The Sphinx of Naxos, also Sphinx of the Naxians, now in the Archaeological Museum of Delphi, is a 2.22 meter tall marble statue of a sphinx, a mythical creature with the head of a woman, the chest and wings composed of the impressive feathers of a prey bird turned upward, and the body of a lioness. The Sphinx stood on a 10 meter column that culminated in one of the first Ionic capitals, and was erected next to the Temple of Apollo in Delphi, the religious center of Ancient Greece, in 560 BCE.
The first fragments were excavated from the sanctuary of the Temple of Apollo in 1860. The remainder was found in 1893. It was originally set up on a stele around 560 BC as a votive offering to the Temple of Apollo by Naxos, one of the richest Cycladic islands at the time. The overall height of the statue, the column and its base topped 12.5 meters.
The Greek sphinx, a lion with the face of a human female, was considered as having ferocious strength, and was thought of as a guardian, often flanking the entrances to temples. [1] Sphinxes' depictions are generally associated with architectural structures such as royal tombs or religious temples.
The famous Sphinx of the Naxians stood on a column that culminated in an Ionic capital.
The statue of this mythical creature stood on a towering Ionic column, which may have been the oldest Ionic construction project in the site of the Oracle of Delphi. Her statue had been set up close to the Halos, the most sacred spot of Delphi, where Apollo had presumably killed the python. According to tradition and its mythological representation, the Sphinx had the face of a woman bearing an enigmatic smile, prey bird wings, and the body of a lioness. It was carved from a large piece of Naxian marble. The solid construction combined elements that gave the statue a character of motion and vitality, such are the details that depict the hair, chest, and wings. [2] [3] [4] It is also notable because it is an early example of carving in-the-round, as opposed to relief carving that was common during that time. [5] The monument was made entirely of marble and reached 12.45 meters in height. The monument created awe to the visitors and constituted a typical example of Naxian sculpture in its peak period, i.e. in the sixth century B.C.
On the base there was an inscription dated to 328-327 B.C., renewing the promanteia for the Naxians:
ΔΕΛΦΟΙ ΑΠΕΔΩΚΑΝ ΝΑΞΙΟΙΣ ΤΑΝ ΠΡΟΜΑΝΤΗΙΑΝ ΚΑΤΤΑ ΑΡΧΑΙΑ ΑΡΧΟΝΤΟΣ ΘΕΟΛΥΤΟΥ ΒΟΥΛΕΥΟΝΤΟΣ ΕΠΙΓΕΝΕΟΣ
Delphi accorded the Naxians the right of Promanteia as before, at the time of archon Theolytos and Epigenes the Bouleutes— Inscription of the Sphinx of the Naxians
Thus, the Naxians had the right to acquire oracles first.
Many more similar columns crowned by sphinxes were discovered in ancient Greece, as in Sparta, Athens or Spata, and some were used as funerary steles. [6]
It has also been suggested that 6th century BCE Greek columns such as the Sphinx of Naxos may have been an inspiration for the pillars of Ashoka in 3rd century BCE India, following the contacts initiated by Alexander the Great in 320 BCE, and continued by the Greco-Bactrians and the Indo-Greeks. [6]
Apollo is one of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. Apollo has been recognized as a god of archery, music and dance, truth and prophecy, healing and diseases, the Sun and light, poetry, and more. One of the most important and complex of the Greek gods, he is the son of Zeus and Leto, and the twin brother of Artemis, goddess of the hunt. He is considered to be the most beautiful god and is represented as the ideal of the kouros. Apollo is known in Greek-influenced Etruscan mythology as Apulu.
Delphi, in legend previously called Pytho (Πυθώ), was an ancient sacred precinct and the seat of Pythia, the major oracle who was consulted about important decisions throughout the ancient classical world. The ancient Greeks considered the centre of the world to be in Delphi, marked by the stone monument known as the Omphalos of Delphi (navel).
The island of Delos, near Mykonos, close to the centre of the Cyclades archipelago, is one of the most important mythological, historical, and archaeological sites in Greece. The excavations in the island are among the most extensive in the Mediterranean; ongoing work takes place under the direction of the Ephorate of Antiquities of Cyclades, and many of the artifacts found are on display at the Archaeological Museum of Delos and the National Archaeological Museum of Athens.
A sphinx is a mythical creature with the head of a human, the body of a lion, and the wings of an eagle.
Sanchi Stupa is a Buddhist complex, famous for its Great Stupa, on a hilltop at Sanchi Town in Raisen District of the State of Madhya Pradesh, India. It is located, about 23 kilometers from Raisen town, district headquarter and 46 kilometres (29 mi) north-east of Bhopal, capital of Madhya Pradesh.
The Charioteer of Delphi, also known as Heniokhos, is a statue surviving from Ancient Greece, and an example of ancient bronze sculpture. The life-size (1.8m) statue of a chariot driver was found in 1896 at the Sanctuary of Apollo in Delphi. It is now in the Delphi Archaeological Museum.
Greek temples were structures built to house deity statues within Greek sanctuaries in ancient Greek religion. The temple interiors did not serve as meeting places, since the sacrifices and rituals dedicated to the respective ouranic deity took place outside them, within the wider precinct of the sanctuary, which might be large. Temples were frequently used to store votive offerings. They are the most important and most widespread surviving building type in Greek architecture. In the Hellenistic kingdoms of Southwest Asia and of North Africa, buildings erected to fulfill the functions of a temple often continued to follow the local traditions. Even where a Greek influence is visible, such structures are not normally considered as Greek temples. This applies, for example, to the Graeco-Parthian and Bactrian temples, or to the Ptolemaic examples, which follow Egyptian tradition. Most Greek temples were oriented astronomically.
