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Stephen Nowlin is an American curator/artist whose practice superimposes art and science and is associated with the national ArtScience movement. [1] [2] He is a vice president at Art Center College of Design [3] and founding director of the college's Alyce de Roulet Williamson Gallery. [4]
Stephen Nowlin was born in Glendale, California. He is the son of professional musicians Ray and Roberta Nowlin. [5] [6] Between 1966 and 1969, he lived in Berkeley, California and attended California College of Arts and Crafts (CCAC). In 1969 he left CCAC to work for Ladd & Kelsey Architects, Pasadena where he helped build a model of California Institute of the Arts (Calarts). [7] He finished his undergraduate degree at Calarts during 1970-1971. [8] Nowlin went on to receive a MFA from the Art Center College of Design.
Between 1969 and 1970, he worked in the Astro-Electronics Lab at California Institute of Technology (Caltech), drafting computer circuits for the Mount Wilson and Palomar Observatories and he participated in Caltech's E.A.T. (Experiments in Art & Technology) program, [9] [10] working with filmmaker and computer animator John Whitney. In 1970, Nowlin made the 3-minute film NNON, using early motion-graphics programming developed at Caltech. [11] Between 1972 and 1976, he worked as a laboratory technician at the University of Southern California School of Medicine while pursuing studio art practice and experimentation. Nowlin joined the Art Center College of Design faculty following his graduation. In 1979 he organized a survey of paintings by pop-artist Wayne Theibaud with Fine Art Chair Laurence Dreiband. During 1979-1980 he exhibited his work at the Los Angeles Municipal Art Gallery, Los Angeles Institute of Contemporary Art (LAICA), [12] and Topo Swope Gallery. During the 1980s and early 1990s, Nowlin curated over forty exhibitions including the first exhibition of work by 1930s-era photographer Horace Bristol; exhibitions of photojournalist Mary Ellen Mark, art directors Josef Muller-Brockmann and Helmut Krone; group exhibitions with Leo Castelli Gallery and John Berggruen Gallery; and solo exhibitions with David Hockney, Duane Michaels, Donald Judd, and Robert Venturi; curated solo exhibitions of recent work by James Rosenquist, [13] Judy Pfaff, Sol LeWitt and Robert Morris. He also managed and designed the installation of large-scale sculptural works by David Smith, Alexander Calder, Donald Judd, Anthony Caro, Mark di Suvero, Richard Serra and Bruce Nauman. Between 1990-1992 he collaborated with architect Frederick Fisher and Partners, on Fisher's design for the Alyce de Roulet Williamson Gallery on Art Center's campus.
Nowlin is married to Anne Nowlin, née Hathaway, with whom he shares three children.
Pasadena is a city in Los Angeles County, California, United States, 11 miles (18 km) northeast of downtown Los Angeles. It is the most populous city and the primary cultural center of the San Gabriel Valley. Old Pasadena is the city's original commercial district.
ArtCenter College of Design is a private art university in Pasadena, California.
April Greiman is an American designer widely recognized as one of the first designers to embrace computer technology as a design tool. Greiman is also credited, along with early collaborator Jayme Odgers, with helping to import the European New Wave design style to the US during the late 70s and early 80s." According to design historian Steven Heller, “April Greiman was a bridge between the modern and postmodern, the analog and the digital.” “She is a pivotal proponent of the ‘new typography’ and new wave that defined late twentieth-century graphic design.” Her art combines her Swiss design training with West Coast postmodernism.
Roy Ascott FRSA is a British artist, who works with cybernetics and telematics on an art he calls technoetics by focusing on the impact of digital and telecommunications networks on consciousness. Since the 1960s, Ascott has been a practitioner of interactive computer art, electronic art, cybernetic art and telematic art.
Stephen G. Rhodes is an artist based in Los Angeles.
Graham Howe is a curator, writer, photo-historian, artist, and founder and CEO of Curatorial, Inc., a museum services organization supporting nonprofit traveling exhibitions. Curatorial Inc. manages the E.O. Hoppé Estate Collection and the Paul Outerbridge II Collection among others. Born in Sydney, Australia, Howe now resides in Los Angeles and London.
Steve Roden was an American contemporary artist and musician. He worked in the fields of sound and visual art, and is credited with pioneering lowercase music, a compositional style where quiet and usually unheard sounds are amplified to create complex and rich soundscapes. His discography of multiple albums and works of sound art includes Forms of Paper, which was commissioned by the Los Angeles Public Library.
Maxwell Hendler is an American painter. In 1975, he became the first contemporary artist to have pictures in the collection of the Metropolitan Museum of Art in New York.
Alexandra Grant is an American visual artist who examines language and written texts through painting, drawing, sculpture, video, and other media. She uses language and exchanges with writers as a source for much of that work. Grant examines the process of writing and ideas based in linguistic theory as it connects to art and creates visual images inspired by text and collaborative group installations based on that process. She is based in Los Angeles.
