Haarlem Public Library | |
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Stadsbibliotheek Haarlem | |
Location | Gasthuisstraat, Haarlem, Netherlands |
Type | Public library |
Established | 1921 [1] |
Branches | 6 |
Collection | |
Items collected | Cd's, books, rare books & music, and Internet access. |
Access and use | |
Access requirements | Open to the public |
Population served | 180,000 (2008) [1] |
Other information | |
Director | J.E. van der Putten [1] |
Employees | 3 |
Website | sitegenerator |
The Stadsbibliotheek Haarlem (Haarlem Public Library) is a collective name for all public libraries in the Haarlem area of the Netherlands. The first public library of Haarlem opened in 1921 at the cloisters of the Haarlem City Hall where the academic library had been since 1821. The move to open its doors to the public with a public reading room was only possible after the previous occupant of the downstairs cloisters, the Frans Hals Museum, moved out in 1913 to its present location. As of 2009, there are 6 public libraries and 10 lending points, such as in hospitals.
In 1596 the Haarlem City council decided to start a library, or librije as it was then called. This was a collection of books attached by chain to a lessenaar, an elongated lectern that held the books below on a shelf. The chain was long enough so that the reader could select a book from below to read while standing. This collection was kept in the Sint-Bavokerk, where it probably came from (all church property was seized by the city council after the iconoclasm riots of the Protestant Reformation). The books were only available to the few people in possession of a key to the church. Today this older collection of books (everything published before 1900) is kept by the stichting Oude Boekerij en Bijzondere Collecties (OBBC). This includes a complete series of the Acta Eruditorum, for example. The oldest items are religious by nature, coming from church holdings prior to 1596. The oldest item is a fragment of the Book of Psalms, or psalterium, from the 11th century. At what time the collection moved to the city hall itself is uncertain, but this probably happened after 1625, when the collection was expanded with the library of the Commanderij van St. Jan, when all of their property reverted to the state. The first printed catalog of the Haarlem library dates from 1672 and is 35 pages long. By that time the collection was managed by the teachers of the Latin school (today a High School called Stedelijk Gymnasium Haarlem , and still located next to City Hall). The access to the books was still far from public.
In 1821 the city appointed the first Librarian, Abraham de Vries. He set about establishing an impressive collection of Haarlem historical books, and was especially fond of Costeriana; material relating to the history of Laurens Janszoon Coster as the father of the printing press. He also printed a three part catalog of the Library collection. A painting of him hangs in the Krijgsraadkamer, or war-room of the Central library. This room can be hired from the library for meetings or meals, and is also the spot where the historic scene of the Damiate legend hung for centuries above the fireplace.
The largest of the Haarlem lending libraries, the Centrale Bibliotheek, moved to the Doelenplein on the Gasthuisstraat in 1974. The history of this location is older than the collection itself. In 1512 the property was bought for target practise by the Haarlem schutterij. In 1562 the current L-shaped building was finished, and the Civic Guard was painted near the steps in the front by Hendrik Gerritsz Pot in 1630. Through the window in the painting the rafters can be seen that still grace the ceiling of the study room (see picture), and even a corner of a previous militia portrait. The heroic deeds of the Civic Guard during the siege of Haarlem are remembered also in the commemorative text above the old hall doorway added in 1772:
In 1572 quam hier de Spaense vyant
Die met ons als met Naerden meenden te leve
Wij weerstonden hem Vroom vechtenderhand
Maer door hongersnoot mosten wij 't opgeve
Translated into English as:
In 1572 the Spanish enemy came here
to treat us the same way as Naarden
We withstood him, fighting bravely
But from hunger we had to give up
Across from this former entrance is the main entrance to an extension that opened in 1974. Between these doorways are the bicycle racks on one side and two older buildings on the other side. One was the workspace used for repairing weapons, and the other was an additional meeting room named Kenauzaal, after Kenau Simonsdochter Hasselaer, where a painting of her hung from the 17th century until the 19th century. This particular painting of her now hangs in the Haarlem city hall.
The Cloisters, also known as the Met Cloisters, is a museum in the Washington Heights neighborhood of Upper Manhattan, New York City. The museum, situated in Fort Tryon Park, specializes in European medieval art and architecture, with a focus on the Romanesque and Gothic periods. Governed by the Metropolitan Museum of Art, it contains a large collection of medieval artworks shown in the architectural settings of French monasteries and abbeys. Its buildings are centered around four cloisters—the Cuxa, Saint-Guilhem, Bonnefont and Trie—that were acquired by American sculptor and art dealer George Grey Barnard in France before 1913, and moved to New York. Barnard's collection was bought for the museum by financier and philanthropist John D. Rockefeller Jr. Other major sources of objects were the collections of J. P. Morgan and Joseph Brummer.
Cesar Pietersz, or Cesar Boetius van Everdingen, older brother of Allart van Everdingen and Jan van Everdingen, was a Dutch Golden Age portrait and history painter.
