Stallburg | |
---|---|
Coordinates | 48°12′25.92″N16°22′1.92″E / 48.2072000°N 16.3672000°E |
Built | c. 1558–1565 |
Architectural style(s) | Renaissance |
The Stallburg is a renaissance-style building in the Vienna city center located between Josefsplatz and Michaelerplatz. It is part of the Hofburg Palace.
Formerly the living quarters of Archduke Maximilian , later Emperor Maximilian II, it was built around 1558–1565 as a residence. From 1659 to 1776 it housed the art collection of Archduke Leopold Wilhelm, called the Stallburg gallery. This collection forms the core of the later Kunsthistorisches Museum from 1889. Later the building became the Imperial Stables used to house the imperial horses, and even today it is still used by the Spanish Riding School (Spanische Hofreitschule).
Before moving to Vienna in 1659, Archduke Leopold Wilhelm formed his art collection of 1400 paintings in Brussels, where David Teniers the Younger painted views of his Brussels gallery, which are now spread among various collections. [1] He made many miniatures of the paintings for use as models by engravers and published a catalog of the Italian paintings in the 1660s called Theatrum Pictorium .
After Teniers, Anton Joseph von Prenner was the next to make an illustrated catalog of the paintings there in the 1720s, which included the additions of the Naples collection of Charles VI, Holy Roman Emperor. Charles VI commissioned Ferdinand Storffer to oversee color miniatures as well as engravings for it. The resulting document "The Newly Arranged Inventory of the Imperial Paintings Gallery in the Stallburg" appeared in four volumes from 1720 to 1733. Charles VI also commissioned Francesco Solimena to commemorate the re-arrangement of the gallery with a painting.
The name of the building comes from the horses of the imperial family, who were housed on the ground floor under the reign of Emperor Charles VI. The fountain with wrought iron railings in the middle of the yard was built in 1675. The building was heavily damaged in 1945 just before the end of the Second World War by bombs but was faithfully restored during the years 1947–1948. The passage to the arcades between Hofburg and Stallburg was opened on July 1, 1948.
Today Lipizzaners of the Spanish Riding School are housed there, the associated stud is located in Piber in Styria. From Reitschulgasse one can see the yard. Next to it was the now closed Lipizzan Museum.
Archduke Leopold Wilhelm of Austria, younger brother of Emperor Ferdinand III, was an Austrian soldier, administrator and patron of the arts.
The Three Philosophers is an oil painting on canvas attributed to the Italian High Renaissance artist Giorgione. It shows three philosophers – one young, one middle-aged, and one old.
Violante is an oil painting attributed to Titian, dated to around 1515 and now held at the Kunsthistorisches Museum in Vienna.
The Portrait of Jacopo Strada is a 1567–68 portrait of the court librarian Jacopo Strada by Titian, now held in the Kunsthistorisches Museum in Vienna.
The Madonna of the Cherries is a 1515 painting by Titian, heavily influenced by the work of Giovanni Bellini. Originally oil on wood, it was later transferred to canvas. During the 17th century it formed part of the collection of Archduke Leopold Wilhelm, where it was copied by David Teniers. It is now in the Kunsthistorisches Museum in Vienna.
The Bravo is an oil painting usually attributed to Titian, dated to around 1516-17 and now in the Kunsthistorisches Museum in Vienna. The painting can be seen as one of a number of Venetian paintings of the 1510s showing two or three half-length figures with heads close together, often with their expressions and interactions enigmatic. Most of these are "Giorgionesque" genre or tronie subjects where the subjects are anonymous, though the group includes Titian's The Tribute Money, with Christ as the main figure, which in terms of style is similar to this painting, and his Lucretia and her Husband, also in Vienna, where at least the woman's identity is clear, if not that of the man.
Theatrum Pictorium, or Theatre of Painting, is a short-hand name of a book published in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It catalogs 243 Italian paintings in the Archduke's collection of over 1300 paintings. The paintings are reproduced by engravings made by various engravers after reduced-size copies (modelli) created by Teniers. David Teniers' brother Abraham Teniers was involved in organizing the publication of the work. A second edition with page numbers was published in 1673.
Jan van Troyen was a Flemish engraver and etcher. He is mainly known for the work he did for David Teniers the Younger on the illustrations for the Theatrum Pictorium, an publication which gave an overview of the paintings in the collection of the Archduke Leopold Wilhelm.
Judith with the head of Holofernes is a 1610–1615 painting by the painter Carlo Saraceni, now held in the Kunsthistorisches Museum in Vienna.
Saint Margaret and the Dragon is the title shared by two paintings of Saint Margaret by the Renaissance painter Raphael, both executed in about 1518. One is held in the Kunsthistorisches Museum in Vienna, the other in the Louvre in Paris.
Gallery of Archduke Leopold Wilhelm in Brussels is a 1651 painting of Archduke Leopold Wilhelm's Italian art collection by the Flemish Baroque painter David Teniers the Younger, now held in Petworth House in England.
Archduke Leopold Wilhelm and the artist in the archducal picture gallery in Brussels is a 1651 painting of Archduke Leopold Wilhelm's Italian art collection by the Flemish Baroque painter David Teniers the Younger, now held in the Kunsthistorisches Museum in Vienna.
Archduke Leopold Wilhelm and the artist in the archducal picture gallery in Brussels is a 1653 painting of Archduke Leopold Wilhelm's Italian art collection by the Flemish Baroque painter David Teniers the Younger. It is now held in a private collection, but it was previously owned by the Rothschild family, from whom it was taken in World War II and placed in the Kunsthistorisches Museum where it stayed for 50 years until restitution in 1999.
Archduke Leopold Wilhelm and the artist in the archducal picture gallery in Brussels is a 1653 painting of Archduke Leopold Wilhelm's Italian art collection by the Flemish Baroque painter David Teniers the Younger, now held in the collection of Museo Lázaro Galdiano in Madrid.
Gallery of Archduke Leopold Wilhelm in Brussels is a 1651 painting of Archduke Leopold Wilhelm's Italian art collection by the Flemish Baroque painter David Teniers the Younger, now in the Royal Museums of Fine Arts of Belgium.
Gallery of Archduke Leopold Wilhelm in Brussels is a painting of Archduke Leopold Wilhelm's Italian art collection by the Flemish Baroque painter David Teniers the Younger, now held in the Schleissheim Palace. It dates to the 1650s.
Nymph and Shepherd, also called Shepherd and Nymph, is an oil painting by the Venetian master Titian, made about 1570. The painting is in the collection of the Kunsthistorisches Museum in Vienna.
Portrait of Fabrizio Salvaresio is an oil painting by Titian. It is signed and dated 1558, and hangs today in the Kunsthistorisches Museum in Vienna.
The Virgin and Child with Saints Stephen, Jerome and Maurice, also called the Virgin with Three Saints, is a religious painting by Titian which hangs in the Kunsthistorisches Museum in Vienna.
Christ and the Adulteress, also titled Christ and the Woman Taken in Adultery, or The Adulteress before Christ, is an oil painting by Titian, made about 1520, in the Kunsthistorisches Museum, Vienna.