Steve Duke (born 1954) is an American classical and jazz saxophonist noted for his performance of contemporary classical music, particularly computer music.
Steve Duke earned both B.M. and M.M. degrees in performance at the University of North Texas. There he studied saxophone performance with Jim Riggs and Dennis F. Diemond. He studied flute with Ralph Johnson and Clare Johnson, oboe with Charles Veazey, and clarinet with Lee Gibson. He studied jazz with Joe Henderson and Joe Daley. [1] While at North Texas, he was awarded the Phi Kappa Lambda Outstanding Soloist Award, the highest award given for classical music performance. Duke also performed in the One O'Clock Lab Band playing lead alto saxophone. [2]
Duke joined the faculty of Northern Illinois University (NIU) in 1980 until his recent retirement in 2011. He was awarded the Presidential Research Professorship at NIU in 1999. In addition to teaching contemporary saxophone repertoire, techniques and performance, Duke also teaches using the Feldenkrais Method. [3]
As a jazz saxophonist, Duke has worked with Joe Williams (jazz singer), Ella Fitzgerald, Zoot Sims, Nelson Riddle, Rosemary Clooney, and Louis Bellson among others. His first solo album "Monk by 2" featured saxophone and piano duo improvisations with Joe Pinzarrone on the music of Thelonious Monk and was released by Columbia Records in 1994. [2]
Beginning in 1993, he focused on solo contemporary classical music and computer music works. He has premiered and/or recorded more than 20 solo works. Composers who have written solo works for Duke include Larry Austin, William O. Smith, Jan Bach, Cort Lippe, James Phelps, Luigi Ceccarelli, Elainie Lillios, Les Thimmig, Rodney Waschka II, Robert Fleisher, and David Maki.
Of particular importance are BluesAx for alto and soprano saxophones and computer music, by Larry Austin, (for which Austin was the first American composer to receive the Magistere (Magisterium) Award in the 23rd International Electroacoustic Music Competition at Bourges in 1996) [4] [5] and "Veiled Resonance" for soprano saxophone and live interactive electronics, by Elainie Lillios (for which Lillios received a first prize in the 36e Concours Internationale de Bourges in 2009). [6] Saint Ambrose, an opera for soprano saxophonist/actor based on the life of Ambrose Bierce. Saint Ambrose has been widely praised [7] and excerpts have been performed by Duke and John Sampen throughout the United States. [8] [9] Duke recorded Saint Ambrose for Capstone Records. [10]
In 2005, he formed the Steve Duke Trio, which performs new jazz works. [2]
"Monk by 2", New York: Sony/Columbia Records, 1994. [11]
"The Computer in the Computer Age – VI", CDCM Computer Music Series, Volume 23, Baton Rouge: Centaur Records, 1994. [12]
"Cultures Electroniques/9”, Bourges, France: Serie GMEB/UNESCO/CIME, 1996. [2]
“Dexter Morrill: Three Concertos”, Baton Rouge: Centaur Records, 1997. [13]
"Saint Ambrose", Brooklyn, NY: Capstone Records, 2002. [10]
The saxophone is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to produce a sound wave inside the instrument's body. The pitch is controlled by opening and closing holes in the body to change the effective length of the tube. The holes are closed by leather pads attached to keys operated by the player. Saxophones are made in various sizes and are almost always treated as transposing instruments. Saxophone players are called saxophonists.
Steve Lacy was an American jazz saxophonist and composer recognized as one of the important players of soprano saxophone. Coming to prominence in the 1950s as a progressive dixieland musician, Lacy went on to a long and prolific career. He worked extensively in experimental jazz and to a lesser extent in free improvisation, but Lacy's music was typically melodic and tightly-structured. Lacy also became a highly distinctive composer, with compositions often built out of little more than a single questioning phrase, repeated several times.
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The alto saxophone, also referred to as the alto sax, is a member of the saxophone family of woodwind instruments. Invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846, it is pitched in E♭, smaller than the tenor but larger than the soprano. It is the most common saxophone and is commonly used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, and jazz. The fingerings of the different saxophones are all the same, so a saxophone player can play any type of saxophone.
The soprano saxophone is a higher-register variety of the saxophone, a woodwind instrument invented in the 1840s. The soprano is the third-smallest member of the saxophone family, which consists of the soprillo, sopranino, soprano, alto, tenor, baritone, bass, contrabass saxophone and tubax. Soprano saxophones are the smallest and thus highest-pitched saxophone in common use.
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