Spunk | |
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Written by | George C. Wolfe |
Date premiered | 1989 |
Original language | English |
Spunk is a play by American playwright George C. Wolfe and is an adaptation of three stories by Zora Neale Hurston. [1] [2] Wolfe won a 1989 Obie award for best off-Broadway director for Spunk.
Zora Neale Hurston was an American author, anthropologist, folklorist, and documentary filmmaker. She portrayed racial struggles in the early-20th-century American South and published research on Hoodoo and Caribbean Vodou. The most popular of her four novels is Their Eyes Were Watching God, published in 1937. She also wrote more than 50 short stories, plays, and essays.
Their Eyes Were Watching God is a 1937 novel by American writer Zora Neale Hurston. It is considered a classic of the Harlem Renaissance, and Hurston's best known work. The novel explores protagonist Janie Crawford's "ripening from a vibrant, but voiceless, teenage girl into a woman with her finger on the trigger of her own destiny".
Spunk may in colloquial English mean either courage or semen. It may otherwise refer to:
John the Conqueror, also known as High John de Conqueror, John, Jack, and many other folk variants, is a deity from the African-American spiritual system called hoodoo. He is associated with the roots of Ipomoea purga, the John the Conqueror root or John the Conqueroo, to which magical powers are ascribed in African-American folklore, especially among practitioners of Hoodoo. Muddy Waters mentions him as Johnny Cocheroo in the songs "Mannish Boy" and "I'm Your Hoochie Coochie Man". In "Mannish Boy", the line is "I think I'll go down/To old Kansas too/I'm gonna bring back my second cousin/That little Johnny Conqueroo". This line is borrowed from the Bo Diddley song "I'm a Man", to which "Mannish Boy" is an answer song. In "I'm Your Hoochie Coochie Man", it is called "John De Conquer Blue".
Karamu House in the Fairfax neighborhood on the east side of Cleveland, Ohio, United States, is the oldest producing Black Theatre in the United States opening in 1915. Many of Langston Hughes's plays were developed and premiered at the theater.
George Costello Wolfe is an American playwright and director of theater and film. He won a Tony Award in 1993 for directing Angels in America: Millennium Approaches and another Tony Award in 1996 for his direction of the musical Bring in 'da Noise/Bring in 'da Funk. He served as Artistic Director of The Public Theater from 1993 until 2004.
The Zora Neale Hurston House is a historic house at 1734 Avenue L in Fort Pierce, Florida. Built in 1957, it was the home of author Zora Neale Hurston (1891–1960) from then until her death. On December 4, 1991, it was designated as a U.S. National Historic Landmark.
"The Gilded Six-Bits" is a 1933 short story by Zora Neale Hurston, who is considered one of the pre-eminent writers of 20th-century African-American literature and a leading prose writer of the Harlem Renaissance. Hurston was a relative newcomer on the literary scene when this short story was published, but eventually had greater success with her highly acclaimed novel, Their Eyes Were Watching God. "The Gilded Six-Bits" is now published in Hurston's compilation of short stories entitled Spunk in which it is now considered one of her best stories. "The Gilded Six-Bits" is a story full of love, betrayal, and forgiveness. It portrays the life of two happy newlyweds who both test their relationship and their love for one another when a charismatic outsider comes into their community and into their home. The story embodies Hurston's typical writing style in which it focuses on the common African-American lifestyle, represented by regional dialect and metaphors, and is set in her native town Eatonville, FL where it reflects the traditions of the community. "The Gilded Six-Bits" symbolizes the meaning of a true marriage and the truth that lies underneath its meaning.
Kim Roberts is an American poet, editor, and literary historian who lives in Washington, D.C.
Mule Bone: A Comedy of Negro Life is a 1930 play by American authors Langston Hughes and Zora Neale Hurston. The process of writing the play led Hughes and Hurston, who had been close friends, to sever their relationship. Mule Bone was not staged until 1991, when it was produced in New York City by the Lincoln Center Theater.
Nicki Richards is an American singer, songwriter, producer and actress based in Manhattan, New York City. She is also known as a backing singer for a number of artists and on a big number of studio recordings. Her father was a high-ranking African-American naval officer and her mother, Donna Blackmon, a singer. Nicki's brother, Philip Richards is a singer / musician in his own right and collaborated with her in her works.
Valerie Boyd was an American writer and academic. She was best known for her biography of Zora Neale Hurston entitled Wrapped in Rainbows: The Life of Zora Neale Hurston. She was an associate professor and the Charlayne Hunter-Gault Distinguished Writer-in-Residence at the Grady College of Journalism and Mass Communication at the University of Georgia, where she taught narrative nonfiction writing, as well as arts and literary journalism.
JoNell Kennedy is an American actress, producer and writer.
The Zora Neale Hurston National Museum of Fine Arts, also known as The Hurston, is an art museum in Eatonville, Florida. The Hurston is named after Zora Neale Hurston, an African-American writer, folklorist, and anthropologist who moved to Eatonville at a young age and whose father became mayor of Eatonville in 1897. The museum's exhibits are centered on individuals of African descent, from the diaspora and the United States. The Hurston features exhibitions quarterly to highlight emerging artists.
Mules and Men is a 1935 autoethnographical collection of African-American folklore collected and written by anthropologist Zora Neale Hurston. The book explores stories she collected in two trips: one in Eatonville and Polk County, Florida, and one in New Orleans. Hurston's decision to focus her research on Florida came from a desire to record the cross-section of black traditions in the state. In her introduction to Mules and Men, she wrote: "Florida is a place that draws people—white people from all over the world, and Negroes from every Southern state surely and some from the North and West." Hurston documented 70 folktales during the Florida trip, while the New Orleans trip yielded a number of stories about Marie Laveau, voodoo and Hoodoo traditions. Many of the folktales are told in vernacular; recording the dialect and diction of the Black communities Hurston studied.
Barracoon: The Story of the Last "Black Cargo" is a non-fiction work by Zora Neale Hurston. It is based on her interviews in 1927 with Oluale Kossola who was presumed to be the last survivor of the Middle Passage. Two female survivors were subsequently recognized but Cudjoe continued to be identified as the last living person with clear memories of life in Africa before passage and enslavement.
Laurence Holder is an American playwright, poet, and director who focuses on the African-American experience. His plays often center historical African-American figures including Malcolm X, Elijah Muhammad, Thelonious Monk, Duke Ellington, Billie Holiday, and Zora Neale Hurston. He is a 1998–1999 Otto Rene Castillo award recipient for political theatre. Holder's work has been performed at the Henry Street Settlement New Federal Theatre, the Ford Theatre, the American Place Theatre, and more. His work has been reviewed by The New York Times and the Washington Post among others. In addition to being a playwright, Holder teaches English at John Jay College of Criminal Justice.
The Zora Neale Hurston/Richard Wright Foundation is an American literary nonprofit organization that supports the development and careers of Black writers. The Foundation provides classes, workshops, an annual conference, and offers the Hurston/Wright Legacy Award and the North Star Award, among others. Writer Marita Golden and cultural historian Clyde McElvene founded the organization in 1990.
Hitting a Straight Lick with a Crooked Stick is a compilation of recovered short stories written by Zora Neale Hurston. It was published in 2020 by Amistad: An Imprint of HarperCollins publishers. ISBN 978-0-06-291579-5