"Spirits in the Material World" | ||||
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Single by The Police | ||||
from the album Ghost in the Machine | ||||
B-side |
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Released | 4 December 1981 [1] | |||
Recorded | 1981 | |||
Genre | ||||
Length | 2:58 | |||
Label | A&M – AMS 8194 | |||
Songwriter(s) | Sting | |||
Producer(s) | ||||
The Police singles chronology | ||||
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Alternative cover | ||||
Music video | ||||
"Spirits in the Material World" on YouTube |
"Spirits in the Material World" is a song by the British rock trio The Police,written by Sting. The opening track for their 1981 album Ghost in the Machine ,it was released as a single in 1981 and reached No. 12 in the United Kingdom [3] and No. 11 in the US in early 1982. [4]
"Spirits in the Material World" was written by Sting on a Casiotone keyboard while in a truck. [5] It was his first experience using a synthesizer. [5]
'Spirits in the Material World' was written on one of those Casio keyboards while I was riding in the back of a truck somewhere. I just tap, tap, tap and there it was, just by accident. That was the first time I'd ever touched a synthesizer, that album.
— Sting, Synchronicity Tour Program, 1983 [5]
Andy Summers' presence on the studio track is considerably less pronounced than on the vast majority of Police songs, and in fact, Sting wanted to record it without him entirely. Having written the song on a synthesizer, he wanted to use synthesizer instead of guitar, and to play the synthesizer part himself. Summers thought the synthesizer part should be replaced by guitar. After considerable argument, they compromised by recording the part on both instruments, with a mix such that the synthesizer drowned out much of Summers's guitar. [6]
In live performances, this part was played on guitar only, with synthesizer used for background chords. The bass part is distinctively complex, with music producer and cognitive psychologist Daniel Levitin writing that it "takes this rhythmic play to such an extreme that it can be hard to tell where the downbeat even is." [7] In 2023 Stewart Copeland said that this was the hardest Police song for him as a drummer: "It's my personal bête noire ... because there's no 1 [beat]. It's all upbeat." [8]
The track was recorded at Air Studios Montserrat.
The lyrics comment on the nature of man's existence and the failure of his earthly institutions.
"Spirits in the Material World" eventually saw single release in 1981 as the follow-up to "Every Little Thing She Does Is Magic", making it the third single from Ghost in the Machine in Britain and the second in America. Billboard called it "less mainstream yet more captivating" than "Every Little Thing She Does Is Magic" and said that "the repetitive rhythm creates a hypnotic effect." [9] Record World also compared it to "Every Little Thing She Does Is Magic," saying that it "[takes] reggae one step further into the pop world" and calling it a "hypnotic cut." [10] The single, while not as successful as its predecessors, peaked at No. 12 in Britain and No. 11 in America. It was followed up by "Secret Journey" in America.
The UK B-side of "Spirits in the Material World," "Low Life," was written by Sting around 1977 in the back of a German tour bus. [5] Although Copeland claimed to have "always loved the song," Summers claimed that "Neither Stewart or I liked 'Low Life.' I thought the lyric was snobby and it had a kind of corny jazziness to it." [5] The American B-side, an instrumental titled "Flexible Strategies", was recorded in Canada while the band was working on Ghost in the Machine. Word came that the record company wanted them to create a B-side, and the band jammed for ten minutes, resulting in this track. Copeland called this recording "a disgrace". [11] [12]
The band performed the song live during the Ghost in the Machine and Synchronicity tours (the latter of which was included on their Live! album) and it was also included on their first North American setlist during their reunion tour. Since the dissolution of the Police, Sting has often performed the song on solo tours.
In all live performances, the song is played in the key of D minor in contrast to the studio version’s A minor. In most cases, Sting plays a more simplified version of the original bassline to play while singing. [13]
Chart (1981–1982) | Peak position |
---|---|
Australia (Kent Music Report) [16] | 50 |
Canadian RPM Top Singles | 13 |
Dutch Singles Chart | 6 |
French Singles Chart | 4 |
German Singles Chart | 44 |
Irish Singles Chart | 6 |
UK Singles Chart | 12 |
US Billboard Hot 100 [4] | 11 |
US Cashbox [17] | 15 |
US Billboard Top Rock Tracks | 7 |
The Police were an English rock band formed in London in 1977. Within a few months of their first gig, the line-up settled as Sting, Andy Summers (guitar) and Stewart Copeland, and this remained unchanged for the rest of the band's history. The Police became globally popular from the late 1970s to the mid-1980s. Emerging in the British new wave scene, they played a style of rock influenced by punk, reggae, and jazz.
Synchronicity is the fifth and final studio album by the British rock band the Police, released on 17 June 1983 by A&M Records. The band's most successful release, the album includes the hit singles "Every Breath You Take", "King of Pain", "Wrapped Around Your Finger", and "Synchronicity II". The album's title and much of the material for the songs were inspired by Arthur Koestler's book The Roots of Coincidence (1972). At the 1984 Grammy Awards the album was nominated for a total of five awards, including Album of the Year, and won three. At the time of its release and following the Synchronicity Tour, the Police's popularity was at such a high that they were arguably, according to BBC and The Guardian, the "biggest band in the world".
Ghost in the Machine is the fourth studio album by English rock band the Police. The album was released on 2 October 1981 by A&M Records. The songs were recorded between January and September 1981 during sessions that took place at AIR Studios in Montserrat and Le Studio in Quebec, assisted by record producer Hugh Padgham.
Every Breath You Take: The Singles is the first compilation album by the Police, released in 1986. In 1990, the album was repackaged in New Zealand, Australia and Spain as Their Greatest Hits with a different cover.
