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Type | Private |
---|---|
Industry | Musical instruments |
Genre | Luthier |
Founded | 1984 |
Founder | Ian Schneller |
Headquarters | Chicago, Illinois, USA |
Area served | Global |
Key people | Ian Schneller, Nadine Schneller |
Products | String instruments, tube amps |
Owner | Ian Schneller |
Subsidiaries | Chicago School of Guitar Making |
Website | Specimen Products.com |
Specimen Products is a Chicago-based manufacturer of custom guitars, tube amplifiers, and audio horn speakers led by luthier Ian Schneller. Specimen Products also offers courses in guitar and tube amplifier design, construction, and repair through their Chicago School of Guitar Making. The Specimen workshop offers repair services to the general public, making use of their collection of parts from rare and vintage manufacturers.
The brand Specimen Products was conceived by company founder Ian Schneller in 1981, during his undergraduate study at the Memphis College of Art. After completing his graduate studies at the School of the Art Institute of Chicago, Schneller began producing instruments in favor of sculpture. In 1986, as he began producing more instruments for friends and bandmates, Schneller established his workshop on Chicago's south-side Archer Street, in a loft rented by his band Shrimp Boat. [1] The first commissioned project Specimen undertook was fulfilling Tar guitarist John Mohr's request for an "indestructible guitar," [2] a task that would develop the company's longstanding experiments with aluminum guitars. The Archer Street facility was creatively productive but Schneller states that he only sold a single unit out of the many produced.
In 1992, Specimen was moved to Madison Street. It was at this facility that the company began to offer guitar and tube amplifier repair services. In the two years spent on Madison Street, Specimen introduced their first two standard models, the Pippin and the Maxwell. At this time Schneller began to experiment with mimicking the silhouette of established guitar models using non-traditional materials. This experiment would prove central to the philosophy behind Specimen's later designs. By 1994, Specimen was working to fulfill backlogged orders.
In 1994, Specimen moved to a storefront on Division Street in the Wicker Park neighborhood. At this point Specimen's plans for a production run of 10-Watt amps materialized in the Petimor amplifiers. The Division Street shop allowed for an expanded repair business. Repairing so many guitars from big manufacturers impressed upon Schneller the need for minimalist designs with very durable construction. These tenets have become the standard of Specimen Products designs. The Division Street shop became a prominent show room for the custom instruments, establishing a customer base with many local musicians, as well as those travelling through the area.
In 2003, the business grew large enough to warrant moving to a new facility on Chicago's near westside, representing a shift to an industrial model of production rather than a boutique. It is equipped with modern specialized equipment for finishing completed products as well as intensive design of new models. In 2005, this facility became the operating center for Schneller's Chicago School of Guitar Making. [3]
Specimen Products offers a wide variety of products for sale from their showroom. The string instruments, tube amplifiers, and horn speakers produced by Specimen use experimental designs and materials, or seek to reinvent antique designs or concepts.
The instruments produced by Specimen products have become highly regarded as both ornate works and quality sound. While Specimen continues to experiment with different materials and designs, most of their works fall into one of the various series designed by Schneller.
The stated design principle of Specimen Products' audio equipment emphasizes durability and functionality over feature-rich designs. The tube amplifiers are built without the functionality that comes standard on most production amplifiers, theoretically limiting the number of possible locations for distortion and malfunction, though there is some controversy to this claim.
An audio power amplifier is an electronic amplifier that amplifies low-power electronic audio signals, such as the signal from a radio receiver or an electric guitar pickup, to a level that is high enough for driving loudspeakers or headphones. Audio power amplifiers are found in all manner of sound systems including sound reinforcement, public address, home audio systems and musical instrument amplifiers like guitar amplifiers. It is the final electronic stage in a typical audio playback chain before the signal is sent to the loudspeakers.
Vox is a British musical equipment manufacturer founded in 1957 by Thomas Walter Jennings in Dartford, Kent, England. The company is most famous for making the Vox AC30 guitar amplifier, used by The Beatles, The Rolling Stones, The Kinks, The Yardbirds, Queen, Dire Straits, U2, and Radiohead; the Vox Continental electric organ, the Vox wah-wah pedal used by Jimi Hendrix, and a series of innovative electric guitars and bass guitars. Since 1992, Vox has been owned by the Japanese electronics firm Korg.