The pillars of Ashoka are a series of monolithic pillars dispersed throughout the Indian subcontinent, erected—or at least inscribed with edicts—by the 3rd Mauryan Emperor Ashoka the Great, who reigned from c. 268 to 232 BC. Ashoka used the expression Dhaṃma thaṃbhā, i.e. "pillars of the Dharma" to describe his own pillars. These pillars constitute important monuments of the architecture of India, most of them exhibiting the characteristic Mauryan polish. Twenty of the pillars erected by Ashoka still survive, including those with inscriptions of his edicts. Only a few with animal capitals survive of which seven complete specimens are known. Two pillars were relocated by Firuz Shah Tughlaq to Delhi. Several pillars were relocated later by Mughal Empire rulers, the animal capitals being removed. Averaging between 12 and 15 m in height, and weighing up to 50 tons each, the pillars were dragged, sometimes hundreds of miles, to where they were erected.
The Glyptothek is a museum in Munich, Germany, which was commissioned by the Bavarian King Ludwig I to house his collection of Greek and Roman sculptures. It was designed by Leo von Klenze in the neoclassical style, and built from 1816 to 1830. Today the museum is a part of the Kunstareal.
The Stoa of the Athenians is an ancient portico in the Delphic Sanctuary, Greece, located south of the Temple of Apollo. The southern side of the polygonal wall of the platform forms the north wall of the stoa. It was constructed c. 478 BC-470 BC during the early Classical period. The one-aisled stoa with Ionic colonnade opens toward the southeast. It was dedicated by the Athenians after the Persian Wars.
The Temple of Apollo, also known as Apollonion, was a major part of the Panhellenic religious sanctuary located in Central Greece at Delphi. The temple and sanctuary at large were dedicated to one of the major Greek deities, Apollo, the god of archery, music, light, prophecy, the arts, and healing. There have been several temples built at Delphi throughout the history of the site, though the visible ruins seen in modernity are those of the temple built in the 4th century B.C.E. before its destruction under the orders of Theodosius I in 390 C.E.. During antiquity, the temple was home to the famous Greek prophetess the Pythia, or the Oracle of Delphi, making the Temple of Apollo and the sanctuary at Delphi a major Panhellenic religious site as early as the 8th century B.C.E., and a place of great importance at many different periods of ancient Greek history. References to Delphi, the sanctuary, the temple, and the prophecies of the Pythia are made throughout ancient Greek mythology and historical accounts from the periods of its use.
Delphi Archaeological museum is one of the principal museums of Greece and one of the most visited. It is operated by the Greek Ministry of Culture. Founded in 1903, it has been rearranged several times and houses the discoveries made at the Panhellenic sanctuary of Delphi, which date from the Late Helladic (Mycenean) period to the early Byzantine era.
The Tholos of Delphi is among the ancient structures of the Sanctuary of Athena Pronaia in Delphi. The circular temple, a tholos, shares the immediate site with other ancient foundations of the Temple of Athena Pronaia, all located less than a mile east of the main ruins at Delphi, in the modern Greek regional unit of Phocis. The tholos is part of the Delphi UNESCO World Heritage Site.
Promanteia was the privilege, bestowed upon cities or individuals by the Oracle of Delphi, to ask the Pythia in priority.
The Temple of Sangri is a Late Archaic Greek temple on the Cycladic island of Naxos in the area of Gyroulas, about 1.5 km south of Ano Sangri. The temple was built around 530 BC and is one of the earliest Ionic temples. It was built completely from Naxian marble.
The Pataliputra capital is a monumental rectangular capital with volutes and Classical Greek designs, that was discovered in the palace ruins of the ancient Mauryan Empire capital city of Pataliputra. It is dated to the 3rd century BCE.
Hellenistic influence on Indian art and architecture reflects the artistic and architectural influence of the Greeks on Indian art following the conquests of Alexander the Great, from the end of the 4th century BCE to the first centuries of the common era. The Greeks in effect maintained a political presence at the doorstep, and sometimes within India, down to the 1st century CE with the Greco-Bactrian Kingdom and the Indo-Greek Kingdoms, with many noticeable influences on the arts of the Maurya Empire especially. Hellenistic influence on Indian art was also felt for several more centuries during the period of Greco-Buddhist art.
A votive column is the combination of a column (pillar) and a votive image.
The Minor Rock Edicts of Ashoka are rock inscriptions which form the earliest part of the Edicts of Ashoka, and predate Ashoka's Major Rock Edicts. These are the first edicts in the Indian language of Emperor Ashoka, written in the Brahmi script in the 11th year of his reign. They follow chronologically the Kandahar Bilingual Rock Inscription, in Greek and in Aramaic, written in the 10th year of his reign, which is the first known inscription of Ashoka.
The Potaissa Sphinx statue is a 3rd-century bronze statue from the former province of Dacia. The sphinx sculpture itself bears striking parallels with the famous Naxos sphinx from 560 BC, which is now in the Delphi Archaeological Museum.
It can also be suggested that Lāțs topped by animal figures also have an ancestor in the sphinx - topped pillars of Greece of the Middle Archaic period (c.580-40 B.C), Delphi Museum at Delphi, Greece, has an elegant winged sphinx figure sitting on an Ionic capital with side volutes. It was the Naxian sphinx pillar datable to about 575-560 BC. Many more sphinx-pillars have been found from different parts of Greece like Sparta, Athens and Spata (Attica). Rowland traces western Asiatic inspirations in the addorsed animal capitals of Aśokas Lāțs. But the inspiration for the single animal figure Lāțs, should be traced in the sphinx pillars of Greece. Asoka's direct link with his contemporaneous Greek states of Western Asia , Africa and Greece itself can result in the conception of single animal topped Lățs , from the Delphi type sphinx pillars. Such a possibility should not be ruled out in Mauryan Age.