An Octoroon

Last updated
An Octoroon
Written by Branden Jacobs-Jenkins
Date premiered23 April 2014
Place premiered Soho Rep
New York City, New York, United States
Original languageEnglish
Genre Melodrama
SettingA black box, and Louisiana

An Octoroon is a play written by Branden Jacobs-Jenkins. It is an adaptation of Dion Boucicault's The Octoroon , which premiered in 1859. Jacobs-Jenkins reframes Boucicault's play using its original characters and plot, speaking much of Boucicault's dialogue, and critiques its portrayal of race using Brechtian devices. [1] Jacobs-Jenkins considers An Octoroon and his other works Appropriate and Neighbors linked in the exploration of theatre, genre, and how theatre interacts with questions of identity, along with how these questions (such as "Why do we think of a social issue as something that can be solved?") transform as a part of life. [2] In a 2018 poll by critics from The New York Times , the work was ranked the second-greatest American play of the past 25 years. [3]

Contents

Characters and casting

Jacobs-Jenkins recommends the play be performed with 8 or 9 actors, [4] with male characters played using blackface/whiteface/redface, and female characters portrayed by actresses that match the characters' race. [1]

Plot

The Art of Dramatic Composition: A Prologue

The play begins with BJJ, in a black box telling the audience a conversation he and his therapist had, to get him excited about playwriting and to overcome depression. BJJ is focused on a play, The Octoroon, but runs into issues staging it because the white actors quit, so he applies whiteface in order to play them himself. Playwright taunts BJJ, and laments how theatre has changed since his death. Then Playwright and Assistant put on redface and blackface paint.

Act I

At the Plantation Terrebonne in Louisiana, Dido and Minnie chat about the arrival of George, and the passing of his uncle, their previous master. Pete, George, and Dora acquaint themselves when Zoe enters to meet George. M’Closky announces that Terrebonne is for sale and plots to steal Zoe; because she is an octoroon, she is a piece of property and therefore a part of the estate.

Act II

George photographs Dora with his camera while she and Zoe plot to make George marry her. Pete sends Paul to go find a letter that would promise enough money to save Terrebonne. Zoe and George are alone, and George confesses his love for her. Paul—with the mailbags—stops to take a photo of himself with George's camera. While posing, M’Closky comes from behind and kills Paul to take the letter.

Act III

Minnie and Dido realize all the other slaves ran away. Lafouche comes to run the auction of the property and announces Zoe will be sold. George proposes to Dora, but Zoe confesses their love, which turns off Dora. The auction begins and M’Closky aggressively bids on Zoe, winning her.

Act IV

BJJ stops the action of the play. BJJ, Playwright, and Assistant explain the significance of the fourth act, the sensation scene in melodrama. Wahnotee, accused by the members of Captain Ratts’ ship of killing Paul, is about to be lynched. George defends him and demands a fair trial, while M’Closky reluctantly takes the role of prosecution. Searching him, George finds the letter which resolves the conflict of Terrebonne's future. A plate from George's camera is presented, showing both Paul sitting, and M’Closky murdering him is presented and proves M'Closky's guilt. Pete pleads for M’Closky to not be lynched, so George demands that M'Closky be taken away, not revenged by Wahnotee, but M'Closky escapes and sets fire to the boat. Wahnotee murders M’Closky. Assistant announces that the boat explodes.

Act V

Zoe heads out to the slave quarters to ask Dido for poison. Zoe calls Dido Mammy, and she puts on a mammy character as they argue. Eventually, Zoe takes the poison and runs off. Minnie comforts Dido and they look forward to their new lives on Captain Ratts’ boat.

