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In stagecraft, a spike is a marking, usually made with a piece of tape (although some theatres use paint pens), put on or around the stage. This marking is used to show the correct position for set pieces, furniture, actors and other items which move during the course of a performance and are required to stop or be placed in a specific location. [1]
Several companies make rolls of very thin gaffer's or paper tape marketed as "spike tape" specifically for placing spikes. In a pinch, gaffer, masking or electrical tape can be used. When used to indicate locations under dark conditions, phosphorescent tape (sometimes referred to as "glow tape") is used for practical and safety reasons. Performer spikes are generally only used when positioning needs to be precise, either for safety or performance reasons, such as lighting specials.
During a theatrical technical rehearsal one of the stage management team will be ready to mark positions as required. To enable spike placement to be done quickly, staff may pre-cut small strips of tape either by scoring tape still on the roll or by cutting strips of tape and placing them onto a small piece of wood or clipboard called a spike board. When spiking a position for a performer, a small cross is typically used. For furniture pieces and scenery wagons, the marks are usually two pieces of tape laid in an "L" shape at two points or corners of the item. Usually this will be the up-stage side to minimize the visual impact for the audience. In larger productions the stage manager will typically use different coloured spikes to differentiate the positions of various items and performers. Depending on the performance, writing will be placed on the spike to indicate what items are being marked, and in which Act and Scene the spike is used.
In film and television, a generic "X" spike for performers is typically replaced with a "T" mark, where the performers' toes are placed on the horizontal bar and the vertical bar is between their feet. [1] This mark is most commonly used to spike "stop points" allowing performers to travel around a set and stop in the correct position and orientation to be in focus for the cameras. [1] Correctly stopping on a mark, without glancing down, is what entertainment professionals are referring to when they use the common phrase "hit the mark". [2] (For various reasons beyond the scope of this article, the lenses in professional cameras are manually focused by focus pullers and do not use autofocus, meaning that performers who fail to hit their marks will be out of focus in the resulting shots. [2] )
The placement of spikes in film and television is typically the responsibility of a camera assistant (North America) or grip (Europe).
Spike tape is used to create a stage marking called a spike. Good quality gaffers tape uses a synthetic rubber adhesive that does not leave a residue when removed from the stage. Spike tape's narrow width means that it can be quickly torn by hand, and its tight weave of cotton fibers allows for straight tearing without stretching. In addition to creating spike marks in performance areas, spike tape also makes a good material for bundling, decorating and labeling.
Spike tape may also be fluorescent (in which case it is made of plastic or vinyl rather than cotton) so that it can be easily seen by the running crews moving set pieces during a dark scene change. This is usually referred to as "glow tape" or "glo-tape". Glow tape is notoriously less sticky than spike tape and may be additionally held down to the stage floor, or "deck", with the aid of staples. Note, however, that in some situations even ordinary spike tape may need to be covered with clear packing tape to keep it from being accidentally pulled up. In some cases it may be preferred to use clear vinyl tape, such as the type used to splice dance flooring, to protect spike marks as it is more easily removed from stage surfaces and does not leave an adhesive residue. Sometimes roofing nails can be used to create unobtrusive spike marks. [3]
Spike tape "corners" are die-cut 90° L-shaped spike pieces that are especially helpful for placement of wagons, flats and furniture pieces.
A film crew is a group of people, hired by a production company, for the purpose of producing a film or motion picture. The crew is distinguished from the cast, as the cast are understood to be the actors who appear in front of the camera or provide voices for characters in the film. The crew is also separate from the producers, as the producers are the ones who own a portion of either the film studio or the film's intellectual property rights. A film crew is divided into different departments, each of which specializes in a specific aspect of the production. Film crew positions have evolved over the years, spurred by technological change, but many traditional jobs date from the early 20th century and are common across jurisdictions and filmmaking cultures.
Flexography is a form of printing process which utilizes a flexible relief plate. It is essentially a modern version of letterpress, evolved with high speed rotary functionality, which can be used for printing on almost any type of substrate, including plastic, metallic films, cellophane, and paper. It is widely used for printing on the non-porous substrates required for various types of food packaging.
Gaffer tape is a heavy cotton cloth pressure-sensitive tape with strong adhesive and tensile properties. It is widely used in theatre, photography, film, radio and television production, and industrial staging work.
Stagecraft is a technical aspect of theatrical, film, and video production. It includes constructing and rigging scenery; hanging and focusing of lighting; design and procurement of costumes; make-up; stage management; audio engineering; and procurement of props. Stagecraft is distinct from the wider umbrella term of scenography. Considered a technical rather than an artistic field, it is primarily the practical implementation of a scenic designer's artistic vision.
A key grip is a senior role on movie sets, involved with a wide variety of behind-the-scenes tasks. The key grip supervises grip crews who support camera and lighting technicians; assesses what equipment is necessary for each shooting location; coordinates the transportation of this equipment and its set up; and arranges the general movement and positioning of the camera and collaborating with the director of photography. The key grip relies on the best boy as their foreperson to supervise the grip crew.