The Frans Hals Museum is a museum in the North Holland city of Haarlem, the Netherlands, founded in 1862, known as the Art Museum of Haarlem. Its collection is based on the city's own rich collection, built up from the 16th century onwards. The museum owns hundreds of paintings, including more than a dozen by Frans Hals, to whom the museum owes its name. The Frans Hals Museum has two historic locations in Haarlem city centre: the main location on Groot Heiligland and Location Hal on Grote Markt, composed of the adjacent 17th-century Vleeshal and 19th-century Verweyhal. On Groot Heiligland is the 17th-century Oudemannenhuis with regent's rooms. It houses the famous paintings by Frans Hals and other ancient, modern and contemporary art, as well as the museum café. Location Hal regularly hosts exhibitions of modern and contemporary art.
The City Hall in Haarlem is the seat of the city's government. It was built in the 14th century replacing the Count's castle.
Teylers Museum is an art, natural history, and science museum in Haarlem, Netherlands. Established in 1778, Teylers Museum was founded as a centre for contemporary art and science. The historic centre of the museum is the neoclassical Oval Room (1784), which was built behind the house of Pieter Teyler van der Hulst (1702–1778), the so-called Fundatiehuis. Pieter Teyler was a wealthy cloth merchant and banker of Scottish descent, who bequeathed his fortune for the advancement of religion, art, and science. He was a Mennonite and follower of the Scottish Enlightenment.
The Hofje van Willem Heythuijsen is a hofje in Haarlem, Netherlands. It was founded in 1650 by the testament of Willem van Heythuysen on the site of his summer residence outside the city walls of Haarlem on land that was considered Heemstede property until it was annexed in 1927. It is one of the few hofjes of Haarlem to be built outside the city walls. It has a 'T' shape and has a small open courtyard and a garden still intact.
Hendrik Gerritsz Pot was a Dutch Golden Age painter, who lived and painted in Haarlem, where he was an officer of the militia, or schutterij. Dutch artist Frans Hals painted Pot in militia sash in Hals' The Officers of the St Adrian Militia Company in 1633. Pot is the man reading a book on the far right.
Schutterij refers to a voluntary city guard or citizen militia in the medieval and early modern Netherlands, intended to protect the town or city from attack and act in case of revolt or fire. Their training grounds were often on open spaces within the city, near the city walls, but, when the weather did not allow, inside a church. They are mostly grouped according to their district and to the weapon that they used: bow, crossbow or gun. Together, its members are called a Schuttersgilde, which could be roughly translated as a "shooter's guild". It is now a title applied to ceremonial shooting clubs and to the country's Olympic rifle team.
Pieter Gerritsz van Roestraten or Pieter Gerritsz van Roestraeten was a Dutch painter of still lifes, in particular floral and vanitas still lifes. He also painted genre scenes and portraits. After starting his career in Haarlem, he worked most of his career in London where he enjoyed the patronage of the highest circles.
Theodorus Schrevelius was a Dutch Golden Age writer and poet.
Wybrand Hendriks was a Dutch painter, primarily known for his portraits, and the concierge of the Teylers Museum.
The Grote Houtstraat is a shopping street in Haarlem that connects the Grote Markt to the Houtplein in the direction of the Haarlemmerhout woods.
The St. Elisabeth Gasthuis (EG) is a former hospital complex of buildings founded in 1581 in Haarlem on the Gasthuisvest. The last location of the hospital on the Boerhaavelaan retains its hospital function and is part of the Spaarne Gasthuis (SG) today, formerly known as Kennemer Gasthuis (KG). The hospital complex on the Gasthuisvest was built for the "Minnebroers" monastery and was reclaimed after the Protestant reformation in 1581 and given by the city council to the hospital. As a hospital during four centuries, the complex underwent many major renovations. The main facade dates from 1871.
Pieter Jacobsz Olycan, was a Dutch brewer, magistrate, and later mayor of Haarlem, best known today for his portraits by Frans Hals, as well as for the portraits of his wife Maritge Claesdr. Voogt.
Banquet of the officers of the Calivermen Civic Guard, Haarlem formerly known as The Banquet of the Officers of the St Adrian Militia Company in 1627, refers to a schutterstuk painted by Frans Hals, in 1627, for the St. Adrian civic guard of Haarlem. Today it is considered one of the main attractions of the Frans Hals Museum, in Haarlem.
The Officers of the St Adrian Militia Company in 1633 refers to the second schutterstuk painted by Frans Hals for the Cluveniers, St. Adrian, or St. Hadrian civic guard of Haarlem, in 1633, and today considered one of the main attractions of the Frans Hals Museum there.
The Officers of the St Adrian Militia Company in 1630 refers to the schutterstuk painted by Hendrik Gerritsz Pot for the Cluveniers, St. Adrian, or St. Hadrian civic guard of Haarlem, and today is considered one of the main attractions of the Frans Hals Museum there.
The Officers of the St George Militia Company in 1639 refers to the last and largest schuttersstuk painted by Frans Hals for the St. George civic guard of Haarlem, and today is considered one of the main attractions of the Frans Hals Museum in Haarlem.
The Haarlem schutterij refers to a collective name for the voluntary civic guard of Haarlem, from medieval times up to the Batavian Revolution in 1794, when the guilds of Haarlem were disbanded.
The Kloveniersdoelen was a complex of buildings in Amsterdam which served as headquarters and shooting range for the local schutterij. The companies of kloveniers were armed with an early type of musket known as an arquebus, known in Dutch as a bus, haakbus or klover, hence the name kloveniers.