Pacific Standard Time: Art in L.A., 1945–1980 was a scholarly initiative funded by the J. Paul Getty Trust to historicize the contributions to contemporary art history of artists, curators, critics, and others based in Los Angeles. Planned for nearly a decade, PST, as it was called, granted nearly 60 organizations throughout Southern California a total of $10 million to produce exhibitions that explored the years between 1945 and 1980. Underscoring the significance of this project, art critic Roberta Smith wrote in The New York Times:
Before [PST], we knew a lot [about the history of contemporary art], and that lot tended to greatly favor New York. A few Los Angeles artists were highly visible and unanimously revered, namely Ed Ruscha and other denizens of the Ferus Gallery, that supercool locus of the Los Angeles art scene in the 1960s, plus Bruce Nauman and Chris Burden, but that was about it. After, we know a whole lot more, and the balance is much more even. One of the many messages delivered by this profusion of what will eventually be nearly 70 museum exhibitions is that New York did not act alone in the postwar era. And neither did those fabulous Ferus boys.
George Herms is an American artist best known for creating assemblages out of discarded, often rusty, dirty or broken every-day objects, and juxtaposing those objects so as to infuse them with poetry, humor and meaning. He is also known for his works on paper, including works with ink, collage, drawing, paint and poetry. The prolific Herms has also created theater pieces, about which he has said, "I treat it as a Joseph Cornell box big enough that you can walk around in. It's just a continuation of my sculpture, one year at a time." Legendary curator Walter Hopps, who met Herms in 1956, "placed Herms on a dazzling continuum of assemblage artists that includes Pablo Picasso, Kurt Schwitters, Marcel Duchamp, and Joseph Cornell, as well as California luminaries Wallace Berman and Edward Kienholz." Often called a member of the West Coast Beat movement, Herms said that Wallace Berman taught him that "any object, even a mundane cast-off, could be of great interest if contextualized properly." "That’s my whole thing," Herms says. "I turn shit into gold. I just really want to see something I've never seen before." George Herms lives and works in Los Angeles.
Lisa Lapinski is an American visual artist who creates dense, formally complex sculptures which utilize both the language of traditional craft and advanced semiotics. Her uncanny objects interrogate the production of desire and the exchange of meaning in an image-based society. Discussing a group show in 2007, New York Times Art Writer Holland Cotter noted, "An installation by Lisa Lapinski carries a hefty theory- studies title: 'Christmas Tea-Meeting, Presented by Dialogue and Humanism, Formerly Dialectics and Humanism.' But the piece itself just looks breezily enigmatic." It is often remarked that viewers of Lapinski's sculptures are enticed into an elaborate set of ritualistic decodings. In a review of her work published in ArtForum, Michael Ned Holte noted, "At such moments, it becomes clear that Lapinski's entire systemic logic is less circular than accumulative: What at first seems hermetically sealed is often surprisingly generous upon sustained investigation." Lapinski's work has been exhibited widely in the US and Europe, and she was included in the 2006 Whitney Biennial.
Hodgetts + Fung, also known as HplusF, is an interdisciplinary design studio based in Culver City, California specializing in architectural design, advanced material fabrication, historical restorations, and exhibition design and is led by principals Craig Hodgetts and Hsinming Fung.
Ferenc Csentery was an abstract metal sculptor known for his conceptual work related to the emergence of the US Space Program in the 1960s. He was particularly known for the high degree of technical precision of the machining and welding in his sculpture.
Jody Zellen is an American artist and educator. Her practice, consisting of digital art, painting, video art, and drawing, has been showcased by way of interactive installations, public art, and curated exhibitions. She is also known for her art criticism.
Erkki Huhtamo is a media archaeologist, exhibition curator, and professor at the University of California, Los Angeles in the Departments of Design Media Arts and Film, Television, and Digital Media.
Mark Arbeit is an American photographer known for his celebrity portraiture, fashion and beauty. His work has appeared in (France) Vogue, Marie Claire, Cosmopolitan, Figaro Madame, (US) Vanity Fair, InStyle, People, Forbes, (Australia) Harper's Bazaar, Vogue
Baxter Art Gallery was an art exhibition space at the California Institute of Technology, founded by Professor of Literature David R. Smith in 1971, and David Smith became the first gallery director. The little gallery was nationally known for its daring exhibits of contemporary art. When it closed in 1985 for financial reasons, the Archives of American Art at the Smithsonian Institution requested all its records. The board of governors considered to relocate the gallery, then in 1989, it in collaboration with the Pasadena Arts Workshop became the Armory Center for the Arts.
Lynn Aldrich is an American sculptor whose diverse works draw on a wide range of high and low cultural influences and materials. Her work can range from what art writers describe as "slyly Minimalist meditations" on color, light and space to whimsical "Home Depot Pop" that reveals and critiques the excesses—visual, formal and material—of unbridled consumption. Critics Leah Ollman and Claudine Ise of the Los Angeles Times have described Aldrich's art, respectively, as a "consumerist spin on the assemblage tradition" and a "witty and inventive brand of kitchen-sink Conceptualism" LA Weekly critic Doug Harvey calls her "one of the most under-recognized sculptors in L.A.," whose hallmarks are the poetic transformation of found/appropriated materials, formal inventiveness and restless eclecticism. Aldrich has exhibited at the Museum of Contemporary Art, Los Angeles (MOCA), Los Angeles County Museum of Art (LACMA), Hammer Museum, Santa Monica Museum of Art, and venues throughout the United States and Europe. She has been recognized with a Guggenheim Fellowship (2014) and public art collection acquisitions by LACMA, MOCA Los Angeles and the Portland Art Museum, among others.
T. Kelly Mason is a Los Angeles–based post-conceptual artist, writer, and educator who works in a number of media, including video, music, sculpture, and text. Mason has taught at ArtCenter College of Design in Pasadena since 2001.