The Leslie speaker is a combined amplifier and loudspeaker that projects the signal from an electric or electronic instrument and modifies the sound by rotating a baffle chamber ("drum") in front of the loudspeakers. A similar effect is provided by a rotating system of horns in front of the treble driver. It is most commonly associated with the Hammond organ, though it was later used for the electric guitar and other instruments. A typical Leslie speaker contains an amplifier, a treble horn and a bass speaker—though specific components depend upon the model. A musician controls the Leslie speaker by either an external switch or pedal that alternates between a slow and fast speed setting, known as "chorale" and "tremolo".
An instrument amplifier is an electronic device that converts the often barely audible or purely electronic signal of a musical instrument into a larger electronic signal to feed to a loudspeaker. An instrument amplifier is used with musical instruments such as an electric guitar, an electric bass, electric organ, synthesizers and drum machine to convert the signal from the pickup or other sound source into an electronic signal that has enough power, due to being routed through a power amplifier, capable of driving one or more loudspeaker that can be heard by the performers and audience.
A guitar amplifier is an electronic device or system that strengthens the electrical signal from a pickup on an electric guitar, bass guitar, or acoustic guitar so that it can produce sound through one or more loudspeakers, which are typically housed in a wooden cabinet. A guitar amplifier may be a standalone wood or metal cabinet that contains only the power amplifier circuits, requiring the use of a separate speaker cabinet–or it may be a "combo" amplifier, which contains both the amplifier and one or more speakers in a wooden cabinet. There is a wide range of sizes and power ratings for guitar amplifiers, from small, lightweight "practice amplifiers" with a single 6-inch speaker and a 10-watt amp to heavy combo amps with four 10-inch or four 12-inch speakers and a 100-watt amplifier, which are loud enough to use in a nightclub or bar performance.
The Fender Musical Instruments Corporation is an American manufacturer of instruments and amplifiers. Fender produces acoustic guitars, bass amplifiers and public address equipment, however it is best known for its solid-body electric guitars and bass guitars, particularly the Stratocaster, Telecaster, Jaguar, Jazzmaster, Precision Bass, and the Jazz Bass. The company was founded in Fullerton, California by Clarence Leonidas "Leo" Fender in 1946. Its headquarters are in Los Angeles, California.
Peavey Electronics Corporation is an American company which designs, develops, manufactures and markets professional audio equipment. It is one of the largest audio equipment manufacturers in the world, and is headquartered in Meridian, Mississippi.
Univox was a musical instrument brand of Unicord Corporation from the early 1960s, when they purchased the Amplifier Corporation of America of Westbury, New York and began to market a line of guitar amplifiers. Univox also distributed guitars by Matsumoku, effects units by Shin-Ei Companion, and synthesizers by Crumar and Korg.
Scholz Research & Development, Inc. was the name of the company founded by musician and engineer Tom Scholz to design and manufacture music technology products.
Fender amplifiers are a series of electric instrument amplifiers produced by the Fender Musical Instruments Corporation. The first guitar amplifiers attributed to Leo Fender were manufactured by the K&F Manufacturing Corporation (K&F) between 1945 and 1946. Later, Fender began building its own line of electric guitars. Fender amplifiers would become favorite of many famous guitarists such as Jimi Hendrix, Eric Clapton, and Stevie Ray Vaughan, also known in these cases for playing Fender guitars.
A bass amplifier is a musical instrument electronic device that uses electrical power to make lower-pitched instruments such as the bass guitar or double bass loud enough to be heard by the performers and audience. Bass amps typically consist of a preamplifier, tone controls, a power amplifier and one or more loudspeakers ("drivers") in a cabinet.
Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone. Distortion is most commonly used with the electric guitar, but may also be used with other electric instruments such as electric bass, electric piano, synthesizer and Hammond organ. Guitarists playing electric blues originally obtained an overdriven sound by turning up their vacuum tube-powered guitar amplifiers to high volumes, which caused the signal to distort. While overdriven tube amps are still used to obtain overdrive, especially in genres like blues and rockabilly, a number of other ways to produce distortion have been developed since the 1960s, such as distortion effect pedals. The growling tone of a distorted electric guitar is a key part of many genres, including blues and many rock music genres, notably hard rock, punk rock, hardcore punk, acid rock, and heavy metal music, while the use of distorted bass has been essential in a genre of hip hop music and alternative hip hop known as "SoundCloud rap".
The Fender Twin and Twin Reverb are guitar amplifiers made by Fender Musical Instruments Corporation. The Twin was introduced in 1952, two years before Fender began selling Stratocaster electric guitars. The amps are known for their characteristically clean tone.
The Fender Bassman is a series of bass amplifiers introduced by Fender during 1952. Initially intended to amplify bass guitars, musicians used the 5B6 Bassman to amplify other instruments, including electric guitars, harmonicas, and pedal steel guitars. Besides being a popular and important amplifier in its own right, the Bassman also became the foundation on which Marshall and other companies built their high-gain tube amplifiers.
The Standel Company is an American company that makes guitar amplifiers. It was founded in 1953 by Robert "Bob" Crooks in Temple City, California. Standel was the name of Crooks' side-business of radio and hi-fi repair, located in his garage at 10661 Freer Street, Temple City, California.
The Fender Pro Reverb is a high-end guitar amplifier made by Fender. It was in production from 1965 and was discontinued in 1982. The Pro Reverb is a 40-watt tube amplifier and has a pair of 12-inch (30 cm) speakers; however, models later than 1976 were increased to 70 watts. Teagle and Sprung, authors of the definitive book on Fender amplifiers described the Blackface Pro Reverb as the best amplifier ever produced likely due to its combination of the two twelve inch speakers, its high quality reverb and tremolo, and just the right amount of power to get either classic Blackface Fender cleans or natural tube breakup at reasonable volumes. They wrote, "the author recommends these amps as the best all-around amp ever made—by anyone".
Tube sound is the characteristic sound associated with a vacuum tube amplifier, a vacuum tube-based audio amplifier. At first, the concept of tube sound did not exist, because practically all electronic amplification of audio signals was done with vacuum tubes and other comparable methods were not known or used. After introduction of solid state amplifiers, tube sound appeared as the logical complement of transistor sound, which had some negative connotations due to crossover distortion in early transistor amplifiers. However, solid state amplifiers have been developed to be flawless and the sound is later regarded neutral compared to tube amplifiers. Thus the tube sound now means 'euphonic distortion.' The audible significance of tube amplification on audio signals is a subject of continuing debate among audio enthusiasts.
Fryette Amplification of North Hollywood, California is a manufacturer of hand-built electric guitar amplifiers, speaker cabinets, power amplifiers, sound effects pedals and pedalboard accessories. The company was founded as VHT Amplification in Studio City, Los Angeles, California by Steven Fryette in January 1989 and was the first to produce a true three-channel vacuum tube amplifier.
Traynor is a brand of bass amplifiers and guitar amplifiers, the first brand formed by Yorkville Sound. The Traynor brand, named for founder Peter Traynor, began in 1963 with the Dynabass bass amplifier, a rental product. Traynor first became popular in Canada by providing less expensive versions of the circuits used in Marshall and Fender amplifiers of the time. The revived brand now produces a wide range of electric, acoustic, and bass guitar amps.
A keyboard amplifier is a powered electronic amplifier and loudspeaker in a wooden speaker cabinet used for amplification of electronic keyboard instruments. Keyboard amplifiers are distinct from other types of amplification systems such as guitar amplifiers due to the particular challenges associated with making keyboards sound louder on stage; namely, to provide solid low-frequency sound reproduction for the deep basslines which keyboards can play and crisp high-frequency sound for the high-register notes. Another difference between keyboard amplifiers and guitar/bass amplifiers is that keyboard amps are usually designed with a relatively flat frequency response and low distortion. In contrast, many guitar and bass amp designers purposely make their amplifiers modify the frequency response, typically to "roll off" very high frequencies, and most rock and blues guitar amps, and since the 1980s and 1990s, even many bass amps are designed to add distortion or overdrive to the instrument tone.