Kevin Delaney Kline is an American actor. Kline is known for his over five decade career as a leading man on stage and screen. He is the recipient of an Academy Award and three Tony Awards, and has been nominated for two British Academy Film Awards, two Primetime Emmy Awards, and five Golden Globe Awards. In 2003, he was inducted into the American Theatre Hall of Fame.
The St. Louis Film Critics Association (SLFCA) is an organization of film critics operating in Greater St. Louis and adjoining areas of Missouri and Illinois which was founded in 2004.
Spotlight is a 2015 American biographical drama film directed by Tom McCarthy and written by McCarthy and Josh Singer. The film follows The Boston Globe's "Spotlight" team, the oldest continuously operating newspaper investigative journalist unit in the United States, and its investigation into cases of widespread and systemic child sex abuse in the Boston area by numerous Catholic priests. Although the plot was original, it is loosely based on a series of stories by the Spotlight team that earned The Globe the 2003 Pulitzer Prize for Public Service. The film features an ensemble cast including Mark Ruffalo, Michael Keaton, Rachel McAdams, John Slattery, Stanley Tucci, Brian d'Arcy James, Liev Schreiber, and Billy Crudup.
Saving Mr. Banks: Original Motion Picture Soundtrack is the soundtrack album of the 2013 drama film Saving Mr. Banks, written and conducted by American film composer Thomas Newman.
The nominees for the 18th St. Louis Film Critics Association Awards were announced on December 12, 2021. The winners were announced on December 19, 2021.
Inside Out: Original Soundtrack is the soundtrack album to Disney/Pixar's 2015 film of the same name, produced by Pixar Animation Studios and Walt Disney Pictures. Directed by Pete Docter, the film featured musical score composed by Michael Giacchino. This is the second collaboration between Giacchino and Docter, after previously working on Up, which fetched the former, an Academy Award for Best Original Score. Giacchino termed the score as "more emotional in comparison to the score for Up" and also being "more personal" due to his experience on parenthood. The score was recorded within January and May 2015, and featured more orchestral and symphonic music accompanied by a range of instruments, from piano, guitar, drum, organ and harp.
