Stefan Guzy | |
---|---|
Born | 1980 (age 44–45) |
Nationality | German |
Education | Berlin University of the Arts, Berlin |
Known for | Graphic Design, Music Video |
Notable work | José González: In Our Nature tour poster (2007); William Fitzsimmons — The Sparrow And The Crow tour poster (2009); Ruin: Half Skull album cover (2011) |
Website | Zwölf |
Stefan Guzy (born 1980) is a German poster artist, typographer and manuscript researcher living in Berlin.
He graduated in visual communication at the Berlin University of the Arts in 2007, having studied with professors like Stefan Sagmeister and Daniela Haufe/Detlef Fiedler. [1] The studio "Zwölf" which he founded 2001 with partner Björn Wiede [2] is known for its typographical poster designs for indie rock artists like José González, William Fitzsimmons or Blonde Redhead, which received numerous international awards including "Best Poster 2007" (Art Directors Club), Certificate of Typographic Excellence (Type Directors Club) or AIGA Annual Design Award. His work has been exhibited at several poster biennials like Toyama (2009), Lahti (2009) and Tehran (2009) among others. [3]
In 2011 he has been a selected member of the ADC 90th Annual Awards Design jury. [4]
Together with his studio partner Björn Wiede he became a member of Alliance Graphique Internationale in 2016. [5]
In a study published in 2022, he examined the book transactions of Emperor Rudolf II (1552–1612) and was able to identify a possible previous owner of the famous Voynich manuscript. [6]
The Voynich manuscript is an illustrated codex, hand-written in an unknown script referred to as Voynichese. The vellum on which it is written has been carbon-dated to the early 15th century (1404–1438). Stylistic analysis has indicated the manuscript may have been composed in Italy during the Italian Renaissance. The origins, authorship, and purpose of the manuscript are still debated, but currently scholars lack the translation(s) and context needed to both properly entertain or eliminate any of the possibilities. Hypotheses range from a script for a natural language or constructed language, an unread code, cypher, or other form of cryptography, or perhaps a hoax, reference work, glossolalia or work of fiction.
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