Deconstructions

Through Brechtian elements such as direct address, Jacobs-Jenkins explores "the idea that you could feel something and then be aware that you're feeling it". [2]

Melodrama

Jacobs-Jenkins researched Boucicault heavily while working on An Octoroon and found an unfinished essay at the New York Public Library saying that theatre is a place for dramatic illusion—the most believable illusion of suffering—and catharsis. Present in An Octoroon is the illusion of suffering and actual suffering. [2]

Jacobs-Jenkins also cites Peter Brooks' The Melodramatic Imagination as an inspiration for his approach to melodrama. Brooks' idea is that melodrama is about binaries and opposites, where there is always good and bad with no gray area. This led Jacobs-Jenkins to see doubles and pairs in Boucicault's play, through relationships between characters e.g. Pete is Paul's grandfather. Boucicault portrayed Wahnotee, and in his play Jacobs-Jenkins explores the connection between a person and their identity as artist. Jacobs-Jenkins looks at the consequences of putting oneself onstage in their own work, if it is a real self or a fake self, which Jacobs-Jenkins embodied himself in the roles of Br'er Rabbit and Captain Ratts. [6]

The sensation scene of the original play is deconstructed in act four. Following the act three climax: the plot lines must converge, the moral is made clear, and the audience has to be hit with a "theatre trick" which overwhelms the audience with technical elements. Rather than execute this, the actors explain and act out what happens. BJJ clarifies that in the time of the play, a photograph was a novel/innovative/contemporary way for the plot to be resolved. In An Octoroon, the projection of a "lynching photograph" is an attempt towards an actual experience of finality. A photograph of a real murdered human contrasts with the original play's use of a photograph for justice. [4]

Stereotypes

By presenting characters in whiteface, blackface, and redface, Jacobs-Jenkins can look at "blackness and how to represent social constructs onstage that are so tied to a specific culture of nation." [2] This examination of race as a social construct is also in Appropriate and Neighbors.

Development and production history

Jacobs-Jenkins developed his take on The Octoroon while he was a Dorothy Strelsin Fellow at Soho Rep in the 2009/10 season. [6]

An Octoroon had a workshop production at Performance Space 122 from June 19 – July 3, 2010, featuring Travis York, Karl Allen, Chris Manley, Ben Beckley, Gabe Levey, Jake Hart, Margaret Flanagan, Amber Gray, Mary Wiseman, LaToya Lewis, Kim Gainer, and Sasheer Zamata. [7] [8] It was originally directed by Gavin Quinn of the Irish theatre company Pan Pan, but Jacobs-Jenkins took over the role after Quinn quit several weeks into rehearsals. [9] Prior to the first performance, Alexis Soloski for The Village Voice published an email from cast member Karl Allen who wrote, "the play has transformed from an engaging piece of contemporary theatre directed by Gavin Quinn to a piece of crap that wouldn't hold a candle to some of the community theater I did in high school". [10] Vallejo Gantner, artistic director of PS 122 along with theatre critics Elisabeth Vincentelli and Adam Feldman, argued that although it was not unethical to publish the email, it may not have been "nice" to publish it. [11]

Mark Ravenhill staged a workshop production of the play featuring Saycon Sengbloh in April 2012. [12]

An Octoroon premiered Off-Broadway at Soho Rep on April 23, 2014 and closed on June 8. Directed by Sarah Benson, featuring music by César Alvarez (of The Lisps), choreography by David Neumann, set design by Mimi Lien, and lighting design by Matt Frey. [13] The cast featured Chris Myers as BJJ, in triple roles: the black playwright, George Peyton and M'Closky; Danny Wolohan as Dion Boucicault, Zoë Winters as Dora, and Amber Gray as Zoe. Jacobs-Jenkins himself took on the role of Br'er Rabbit and Captain Ratts. [14]

The production was critically acclaimed, winning an Obie Award for best new American play in 2014 (a tie with his previous play, Appropriate). [15] In his review for The New York Times , Ben Brantley called the play “this decade's most eloquent theatrical statement on race in America today.” [16] The production transferred to Theatre for A New Audience's Polonsky Shakespeare Center in Brooklyn and ran from February 14, 2015 to March 29, 2015.

