 and peaked at No. 25 on the related Singles Chart. The title song, "The Honeymoon Is Over", was released in July 1993 as a single and reached the Top 50. It was followed by a cover of Tony Joe White's 1969 song, "Woman with Soul", in October which peaked at No. 64. The final single from the album, "Seems Twice", was issued in February 1994 and peaked at No. 90.
Herman Matthews is an American drummer and composer. Matthews works as a session and touring musician, most notably for Tower of Power, Kenny Loggins and toured with Tom Jones for more than 7 years. He began playing drums at the age of seven and has been the backbone of world-class pop, rock, jazz, soul, R&B and funk bands for nearly thirty years.
Little Animals is the sixth studio album by the Australian rock band Beasts of Bourbon, released in 2007. A video was released for "I Don't Care About Nothing Anymore". The album was dedicated to Ian Rilen.
The Axeman's Jazz is the debut album by Australian blues rock band Beasts of Bourbon which was recorded in October 1983 and originally released in 1984 on the Green/Big Time label.
Black Milk is the third album by Australian blues rock band Beasts of Bourbon which was recorded in 1990 and originally released on the Red Eye label.
Still Here is the debut album by Australian band The Beasts, released by Bang! Records in 2019. The members of the band had all previously played with The Beasts of Bourbon, with the change of name due to the death of Spencer P. Jones and Brian Hooper.
