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In architecture, a steeple is a tall tower on a building, topped by a spire and often incorporating a belfry and other components. Steeples are very common on Christian churches and cathedrals and the use of the term generally connotes a religious structure. They might be stand-alone structures, or incorporated into the entrance or center of the building.
Towers were not a part of Christian churches until about AD 600, when they were adapted from the military watchtowers (But there is still a dispute that it was adapted from the Minarets). At first they were fairly modest and entirely separate structures from churches. Over time, they were incorporated into the church building and capped with ever-more-elaborate roofs until the steeple resulted.
Towers are a common element of religious architecture worldwide and are generally viewed as attempts to reach skyward toward heavens and the divine. [1] Some wooden steeples are built with large wooden structural members arranged like tent poles and braced diagonally inside both with wood and steel. The steeple is then clad with wooden boards and finished with slate tiles nailed to the boards using copper over gaps on corners where the slate would not cover.
Steeples can be vulnerable to earthquakes. A number of Romanian churches feature unusually slender steeples, and over half of these have been lost to earthquakes. [2] Because of their height, steeples can also be vulnerable to lightning, which can start fires within steeples. An example of this is Holy Trinity Catholic Church in Luxemburg, Iowa, which lost its steeple in a fire believed to have been started by a lightning strike. [3] Steeples are also at the mercy of strong winds and hurricanes. For example, the Old North Church's steeple was toppled by a "great gale" in 1804, and again by Hurricane Carol in 1954. [4]
A spire is a tall, slender, pointed structure on top of a roof of a building or tower, especially at the summit of church steeples. A spire may have a square, circular, or polygonal plan, with a roughly conical or pyramidal shape. Spires are typically made of stonework or brickwork, or else of timber structures with metal cladding, ceramic tiling, roof shingles, or slates on the exterior.
A minaret is a type of tower typically built into or adjacent to mosques. Minarets are generally used to project the Muslim call to prayer (adhan), but they also served as landmarks and symbols of Islam's presence. They can have a variety of forms, from thick, squat towers to soaring, pencil-thin spires.
Islamic architecture comprises the architectural styles of buildings associated with Islam. It encompasses both secular and religious styles from the early history of Islam to the present day. The Islamic world encompasses a wide geographic area historically ranging from western Africa and Europe to eastern Asia. Certain commonalities are shared by Islamic architectural styles across all these regions, but over time different regions developed their own styles according to local materials and techniques, local dynasties and patrons, different regional centers of artistic production, and sometimes different religious affiliations.
A pagoda is an Asian tiered tower with multiple eaves common to Nepal, China, Japan, Korea, Myanmar, Vietnam, and other parts of Asia. Most pagodas were built to have a religious function, most often Buddhist but sometimes Taoist, and were often located in or near viharas. The pagoda traces its origins to the stupa while its design was developed in ancient Nepal.
A bell tower is a tower that contains one or more bells, or that is designed to hold bells even if it has none. Such a tower commonly serves as part of a Christian church, and will contain church bells, but there are also many secular bell towers, often part of a municipal building, an educational establishment, or a tower built specifically to house a carillon. Church bell towers often incorporate clocks, and secular towers usually do, as a public service.
A tented roof is a type of polygonal hipped roof with steeply pitched slopes rising to a peak. Tented roofs, a hallmark of medieval religious architecture, were widely used to cover churches with steep, conical roof structures.
An abat-son is an architectural device constructed to reflect or direct sound in a particular direction. It consists of large louvers. The term is commonly used to refer to angled louvers in a bell tower or belfry designed to redirect sound or to prevent ingress of water.
Debre Damo, also spelled Debre Dammo, Dabra Dāmmo or Däbrä Dammo), is the name of a flat-topped mountain, or amba, and a 6th-century monastery in Tigray Region of Ethiopia. The mountain is a steeply rising plateau of trapezoidal shape, about 1,000 by 400 m in dimension. It sits at an elevation of 2,216 m (7,270 ft) above sea level. It is north of Bizet, and north-west of Adigrat, in the Mehakelegnaw Zone of the Tigray Region, close to the border with Eritrea.
Church architecture refers to the architecture of buildings of churches, convents, seminaries etc. It has evolved over the two thousand years of the Christian religion, partly by innovation and partly by borrowing other architectural styles as well as responding to changing beliefs, practices and local traditions. From the birth of Christianity to the present, the most significant objects of transformation for Christian architecture and design were the great churches of Byzantium, the Romanesque abbey churches, Gothic cathedrals and Renaissance basilicas with its emphasis on harmony. These large, often ornate and architecturally prestigious buildings were dominant features of the towns and countryside in which they stood. However, far more numerous were the parish churches in Christendom, the focus of Christian devotion in every town and village. While a few are counted as sublime works of architecture to equal the great cathedrals and churches, the majority developed along simpler lines, showing great regional diversity and often demonstrating local vernacular technology and decoration.