Nataki Garrett directed the first production of An Octoroon outside of New York with Mixed Blood Theatre Company in the fall of 2015. [17]

Company One Theatre in Boston co-produced the play with ArtsEmerson, directed by Summer L. Williams. The production ran from January 29 to February 27, 2016. [18]

The play was presented at the Wilma Theater in Philadelphia from March 16, 2016 to April 10, 2016, directed by Joanna Settle. [19]

Dobama Theater in Cleveland Heights, Ohio presented An Octoroon from October 21, 2016 to November 13, 2016, directed by Nathan Motta [20]

The first West Coast premiere of An Octoroon was held at the Berkeley Repertory Theatre, directed by Eric Ting with Sydney Morton in the title role. [21] The limited season at Peet's Theatre ran from June 23 to July 29, 2017. [22]

From May 18 to July 1, 2017 An Octoroon was performed at the Orange Tree Theatre in Richmond, London [23] in a production directed by Ned Bennett and designed by Georgia Lowe. [24] Subsequently the production transferred to the National Theatre from June 7th - July 18th, 2018. [25]

The Canadian premiere of An Octoroon was produced by The Shaw Festival for its 2017 season. The show was directed by Peter Hinton and designed by Gillian Gallow. [26]

Artists Repertory Theatre, located in Portland, Oregon, was to stage An Octoroon from September 3 to October 1, 2017. [27]

An Octoroon was staged by the Georgia Southern University Theatre & Performance Program from November 8 to November 15, 2017. [28]

Awards and nominations

Original London production

YearAwardCategoryNomineeResult
2017 Critics’ Circle Theatre Award [29] Most Promising Playwright Branden Jacobs-Jenkins Won

Related Research Articles

<span class="mw-page-title-main">Dion Boucicault</span> Irish actor and dramatist (1820-1890)

Dionysius Lardner "Dion" Boucicault was an Irish actor and playwright famed for his melodramas. By the later part of the 19th century, Boucicault had become known on both sides of the Atlantic as one of the most successful actor-playwright-managers then in the English-speaking theatre. Although The New York Times hailed him in his obituary as "the most conspicuous English dramatist of the 19th century," he and his second wife, Agnes Robertson Boucicault, had applied for and received American citizenship in 1873.

<i>The Octoroon</i>

The Octoroon is a play by Dion Boucicault that opened in 1859 at The Winter Garden Theatre, New York City. Extremely popular, the play was kept running continuously for years by seven road companies. Among antebellum melodramas, it was considered second in popularity only to Uncle Tom's Cabin (1852).

<span class="mw-page-title-main">Soho Repertory Theatre</span>

The Soho Repertory Theatre, known as Soho Rep, is an American Off-Broadway theater company based in New York City which is notable for producing avant-garde plays by contemporary writers. The company, described as a "cultural pillar", is currently located in a 65-seat theatre in the TriBeCa section of lower Manhattan. The company, and the projects it has produced, have won multiple prizes and earned critical acclaim, including numerous Obie Awards, Drama Desk Awards, Drama Critics' Circle Awards, and a Pulitzer Prize. A recent highlight was winning the Drama Desk Award for Sustained Achievement for "nearly four decades of artistic distinction, innovative production, and provocative play selection."

<span class="mw-page-title-main">Theatre503</span> Theatre

Theatre503, formerly the Latchmere Theatre, is a theatre located at 503 Battersea Park Road in Battersea in the London Borough of Wandsworth, above the Latchmere pub. The venue is known for promoting the work of new writers.

<span class="mw-page-title-main">Winter Garden Theatre (1850)</span> Former theatre in Manhattan, New York

The first theatre in New York City to bear the name The Winter Garden Theatre had a brief but important seventeen-year history as one of New York's premier showcases for a wide range of theatrical fare, from variety shows to extravagant productions of the works of Shakespeare. Initially known as Tripler's Hall or Metropolitan Hall, it burned down in 1854 and was rebuilt as The New York Theatre. Although it burned to the ground several times, it rose from the ashes under different managers, bearing various names, to become known as one of the most important theatres in New York history.

<span class="mw-page-title-main">Annie Baker</span> American playwright and teacher

Annie Baker is an American playwright and teacher who won the 2014 Pulitzer Prize for her play The Flick. Among her works are the Shirley, Vermont plays, which take place in the fictional town of Shirley: Circle Mirror Transformation, Nocturama, Body Awareness, and The Aliens. She was named a MacArthur Fellow in 2017.

