Square Chikwanda (born 1972) is a Zimbabwean sculptor, living and working in Harare, Zimbabwe. He first learned his art from his father, also a Zimbabwean sculptor.
Born in Mvurwi, Chikwanda moved to the Tengenenge Sculpture Community with his father at the age of seven. [1] There his father taught him at an early age to wash and polish stone. He finished primary school and learned the art of sculpture to become a full-time artist at the age of thirteen, developing his own style. At the Community he had several students, of whom Jonathan Mhondorohuma became a good friend. In 1993 he left the community to work in Harare at the Chapungu Sculpture Park. At this Park, Chikwanda continued expanding his artistic know-how, which made him one of the leading Harare sculptors. Chikwanda now (2006) works on his own in Chitungwiza, a Harare suburb. [2] His work has been exhibited worldwide.
Chikwanda's sculptures deal mostly with portraits and animals e.g. "Blind Portrait", [3] Berlin, Germany or "Hippo", [4] Tengenenge, Zimbabwe. His figures are generally very square and stylised : arms, legs and fingers are often square and show hard lines; noses have knife sharp edges. His sculptures remind indeed the art-deco figures of the 1930-1940 and are always polished to a high degree of perfection.[ citation needed ] He uses local Zimbabawean stone, including springstone. [5]
The Chapungu Sculpture Park is a renowned cultural landmark and sculpture garden in Msasa, Harare, Zimbabwe, which displays the work of Zimbabwean stone sculptors. Spanning over 15 acres of landscaped gardens, the park is dedicated to showcasing the rich heritage of African stone sculpture.
Tapfuma Gutsa is a Zimbabwean sculptor.
Nicholas Mukomberanwa, was a Zimbabwean sculptor and art teacher. He was among the most famous protégés of the Workshop School at the National Gallery of Zimbabwe. He was a mentor to the Mukomberanwa Family of sculptors. Mukomberanwa married his first wife, sculptor Grace, in 1965 and they had eight children. In 1965, he decided to end his career with the police to become a sculptor full-time. He continued to hone his skills over the following decade, developing one of the most distinctive personal styles found in his generation of Zimbabwean stone sculptors. The gambit paid off, and by the late 1970s and in the 1980s his work was being shown in many venues. His work has been exhibited in galleries around the world. He also became mentor to many artists in Zimbabwe, including his children Anderson Mukomberanwa, Ennica Mukomberanwa, Lawrence Mukomberanwa, Netsai Mukomberanwa, Taguma Mukomberanwa,Tendai Mukomberanwa and nephew, Nesbert Mukomberanwa who are also sculptors. He remains one of Zimbabwe's most famous artists.
Bernard Matemera was a Zimbabwean sculptor. The sculptural movement of which he was part is usually referred to as "Shona sculpture", although some of its recognised members are not ethnically Shona. His whole professional career was spent at the Tengenenge Sculpture Community, 150 km north of Harare near Guruve.
Boira Mteki (1946–1999), was a Zimbabwean sculptor and educator.
Joram Mariga has been called the “Father of Zimbabwean Sculpture” because of his influence on the local artistic community starting in the 1950s and continuing until his death in 2000. The sculptural movement of which he was part is usually referred to as “Shona sculpture”, although some of its recognised members are not ethnically Shona.
John Takawira, was a Zimbabwean sculptor. The background to the sculptural movement of which he was a leading member is given in the article on Shona art.
Henry Munyaradzi, also known as Henry Munyaradzi Mudzengerere, was a Zimbabwean sculptor. The sculptural movement of which he was part is usually referred to as "Shona sculpture", although some of its recognised members are not ethnically Shona. He worked initially at the Tengenenge Sculpture Community, 150 km north of Harare near Guruve, which he joined in 1967. In that Community, and ultimately in the wider world of lovers of Zimbabwean art, he was known simply as 'Henry'.
Jonathan Mhondorohuma is a Zimbabwean sculptor.
Colleen Madamombe (1964–2009) was a Zimbabwean sculptor working primarily in stone. Her work expresses themes of womanhood, motherhood, and tribal Matriarchy.
Fanizani Akuda (1932–2011), also known as Fanizani Phiri, was a Zimbabwean sculptor. He was a member of the sculptural movement "Shona sculpture", although he and some others of its recognised members were not ethnically Shona. He worked initially at the Tengenenge Sculpture Community, 150 km north of Harare near Guruve, which he joined in 1966.
Crispen Chakanyuka was a Zimbabwean sculptor.
Makina Kameya (1920–1988) was an Angola-born Zimbabwean sculptor. An ethnic Mbundu, who spoke Portuguese and English, he moved to Zimbabwe in the 1960s, and spent most of his career at the Tengenenge Sculpture Community, where he died, having never fully recovered from severe injuries incurred when one of his sculptures fell and crushed his pelvis and legs. His works are on display at the Chapungu Sculpture Park.
Sylvester Mubayi was a Zimbabwean sculptor.
Agnes Nyanhongo is a Zimbabwean stone sculptor.
Sculpture and in particular stone sculpture is an art for which Zimbabwe is well known around the world.
Celia Winter-Irving, was an Australian-born, Zimbabwean-based artist and art critic who wrote extensively on Zimbabwean art, especially Shona sculpture, when she lived in Harare from 1987 to 2008.
Amos Supuni, was a Malawian-born Zimbabwean stone carver, sculptor, and educator.
Tengenenge is a community of artists and their families located in the Guruve District of Zimbabwe. It has achieved international recognition because of the large number of sculptors who have lived and worked there since 1966. These include Fanizani Akuda, Bernard Matemera, Sylvester Mubayi, Henry Munyaradzi and Bernard Takawira.
Springstone is an exceptionally hard, dark serpentinite stone used in Shona sculpture.