In the United States, Canada and the United Kingdom, grips are camera support equipment technicians in the filmmaking and video production industries. They constitute their own department on a film set and are directed by a key grip. Grips have two main functions: The first is to work closely with the camera department to provide camera support, especially if the camera is mounted to a dolly, crane, or in an unusual position, such as the top of a ladder. Some grips may specialize in operating camera dollies or camera cranes. The second function is to work closely with the electrical department to create lighting set-ups necessary for a shot under the direction of the director of photography.
Grips' responsibility is to build and maintain all the equipment that supports cameras. This equipment, which includes tripods, dollies, tracks, jibs, cranes, and static rigs, is constructed of delicate yet heavy duty parts requiring a high level of experience to operate and move. Every scene in a feature film is shot using one or more cameras, each mounted on highly complex, extremely expensive, heavy duty equipment. Grips assemble this equipment according to meticulous specifications and push, pull, mount or hang it from a variety of settings. The equipment can be as basic as a tripod standing on a studio floor, to hazardous operations such as mounting a camera on a 100 ft crane, or hanging it from a helicopter swooping above a mountain range.
Good Grips perform a crucial role in ensuring that the artifice of film is maintained, and that camera moves are as seamless as possible. Grips are usually requested by the DoP or the camera operator. Although the work is physically demanding and the hours are long, the work can be very rewarding. Many Grips work on both commercials and features.
In theatre, the running crew are members of the technical crew who supervise and operate ("run") the various technical aspects of the production during a performance. While the "technical crew" includes all persons other than performers involved with the production, such as those who build and take down the sets and place the lighting, the term "running crew" is generally limited to those who work during an actual performance.
Staging is the process of selecting, designing, adapting to, or modifying the performance space for a play or film. This includes the use or absence of stagecraft elements as well as the structure of the stage and its components.
A rehearsal is an activity in the performing arts that occurs as preparation for a performance in music, theatre, dance and related arts, such as opera, musical theatre and film production. It is undertaken as a form of practising, to ensure that all details of the subsequent performance are adequately prepared and coordinated. The term rehearsal typically refers to ensemble activities undertaken by a group of people. For example, when a musician is preparing a piano concerto in their music studio, this is called practising, but when they practice it with an orchestra, this is called a rehearsal. The music rehearsal takes place in a music rehearsal space.
Television crew positions are derived from those of film crew, but with several differences.
Surface-mount technology (SMT) component placement systems, commonly called pick-and-place machines or P&Ps, are robotic machines which are used to place surface-mount devices (SMDs) onto a printed circuit board (PCB). They are used for high speed, high precision placing of a broad range of electronic components onto the PCBs which are in turn used in computers, consumer electronics, and industrial, medical, automotive, military and telecommunications equipment. Similar equipment exists for through-hole components. This type of equipment is sometimes used to package microchips using the flip chip method.
The spotlight operator or followspot operator is a theatrical technician who operates a specialized stage lighting instrument known as a followspot. A followspot is any lighting instrument manually controlled by an operator during a performance. Generally a followspot will be a dedicated, large lighting instrument designed to pan and change size, beam width, and color easily by hand.
The technical rehearsal or tech rehearsal is a rehearsal that focuses on the technological aspects of the performance, in theatrical, musical, and filmed entertainment.
Pressure-sensitive adhesive is a type of nonreactive adhesive which forms a bond when pressure is applied to bond the adhesive with a surface. No solvent, water, or heat is needed to activate the adhesive. It is used in pressure-sensitive tapes, labels, glue dots, stickers, sticky note pads, automobile trim, and a wide variety of other products.
A theatrical technician, also known as a theatrical tech, theatre technician, or theatre tech is a person who operates technical equipment and systems in the performing arts and entertainment industry. In contrast to performers, this broad category contains all "unseen" theatrical personnel who practice stagecraft and are responsible for the logistic and production-related aspects of a performance including designers, operators, and supervisors.
In film and television crews, the gaffer or chief lighting technician is the head electrician, responsible for the execution of the lighting plan for a production. The gaffer's assistant is the best boy electric.
Tape or Tapes may refer to:
Video design or projection design is a creative field of stagecraft. It is concerned with the creation and integration of film, motion graphics and live camera feed into the fields of theatre, opera, dance, fashion shows, concerts and other live events. Video design has only recently gained recognition as a separate creative field. For instance, United Scenic Artists' Local 829, the union representing designers and scenic artists in the US entertainment industry, only added the Global Projection Designer membership category in 2007. Prior to this, the responsibilities of video design would often be taken on by a scenic designer or lighting designer. A person who practices the art of video design is often known as a Video Designer. However, naming conventions vary worldwide, so practitioners may also be credited as Projection Designer, "Media Designer", Cinematographer or Video Director. As a relatively new field of stagecraft, practitioners create their own definitions, rules and techniques.
The following outline is provided as an overview of and topical guide to stagecraft:
Pressure-sensitive tape or pressure-sensitive adhesive tape is an adhesive tape that sticks when pressure is applied without the need for a solvent or heat for activation. It is also known in various countries as self-stick tape, sticky tape, or just adhesive tape and tape, as well as genericized trademarks, such as Sellotape, Durex (tape), Scotch tape, etc.
spike stagecraft.