| Splatterthrash | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | June 1, 2006 | |||
| Genre | Thrash metal, Death Metal | |||
| Length | 41:20 | |||
| Label | Razorback | |||
| Producer | Ghoul, Dan Randall | |||
| Ghoul chronology | ||||
| ||||
Splatterthrash is an album released in June 2006 by Ghoul. The album features many surf guitar riffs, as well as thrash metal riffs. [1]
The album's lyric sheet is presented in a comic book-like fashion, with talk boxes narrating the story. The album's concept begins with "Bury the Hatchet." This tells of a cult, which Ghoul defeats, attacking Ghoul in an effort to take the crystal skull in their possession. Later, the cult comes back with Killbot, defeats Ghoul, and takes over Creepsylvania. Creepsylvania becomes a fundamentalist Christian state while Ghoul waits to get revenge.
All tracks are written by Ghoul.
| No. | Title | Length |
|---|---|---|
| 1. | "Into the Catacombs" | 4:33 |
| 2. | "As Your Casket Closes" | 3:36 |
| 3. | "Bury the Hatchet" | 2:55 |
| 4. | "Merde!" | 2:22 |
| 5. | "Cult of the Hunter" | 3:35 |
| 6. | "Mutant Mutilator" | 3:42 |
| 7. | "Psychoplasm" | 2:57 |
| 8. | "Splatterthrash" | 2:47 |
| 9. | "Gutbucket Blues" | 2:21 |
| 10. | "Rise, Killbot, Rise!!!" | 5:26 |
| 11. | "Life of the Living Dead" | 3:40 |
| 12. | "Baron Samedi" | 3:26 |
| Total length: | 41:20 | |
Melodic death metal is a subgenre of death metal that employs highly melodic guitar riffs, often borrowing from traditional heavy metal. The genre features the heaviness of death metal but with highly melodic or harmonized guitar riffs and solos, and often features high-pitched shrieked vocals alongside the low-pitched growls commonly featured in traditional death metal. Pioneered by the English heavy metal band Carcass with their 1993 album Heartwork, melodic death metal developed further in Sweden in the mid-1990s. The Swedish death metal scene did much to popularise the style, soon centering in the "Gothenburg metal" scene. At the Gates' Slaughter of the Soul, Dark Tranquility's The Gallery, and In Flames' The Jester Race, all released in the mid-1990s, were highly influential albums in melodic death metal, with At the Gates and In Flames being the two most common influences on North American 2000s heavy metal bands. Many American heavy metal bands emulated At the Gates' sound, resulting in the usage of the phrase "At the Gates worship".
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