The Spires of Naples ("spire" in Italian: guglia; plural, guglie) are monumental columns in the historic center of the city of Naples, Italy. [1]
These plague columns were built to celebrate the end of, or deliverance from, the plague. The columns may also be termed votive Marian and Holy Trinity columns, and could also be connected with non-pestilent calamities such as earthquakes or eruptions, or simply manifest faith, atonement, or expiation. The columns are generally named for the religious votive icon at the top. Most remaining columns were built in Catholic countries throughout Europe in the 17th and 18th centuries. [2] Their heavy ornateness characterizes Baroque architecture. In Naples, by chronological order of date of completion, three main spires can be found, as follows:
Guglie (Spires) in Naples | ||
---|---|---|
San Domenico by Fanzago | San Gennaro by Fanzago | Immacolata by Bottiglieri and Pagano |
Lecce is a city in southern Italy and capital of the province of Lecce, with the second-highest population in the Apulia region. It is on the Salentine Peninsula, at the heel of the Italian Peninsula, and is over two thousand years old.
Gaetano Greco was an Italian Baroque composer. He was the younger brother of Rocco Greco. Both brothers were trained at, and later taught at the Poveri di Gesu` Cristo conservatory in Naples. Gaetano Greco's teachers included Giovanni Salvatore and Gennaro Ursino, and possibly Francesco Provenzale. It is also possible that he studied with Alessandro Scarlatti. Leonardo Vinci, Giuseppe Porsile, Nicola Porpora, and Domenico Scarlatti were among his pupils. His successor at the conservatory was Francesco Durante.
Giuliano Finelli (1601–1653) was an Italian Baroque sculptor who emerged from the workshop of Bernini.
Cosimo Fanzago was an Italian architect and sculptor, generally considered the greatest such artist of the Baroque period in Naples, Italy.
Marian columns are religious monuments depicting Virgin Mary on the top, often built in thanksgiving for the ending of a plague or for some other reason. The purpose of the Holy Trinity columns was usually simply to celebrate the church and the faith, though the plague motif could sometimes play its role in their erection as well. Erecting religious monuments in the form of a column surmounted by a figure or a Christian symbol was a gesture of public faith that flourished in the Catholic countries of Europe especially in the 17th and 18th centuries. Thus they became one of the most visible features of Baroque architecture. This usage also influenced some Eastern Orthodox Baroque architecture.
Francesco Solimena was a prolific Italian painter of the Baroque era, one of an established family of painters and draughtsmen.
This is a list of music conservatories in Naples, Italy.
Gesù Nuovo is the name of a church and a square in Naples, Italy. They are located just outside the western boundary of the historic center of the city. To the southeast of the spire, one can see a block away the Fountain of Monteoliveto and the piazza of the church of Sant'Anna dei Lombardi. The square is a result of the expansion of the city to the west beginning in the early 16th century under the rule of Spanish viceroy Pedro Alvarez de Toledo. The square of Gesù Nuovo contains three prominent landmarks:
The Royal Palace of Naples is a palace, museum, and historical tourist destination located in central Naples, southern Italy.
San Domenico Maggiore is a Gothic, Roman Catholic church and monastery, founded by the friars of the Dominican Order, and located in the square of the same name in the historic center of Naples.
Santa Maria la Nova is a Renaissance style, now-deconsecrated, Roman Catholic church and monastery in central Naples. The church is located at the beginning of a side street directly across from the east side of the main post office, a few blocks south of the Church and Monastery of Santa Chiara. Today the adjacent monastery is a meeting site and hosts the Museo ARCA of modern religious art.
Scipione Pulzone, also known as Il Gaetano, was a Neapolitan painter of the late Italian Renaissance. His work differs in several respects from the Mannerist style predominant at the time. He was active mainly in Rome, but also worked in Naples and Florence. It is thought that he studied under Jacopino del Conte in Rome.
Francesco Antonio Picchiatti was an Italian architect of the Baroque period active in Naples. He is also called Picchetto. He was son of Bartolommeo Picchiatti, who also served as an architect in Naples.
Christianity and religion in general has always been an important part of the social and cultural life of Naples. It is the seat of the Archdiocese of Naples, and the Catholic faith is highly important to the people of Naples and there are hundreds of historic churches in the city. The Cathedral of Naples is the most important place of worship in the city, each year on September 19 it hosts the Miracle of Saint Januarius, the city's patron saint. In the miracle which thousands of Neapolitans flock to witness, the dried blood of Januarius is said to turn to liquid when brought close to relics said to be of his body: this is one of the most important traditions for Neapolitans.
Matteo Bottiglieri (1684–1757) was an Italian sculptor and painter from Naples.
The church of Santi Severino e Sossio and the annexed monastery are located on via Bartolommeo Capasso in Naples, Italy.
The Church of the Concezione a Materdei is a church in the zone of Materdei in Naples, Italy.
Arcangelo Guglielmelli was an Italian architect and painter, active in his native Naples, Italy, in a late-Baroque style. He was involved in the building and reconstruction of churches, many of which had been damaged by the earthquakes of 1688 and 1694.
Giuseppe Astarita was an Italian architect and engineer of the late-Baroque or Rococo period. He was a pupil of Domenico Antonio Vaccaro and collaborated with Ferdinando Sanfelice; his style is influenced by Guarino Guarini. He worked on the following buildings, sometimes in work of reconstruction.
The Fountain of Monteoliveto is a late-Baroque monumental fountain in central Naples, Italy. It is also called the Fountain of Charles II or of the Small King .