Stewart Armstrong Copeland is an American musician and composer. He is best known for his work as the drummer of the English rock band The Police from 1977 to 1986, and again from 2007 to 2008. Before playing with the Police, he played drums with English rock band Curved Air from 1975 to 1976.
Andrew James Summers is an English guitarist best known as a member of the rock band the Police. He was inducted into the Rock and Roll Hall of Fame as a band member in 2003. Summers has recorded solo albums, collaborated with other musicians, composed film scores, written fiction, and exhibited his photography in galleries.
Live! is a live album by The Police, released in 1995 on compact disc and cassette tape. It is the band's first live album and one of only two covering their initial period of activity before 1986, the other being Around The World (2022). A live album from the reunion tour, Certifiable: Live in Buenos Aires, was released in 2008.
"Walking on the Moon" is a reggae song by British rock band the Police, released as the second single from their second studio album, Reggatta de Blanc (1979). The song was written by the band's lead vocalist and bassist Sting. It went on to become the band's second No. 1 hit in the UK.
"Message in a Bottle" is a song by British rock band the Police. It was released as the lead single from their second studio album, Reggatta de Blanc (1979). Written by the band's lead singer and bassist Sting, the song is ostensibly about a story of a castaway on an island who sends out a message in a bottle to seek love. Having received no response for a year, he despairs, believing that he is destined to be alone. The next day, however, he sees "a hundred billion bottles" on the shore and realizes that there are more lonely people like him.
"Every Little Thing She Does Is Magic" is a song by the British rock band the Police from their fourth studio album, Ghost in the Machine (1981). It was a hit single that reached the top of the charts in the United Kingdom in November 1981 and hit No. 3 on the US Billboard Hot 100 chart that same year. The song, unusual for including Jean Alain Roussel, a guest keyboardist, dates back to a demo recorded by bassist and lead singer Sting in the house of Mike Howlett in the autumn of 1976. The song has been described as new wave blended with reggae elements—the signature Police style. The popularity of "Every Little Thing She Does Is Magic" helped to make Ghost in the Machine one of the Police's most successful albums.
"Invisible Sun" is a song by British rock band the Police, released as a single in Europe in September 1981. It was the first single to be released in the United Kingdom from the album Ghost in the Machine and it reached No. 2 on the official chart. The song also reached No. 5 in Ireland and No. 27 in the Netherlands. It was not released as a single in the United States. In most other territories, "Every Little Thing She Does Is Magic" was chosen as the lead single from the album.
"Synchronicity II" is a song by the Police, and the third single from their album Synchronicity. Written by lead singer and bassist Sting, it was released as a single in the UK and the US by A&M Records, reached No. 17 in the UK Singles Chart and No. 16 on the Billboard Hot 100 in December 1983. It features the non-album track "Once Upon a Daydream" on the B-side. The song was described by People Weekly as "aggressive" and "steely."
"Secret Journey" is a song by the Police from their 1981 album, Ghost in the Machine. Written by Sting, the song tells of a mystical journey that will make the traveller a "holy man".
"Wrapped Around Your Finger" is the second single in the UK from the Police's 1983 album Synchronicity. Written by Sting, it was released worldwide by A&M Records and featured the non-album track "Someone to Talk To" as the B-side in the UK, while a live version of "Tea in the Sahara" was the B-side in the US.
Greatest Hits is the second greatest hits album by the Police, released in September 1992 by A&M Records. It is the band's second compilation album following Every Breath You Take: The Singles. In contrast with its predecessor, it features all 14 original UK top 20 chart singles and five UK number-ones released by the band from 1978 to 1984, including the two missing singles from the previous 1986 compilation, "Synchronicity II" and the original version of "Don't Stand So Close to Me" which had been replaced with the 1986 re-recording. The album also includes two bonus album tracks, "The Bed's Too Big Without You" and "Tea in the Sahara". The cover photograph was by Duane Michals and it was taken at the time of the Synchronicity album. The inner sleeve featured a collage of pictures of the band shot by different photographers during their career, including Miles Copeland, Peter Baylis, Adrian Boot, Akihiro Takayama, Anton Corbijn, Danny Quatrochi, Gabor Scott, Janette Beckman, Kim Turner, Michael Ross, Watal Asanuma and Andy Summers.
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The Synchronicity Tour was a 1983–1984 concert tour by the Police to promote their fifth album, Synchronicity. It commenced on July 23, 1983 in Chicago and concluded on March 4, 1984 in Melbourne. It touched three continents for a total of 105 shows.
"Demolition Man" is a song written by Sting and performed by Grace Jones as the A-side of a 1981 single. Sting's band, the Police, later released their rendition of the song on their album Ghost in the Machine.
Certifiable: Live in Buenos Aires is a live album and concert video album by the Police. It was recorded in December 2007 during the band's reunion tour and was released in November 2008. The album was released in the US exclusively through Best Buy. The album has a number of releases including a four disc version containing two CDs and two DVDs. The two CDs contain the live album from River Plate Stadium in Buenos Aires, Argentina. The first DVD contains the 109-minute wide-screen concert presented in Dolby Surround and Stereo. The concert film was directed and produced by Jim Gable and Ann Kim, of Graying & Balding, Inc. The second DVD contains the 50-minute bonus feature, "Better Than Therapy," directed by Stewart Copeland's son Jordan Copeland, detailing The Police's reunion with behind-the-scenes interviews from the band and road crew, plus two photo galleries of The Police on tour: one shot by guitarist and photographer Andy Summers, and one by photographer Danny Clinch. The DVDs were also released on Blu-ray format. A triple vinyl format was also released that contained a digital download of the concert.
"Synchronicity I" is a song by the Police, and the opening track from their album Synchronicity. Written by Sting, the track was also released as a Japanese-only single.
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