<span class="mw-page-title-main">Sarah Benson</span>

Sarah Benson is a British director of avant-garde theatre productions based in New York. As a Director of the Soho Rep, a lower Manhattan-based theatre company with an "audacious taste in plays", she is notable for her "commitment to adventurous new plays with an experimental bent". She has been at the company since 2007, and during her tenure, the company has won numerous Obie awards and Drama Desk nominations.

The Octoroon is an Australian film directed by George Young based on a popular play by Dion Boucicault which had recently enjoyed a popular run in Australia. It is considered a lost film.

Company One is a non-profit theater company located in the Boston Center for the Arts in Boston, Massachusetts, USA. The company is known for socially conscious theater programming. Company One has produced more than 50 plays since 1998.

<span class="mw-page-title-main">Anne Washburn</span> American playwright

Anne Washburn is an American playwright.

<span class="mw-page-title-main">Branden Jacobs-Jenkins</span> American playwright (born 1984)

Branden Jacobs-Jenkins is an American playwright. He won the 2014 Obie Award for Best New American Play for his plays Appropriate and An Octoroon. His plays Gloria and Everybody were finalists for the 2016 and 2018 Pulitzer Prize for Drama, respectively. He was named a MacArthur Fellow for 2016.

Amber Renae Gray is an American actress and singer. She is known for portraying Hélène Bezukhova in the 2016 Broadway musical Natasha, Pierre, & the Great Comet of 1812 and for originating the role of Persephone in the musical Hadestown, both off and on Broadway. For the latter 2019 role, she was nominated for the Tony Award for Best Featured Actress in a Musical, additionally earning the 2020 Grammy Award for Best Musical Theater Album.

Dominique Morisseau is an American playwright and actress from Detroit, Michigan. She has written more than nine plays, three of which are part of a cycle titled The Detroit Project. She received a MacArthur Fellowship in 2018.

Gloria is a dramatic comedy written by playwright Branden Jacobs-Jenkins focusing on the lives of working Americans and dynamics in the workplace. The play made its debut Off-Broadway at the Vineyard Theatre in May 2015, after being developed by the same theatre. It was a finalist for the 2016 Pulitzer Prize for Drama.

<span class="mw-page-title-main">Mary Wiseman (actress)</span> American actress

Mary Wiseman is an American actress. She is best known for starring as Sylvia Tilly in the Paramount+ science fiction drama series Star Trek: Discovery (2017–present).

César Alvarez is an American composer, lyricist and playwright. César is best known for the musical FUTURITY which they wrote with their band The Lisps. FUTURITY won the Lucille Lortel Award for Outstanding Musical in 2016.

<span class="mw-page-title-main">Jocelyn Bioh</span> American dramatist

Jocelyn Bioh is a Ghanaian-American writer, playwright and actor. She graduated from Ohio State University with a BA in English and got her master's degree in Playwriting from Columbia University. Jocelyn's Broadway credits include The Curious Incident of the Dog in the Nighttime. She has performed in regional and off-Broadway productions of An Octoroon, Bootycandy and For Colored Girls. She has written many of her own plays that have been produced in national and collegiate theaters. Some of her more well-known works include Nollywood Dreams and School Girls; Or, the African Mean Girls Play. Bioh is a playwright with Manhattan Theatre Club (MTC) and Atlantic Theater Company, is a resident playwright at Lincoln Center and is a 2017-18 Tow Playwright-in-Residence with MCC. She is a writer on the Hulu show Tiny Beautiful Things.

<span class="mw-page-title-main">Aleshea Harris</span> American playwright

Aleshea Harris is an American playwright, spoken word artist, author, educator, actor, performer, and screenwriter. Her play Is God Is won the American Playwriting Foundation's Relentless Award in 2016.

Appropriate is a 2013 dramatic stage play written by American playwright Branden Jacobs-Jenkins. The play will premiere on Broadway in 2023 starring Sarah Paulson at the Helen Hayes Theater as a part of Second Stage Theater's 2023–2024 season.