The Giralda is the bell tower of Seville Cathedral in Seville, Spain. It was built as the minaret for the Great Mosque of Seville in al-Andalus, Moorish Spain, during the reign of the Almohad dynasty, with a Renaissance-style belfry added by the Catholics after the expulsion of the Muslims from the area. The Cathedral, including the Giralda, was registered in 1987 as a World Heritage Site by UNESCO, along with the Alcázar and the General Archive of the Indies. The tower is 104.1 m (342 ft) in height and remains one of the most important symbols of the city, as it has been since the Middle Ages.
Sacral architecture is a religious architectural practice concerned with the design and construction of places of worship or sacred or intentional space, such as churches, mosques, stupas, synagogues, and temples. Many cultures devoted considerable resources to their sacred architecture and places of worship. Religious and sacred spaces are amongst the most impressive and permanent monolithic buildings created by humanity. Conversely, sacred architecture as a locale for meta-intimacy may also be non-monolithic, ephemeral and intensely private, personal and non-public.
Mudéjar architecture of Aragon is an aesthetic trend in Mudéjar style in Aragon, (Spain) and has been recognized in some representative buildings as a World Heritage Site by UNESCO.
Benjamin Woolfield Mountfort was an English emigrant to New Zealand, where he became one of the country's most prominent 19th-century architects. He was instrumental in shaping the city of Christchurch's unique architectural identity and culture, and was appointed the first official Provincial Architect of the developing province of Canterbury. Heavily influenced by the Anglo-Catholic philosophy behind early Victorian architecture, he is credited with importing the Gothic revival style to New Zealand. His Gothic designs constructed in both wood and stone in the province are considered unique to New Zealand. Today, he is considered the founding architect of the province of Canterbury.
The architecture of Indonesia reflects the diversity of cultural, historical and geographic influences that have shaped Indonesia as a whole. Invaders, colonizers, missionaries, merchants and traders brought cultural changes that had a profound effect on building styles and techniques.
The architecture of Palestine covers a vast historical time frame and a number of different styles and influences over the ages. The urban architecture of the region of Palestine prior to 1850 was relatively sophisticated. The Palestinian townhouse shared in the same basic conceptions regarding the arrangement of living space and apartment types commonly seen throughout the Eastern Mediterranean. The rich diversity and underlying unity of the architectural culture of this wider region stretching from the Balkans to North Africa was a function of the exchange fostered by the caravans of the trade routes, and the extension of Ottoman rule over most of this area, beginning in the early 16th century through until the end of World War I.
St. Stephen's Episcopal Church, in Beverly, Burlington County, New Jersey, United States, is located on the corner of Warren and Wilmerton streets in Beverly. While the St. Stephen's community worshipped at the site beginning in 1837, the current church building was consecrated in 1855 and the rector presently serving the congregation is Fr. Robert Legnani.
Kerala architecture is a style of architecture found mostly in the Indian state of Kerala, in parts of Tulu Nadu region Karnataka. Kerala's style of architecture is a unique Hindu temple architecture that emerged in the southwest part of India, in slight contrast to Dravidian architecture practised in other parts of southern India. The architecture of Kerala has been derived mostly from Indian Vedic architectural tradition and forms a part of the Dravidian architecture, one of the three styles of temples mentioned in the ancient books on Vastu Shastra. The Tantrasamuchaya, Thachu-Shastra, Manushyalaya Chandrika, and Silparatna are architectural treatises which have had an impact on architecture of Kerala. The Manushyalaya-Chandrika, a work devoted to domestic architecture, has its roots in Kerala.
Church architecture in Scotland incorporates all church building within the modern borders of Scotland, from the earliest Christian structures in the sixth century until the present day. The early Christian churches for which there is evidence are basic masonry-built constructions on the west coast and islands. As Christianity spread, local churches tended to remain much simpler than their English counterparts. By the eighth century more sophisticated ashlar block-built buildings began to be constructed. From the eleventh century, there were larger and more ornate Romanesque buildings, as with Dunfermline Abbey and St Magnus Cathedral in Orkney. From the twelfth century the introduction of new monastic orders led to a boom in ecclesiastical building, often using English and Continental forms. From the thirteenth century elements of the European Gothic style began to appear in Scotland, culminating in buildings such as Glasgow Cathedral and the rebuilt Melrose Abbey. Renaissance influences can be seen in a move to a low-massive style that was probably influenced by contacts with Italy and the Netherlands.
Domes built in the 16th, 17th, and 18th centuries relied primarily on empirical techniques and oral traditions rather than the architectural treatises of the time, but the study of dome structures changed radically due to developments in mathematics and the study of statics. Analytical approaches were developed and the ideal shape for a dome was debated, but these approaches were often considered too theoretical to be used in construction.
Chilean architecture is influenced by the country's history, religious culture and unique climate. Chile was a former Spanish colony and its architectural style was therefore strongly influenced by Spanish design. Due to the unique geographical environment, Chilean architecture was also designed to accommodate these natural conditions. In particular, Chile's special geologic structure and resultant high incidence of earthquakes and tsunamis have led to Chilean architects becoming quite experienced in the application of structures and materials for earthquake-resistant structures and post-disaster reconstruction.
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