Stages (Houston) is a theatre company in the city of Houston, Texas formerly known as Stages Repertory Theatre. It produces performances at The Gordy, the company's three-stage venue that opened in 2020 in Houston's Montrose neighborhood. [1] The Houston Chronicle called it "the equivalent of off-Broadway in Houston". [2]
Stages was founded in 1978 by Founding Artistic Director Ted Swindley in the basement of a downtown Houston to "produce new work, interpret established work in new ways, and nurture talent to invigorate culture for the good of the community." [3] In 1985, Stages moved to the former Star Engraving building at 3201 Allen Parkway, which was designated a local historic landmark in 1986. [4]
Stages is a professional Equity theater and has received coverage in The New York Times , The Wall Street Journal , Variety , Vogue and American Theatre magazine. [5]
In addition, Stages introduces young audiences to live theater through its EarlyStages series. Each year, thousands of local children experience dramatic interpretations of classic folktales, stories from diverse world cultures, along with plays and musicals commissioned especially for EarlyStages. [6]
Its current Artistic Director is Kenn McLaughlin.
The San Jose Repertory Theatre was the first resident professional theatre company in San Jose, California. It was founded in 1980 by James P. Reber. In 2008, after the demise of the American Musical Theatre of San Jose, the San Jose Rep became the largest non-profit, professional theatre company in the South Bay with an annual operating budget of $5 million. In 2006, it was saved from impending insolvency by a $2 million bailout loan from the city of San Jose; this was later restructured into a long-term loan similar to a mortgage.
Berkeley Repertory Theatre is a regional theater company located in Berkeley, California. It runs seven productions each season from its two stages in Downtown Berkeley.
The Guthrie Theater, founded in 1963, is a center for theater performance, production, education, and professional training in Minneapolis, Minnesota. The concept of the theater was born in 1959 in a series of discussions among Sir Tyrone Guthrie, Oliver Rea and Peter Zeisler. Disenchanted with Broadway, they intended to form a theater with a resident acting company, to perform classic plays in rotating repertory, while maintaining the highest professional standards.
Intiman Theatre Festival in Seattle, Washington, was founded in 1972 as a resident theatre by Margaret "Megs" Booker, who named it for August Strindberg's Stockholm theater. With a self-declared focus on "a resident acting ensemble, fidelity to the playwright's intentions and a close relationship between actor and audience", the Intiman soon called itself as "Seattle's classic theater". Its debut season in 1972 included Rosmersholm, The Creditors, The Underpants, and Brecht on Brecht. The theater has been host to Tony-nominated Director Bartlett Sher, Tony-nominated actress Celia Keenan-Bolger, and movie actor Tom Skerritt. It was also home to the world premieres of the Tony-winning Broadway musical The Light in the Piazza, Craig Lucas's Singing Forest and Dan Savage's "Miracle!". Lucas also served as the Associate Artistic Director. Intiman won the 2006 Regional Theatre Tony Award.
Infernal Bridegroom Productions (IBP) was a theater company located in Houston, Texas, formed in 1993 and dissolved in 2007. IBP garnered national attention when it was featured on the cover of American Theatre in September, 2002, for its original play, We Have Some Planes, by Brian Jucha, about the events of September 11. The theater's name is taken from a line in one of its first productions, In the Jungle of Cities by Bertolt Brecht. The line reads, "In my dreams I call him my infernal bridegroom." IBP produced over 60 plays, many of them world premieres.
The Pacific Repertory Theatre is a non-profit California corporation, based in Carmel-by-the-Sea, California, that produces theatrical productions and events, including the annual Carmel Shakespeare Festival. It is one of eight major arts institutions in Monterey County, as designated by the Community Foundation of Monterey County, and is supported in part by grants from the David and Lucile Packard Foundation, The Shubert Foundation, the Berkshire Foundation and the Monterey Peninsula Foundation.
The Forest Theater is an historic amphitheater in Carmel-by-the-Sea, California. Founded in 1910, it is one of the oldest outdoor theaters west of the Rockies. Actor/director Herbert Heron is generally cited as the founder and driving force, and poet/novelist Mary Austin is often credited with suggesting the idea. As first envisioned, original works by California authors, children's theatre, and the plays of Shakespeare were the primary focus. Since its inception, a variety of artists and theatre groups have presented plays, pageants, musical offerings and other performances on the outdoor stage, and the facility's smaller indoor theatre and school.
Seattle Rep is a major regional theater located in Seattle, Washington, at the Seattle Center. It is a member of Theatre Puget Sound and Theatre Communications Group. Founded in 1963, it is led by Artistic Director Dámaso Rodríguez and Managing Director Jeffrey Herrmann. It received the 1990 Regional Theatre Tony Award.
