St. Stephen's Church, Kirkstall | |
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53°49′05″N1°35′54″W / 53.8180°N 1.5984°W | |
Denomination | Church of England |
Churchmanship | Broad Church |
Website | St Stephen's, Kirkstall |
History | |
Dedication | St. Stephen |
Administration | |
Province | York |
Diocese | Leeds |
Parish | Kirkstall, Leeds |
St. Stephen's Church is a Church of England church in Kirkstall, Leeds. The church has been Grade II listed since 5 August 1976.
The church is located on Morris Lane in Kirkstall. The church sits on high ground overlooking Kirkstall Abbey.
Construction started in 1828 and the church opened in 1829 having been built by architect Robert Dennis Chantrell, [1] architect of Leeds Parish Church. The church was restored and extended between 1863 and 1864 by architects Perkin and Backhouse of Leeds, [2] [3] with further alterations made in 1874 by Henry Walker. [4]
The church is built to a gothic revival style of hammer-dresses gritstone ashlar and has a slate roof. The nave has five lancet windows. The church has a west tower of three stages with a spire and clock. [5]
There is a six-bay nave. The original chancel had two bays; this has been extended to three. There is a wooden reredos depicting saints and a carved square wooden pulpit. The east window is Christ in Glory flanked by St Stephen and St Paul. [6] Carvings dating from the 1864 renovation are by Burstall and Taylor of Leeds, who executed label stop heads, carved corbels and the font. [7]
The church has a separate church hall of mid-twentieth century construction with a barrelled roof. This is not listed.
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Robert Dennis Chantrell, was an English church architect, best-known today for designing Leeds Parish Church, now Leeds Minster.
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Robert Mawer was an architectural sculptor, based in Leeds, West Yorkshire, England. He specialised in the Gothic Revival and Neoclassical styles. He created the Neoclassical keystone heads on St George's Hall, Bradford and on Moorland's House, Leeds, and was working on the keystone heads at Leeds Town Hall when he died. He was a founding member of the Mawer Group of Leeds architectural sculptors, which included his wife, Catherine Mawer, his son Charles Mawer, and his apprentices William Ingle, Matthew Taylor and Benjamin Payler, who all became sculptors with their own careers. Many of the buildings enhanced with sculpture by Robert Mawer are now listed by Historic England.
Catherine Mawer was an architectural sculptor who worked alongside her husband Robert Mawer, then following his death in 1854 she ran the family stone yard as a master sculptor at Great George Street, Leeds, West Yorkshire, England, until 1859. The other master sculptor in her 1854–1859 company, which was known as Mrs Mawer, was her nephew William Ingle who supervised the stone yard and onsite works from 1854. Her apprentices were Matthew Taylor, Benjamin Payler, and her son Charles Mawer. All the apprentices later had independent careers as sculptors. After her son came of age in 1870, she continued working alongside Charles and her nephew William in the partnership Mawer and Ingle at the same address. Catherine was a founder member of the Mawer Group, which comprised all of the above Leeds architectural sculptors. During her lifetime, the Mawer group produced some strongly lifelike and often unflattering portraits, full of movement, including portraits of men with overhanging moustaches and cavernous mouths. These portraits continued after the deaths of Robert Mawer and William Ingle, but stopped appearing at her death in 1877. It is therefore reasonable to conclude that this style of work was her own.
Mawer and Ingle was a company of architectural sculptors, based in Leeds, West Yorkshire, England, between 1860 and 1871. It comprised cousins Charles Mawer and William Ingle (1828–1870), and Catherine Mawer (1804–1877) who was mother of Charles and aunt of William. The group produced carvings on many Gothic Revival churches and their internal furnishings. They also worked on civic buildings, warehouses and offices. Many of these are now listed by Historic England, and many of the surviving buildings are within Yorkshire. Their work outside Yorkshire included Trent Bridge.
Benjamin Burstall was a sculptor, architectural sculptor and stone carver, based in Leeds, West Riding of Yorkshire, England.
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