References

  1. 1 2 "Branden Jacobs-Jenkins' An Octoroon". HowlRound. 26 March 2015. Retrieved 2016-04-26.
  2. 1 2 3 4 Bent, Eliza (15 May 2014). "Branden Jacobs-Jenkins: Feel That Thought". AMERICAN THEATRE. Retrieved 2016-04-26.
  3. ↑ "The Great Work Continues: The 25 Best American Plays Since 'Angels in America'". The New York Times. 2018-05-31. ISSN   0362-4331 . Retrieved 2020-04-17.
  4. 1 2 Jacobs-Jenkins, Branden (2014). An Octoroon. On Stage Press.
  5. ↑ Soloski, Alexis (2014-04-23). "Amber Gray on 'An Octoroon,' at Soho Rep". The New York Times. ISSN   0362-4331 . Retrieved 2016-04-26.
  6. 1 2 Soho Rep. (2014-04-30), FEED – Writer & Director of An Octoroon , retrieved 2016-04-26
  7. ↑ "The Octoroon – Performance Space 122". Performance Space 122. 26 June 2010. Retrieved 2016-04-26.
  8. ↑ "The Octoroon Delayed – Opens This Week at PS122". Culture Bot. 21 June 2010. Retrieved 2018-01-24.
  9. ↑ Soloski, Alexis (15 June 2010). "Branden Jacobs-Jenkins Tries to Revive The Octoroon". Village Voice. Retrieved 2016-04-26.
  10. ↑ Soloski, Alexis (18 June 2010). "Disgruntled Cast Member Issues Invite to P.S.122's Troubled Octoroon". Village Voice. Retrieved 2016-04-26.
  11. ↑ "The Email That Shook Downtown Theater". WNYC. Retrieved 2016-04-26.
  12. ↑ "Soho Rep Reading of Branden Jacobs-Jenkins' An Octoroon to Feature Saycon Sengbloh and William Jackson Harper | Playbill". Playbill. Retrieved 2016-06-03.
  13. ↑ An Octoroon sohorep.org, accessed April 13, 2016
  14. ↑ Stewart, Zachary. "Review. 'An Octoroon'" theatermania.com, May 4, 2014
  15. ↑ "2014 | Obie Awards". Obie Awards. Archived from the original on 2018-08-09. Retrieved 2016-04-05.
  16. ↑ Brantley, Ben (2015-02-26). "Review: 'An Octoroon,' a Branden Jacobs-Jenkins Comedy About Race". The New York Times. ISSN   0362-4331 . Retrieved 2016-04-05.
  17. ↑ "An Octoroon". Mixed Blood. Archived from the original on 17 April 2016. Retrieved 25 April 2016.
  18. ↑ "An Octoroon". Company One. Retrieved 25 April 2016.
  19. ↑ An Octoroon wilmatheater.org, accessed April 13, 2016
  20. ↑ An Octoroon Archived 2016-10-31 at the Wayback Machine dobama.org, accessed November 1, 2016
  21. ↑ Edalatpour, Jeffrey (2017-07-10). "An Octoroon in a White World". SF Weekly. Retrieved 2021-06-20.
  22. ↑ "BERKELEY REPERTORY THEATRE | An Octoroon". tickets.berkeleyrep.org. Retrieved 2017-07-28.
  23. ↑ Ludmon, Mark (April 19, 2017). "Cast announced for An Octoroon at Orange Tree". British Theatre. Retrieved June 8, 2017.
  24. ↑ Trueman, Matt (July 14, 2017). "Review: An Octoroon (Orange Tree Theatre)". Shaw Festival. Retrieved July 15, 2017.
  25. ↑ Peschier, Francesca (June 15, 2018). "Review: An Octoroon (National Theatre)". The Stage. Retrieved Aug 21, 2023.
  26. ↑ Nestruck, J Kelly (July 30, 2017). "An Octoroon is taboo ridden, but thoughtful (Shaw Festival)". Globe and Mail. Retrieved July 31, 2017.
  27. ↑ "2017/18 Season" Archived 2017-11-23 at the Wayback Machine artistsrep.org
  28. ↑ "Georgia Southern Theatre & Performance to Present "An Octoroon"".
  29. ↑ "2017 Results | Critics' Circle Theatre Awards". 2018-01-31. Retrieved 2020-12-06.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.