The Soho Repertory Theatre, known as Soho Rep, is an American Off-Broadway theater company based in New York City which is notable for producing avant-garde plays by contemporary writers. The company, described as a "cultural pillar", is currently located in a 65-seat theatre in the TriBeCa section of lower Manhattan. The company, and the projects it has produced, have won multiple prizes and earned critical acclaim, including numerous Obie Awards, Drama Desk Awards, Drama Critics' Circle Awards, and a Pulitzer Prize. A recent highlight was winning the Drama Desk Award for Sustained Achievement for "nearly four decades of artistic distinction, innovative production, and provocative play selection."
Underneath the Lintel is a play by Glen Berger that premièred in 2001. The sole character—the Librarian—embarks on a quest to find out who anonymously returned a library book that is 113 years overdue. A clue scribbled in the margin of the book and an unclaimed dry-cleaning ticket then take him on a mysterious adventure that spans the globe and the ages.
Portland Stage Company is a professional LORT theater company in the state of Maine. Founded as the Profile Theatre in 1974 as a touring theater company, the company made Portland its permanent location in 1976. In 1982, it moved to its current home of 25A Forest Ave, Portland, ME. Anita Stewart has served as the Artistic Director since 1996, and in 2006 was made Executive Director.
The Pan Asian Repertory Theatre is a New York City-based theatre group that explores the Asian-American experience and provides professional opportunities for Asian-American artists to collaborate. Pan-Asian was founded by Tisa Chang and Ernest Abuba in 1977, and Chang remains artistic director. Chang established the Pan Asian Repertory Theatre as a resident company at La MaMa Experimental Theatre Club in 1977, with the intention of popularizing Asian-American theater and leading to other similar theatre companies in cities with an Asian disaporic population.
Kansas City Repertory Theatre is a professional resident theater company serving the Kansas City metropolitan area, and is the professional theater in residence at the University of Missouri-Kansas City (UMKC).
Tony Taccone is an American theater director, and the former artistic director of Berkeley Repertory Theatre in Berkeley, California.
Rick Shiomi is an internationally recognized, award-winning Japanese Canadian playwright, stage director, artistic director and taiko artist, and a major player in the Asian American/Canadian theatre movement. He is best known for his groundbreaking play Yellow Fever, which earned him the Bay Area Theater Circle Critics Award and “Bernie” Award. Over the last couple decades, Shiomi has also become a notable artistic and stage director. He directed the world premiere of the play Caught by Christopher Chen for which he received the Philadelphia Barrymore Award Nomination for Outstanding Direction. He is currently the Co-Artistic Director of Full Circle Theater Company.
The Actor's Workshop was a theatre company founded in San Francisco in 1952. It was the first professional theatre on the west coast to premiere many of the modern American classics such as Arthur Miller's Death of a Salesman and The Crucible, and the world dramas of Samuel Beckett, Bertolt Brecht, Jean Genet and Harold Pinter. For the 1953–1954 season, the Workshop offered six plays: Lysistrata, by Aristophanes; Venus Observed, by Christopher Fry; Death of a Salesman, by Arthur Miller; a revival of Playboy; The Cherry Orchard, by Anton Chekhov; and Tonight at 8.30, by Noël Coward. On April 15, 1955, the Actor's Workshop signed the first Off-Broadway Equity contract to be awarded outside New York City.
Pam MacKinnon is an American theatre director. She has directed for the stage Off-Broadway, on Broadway and in regional theatre. She won the Obie Award for Directing and received a Tony Award nomination, Best Director, for her work on Clybourne Park. In 2013 she received the Tony Award for Best Direction of a Play for a revival of Who's Afraid of Virginia Woolf? She was named artistic director of American Conservatory Theater in San Francisco, California on January 23, 2018.
Z Space is a regional theater and performing arts company located in the Mission District of San Francisco, California. Z Space is one of the leading laboratories for developing new voices, new works, and new opportunities in the American theater. In addition to commissioning and producing its own works, Z Space also presents productions created by other organizations.
Loni Berry is a theatre educator/artist. He has taught at numerous universities and is Artistic Director of Culture Collective Studio, a theatre production company in Bangkok, Thailand.
Henry Godinez is a Cuban-American actor, director, and professor of theatre who is committed to the production of Latino theatre in Chicago. He has also directed and acted in New York City, Kansas City, Indiana, Colorado, Washington, D.C., and San Diego. He is the resident artistic associate at the Goodman Theatre, founded and serves as director of their biennial Latino Theater Festival, and has directed and performed in multiple productions at the Goodman. Additionally, he is the co-founder and former artistic director of Teatro Vista, a Latino Theatre company in Chicago.