Steve Fitch | |
---|---|
Born | Tucson, Arizona, United States | August 16, 1949
Occupation(s) | Photographer, visual artist, academic and author |
Awards | National Endowment for the Arts Fellowship in Photography |
Academic background | |
Education | BA MFA |
Alma mater | University of New Mexico |
Academic work | |
Institutions | Santa Fe University of Art and Design |
Steve Fitch is an American photographer,visual artist,academic and author. He was a Professor of Photography at the Santa Fe University of Art and Design. [1]
Fitch's books include Diesels and Dinosaurs (1976),Marks in Place:Contemporary Responses to Rock Art (1988),Gone:Photographs of Abandonment on the High Plains (2003),Llano Estacado:Island in the Sky (2011),Motel Signs(2011),American Motel Signs 1980–2008 (2016),American Motel Signs 1980–2018 volume II,and Vanishing Vernacular:Western Landmarks (2018). [2]
Fitch received his bachelor's degree in Anthropology from the University of California at Berkeley in 1971. He worked towards a masters in photography from the San Francisco Art Institute in 1977 and completed a master's degree in Fine Art Photography from the University of New Mexico in 1978. [1]
Fitch taught at the University of Colorado in Boulder as a Visiting Assistant Professor in the Department of Fine Arts from 1979 until 1985. He was a Visiting Assistant Professor at the University of San Antonio in 1985 and a Lecturer in the Visual Arts Program at Princeton University from 1986 to 1990. At the Santa Fe University of Art and Design,he was a Professor of Photography in the art department from 1990 until 2013. [2]
His work has been in several exhibits and is a part of the permanent collections at the Smithsonian American Art Museum, [3] San Francisco Museum of Modern Art,The J. Paul Getty Museum,the Whitney Museum of American Art,the Museum of Modern Art,the Art Institute of Chicago;the Rijksmuseum,and the Multimedia Art Museum,Moscow. [4] In 1990 he began photographing the haunted interiors of abandoned buildings on the high Great Plains. [5]
Fitch worked on a photography project capturing the vernacular roadside of the American highway. He received two National Endowment of the Arts Fellowships,in 1973 and 1975 to help in the completion of the project. In 1981,he began work on another project for which he captured prehistoric Native American pictograph and petroglyph sites in the American West and a project that was partially funded by a National Endowment for the Arts Survey Grant. When he returned to New Mexico in 1990,he photographed the ongoing abandonment of the high Great Plains and also received the Eliot Porter Fellowship from the New Mexico Council for Photography in 1999 to aid in the completion of this project. [6] [7]
Fitch's first project of black and white photographs was published as Diesels and Dinosaurs (1976),in which he photographed neon-lit motels and signs,truckstops and tourist spots along the highway,drive-in movie theaters mostly in the West of America,and billboards and plywood signs. [8] In a later project,he focused on the prehistoric Native American pictograph and petroglyph sites in the Southwest and then–using an 8"x10" view camera–the abandoned homes and schools on the high Great Plains west of the 100th Meridian. [9]
Fitch's Vanishing Vernacular series is a selection of his work,in color,which mainly focuses on features of the western roadside landscape. [10] Christian House,a freelance arts and books writer for the Guardian and the Daily Telegraph wrote that "The American West has changed immeasurably over the past half a century. In Steve Fitch's wonderful photographic survey Vanishing Vernacular:Western Landmarks we find a fading world of the hotels,diners,radio masts and cinemas dotted along the highways. In a similar vein to the city vistas of Eugène Atget and Berenice Abbot and –in particular –the studies of cooling towers by Bernd and Hiller Becher,Fitch produces a moving paean to the landmarks of yesteryear." [11] According to Aida Amer at Atlas Obscura,"Steve Fitch,who refers to himself as a visual folklorist,has documented the changing landscape of the American West since the mid-1970s. His new photo book,Vanishing Vernacular:Western Landmarks,is a striking visual commentary on how these once ubiquitous signs—alongside thousand-year-old petroglyphs,small-town murals,and drive-in theaters—are becoming part of the collective memory of the West." [12]
In a series American Motel Signs,Fitch took photos of advertisements and colorful signage across the United States. [13] American Motel Signs II is the sequel to the 2016 book. [14] In a project called Marks and Measures,he worked with four other photographers taking pictures of prehistoric Native American pictograph and petroglyph sites which resulted in the book Marks in Place:Contemporary Responses to Rock Art (1988) published by the University of New Mexico Press. His photography of the ongoing abandonment of the high Great Plains resulted in the book of photographs entitled Gone:Photographs of Abandonment on the High Plains (2003),after which a traveling exhibition was organized by the University of New Mexico Art Museum. The Smithsonian American Art Museum in Washington purchased a selection of forty photographs from the series. His work in Llano Estacado:Island in the Sky,Texas Tech University Press,2011 consisted of 10 photographs in color and 1 essay. [15]
Hal Fischer in Artforum magazine in 1980 stated that "Fitch is a romantic,but his handling of subject resides somewhere between Pop rendition and a painterly,amorphous abstraction. Commonplace artifacts are seen as iconic forms,resilient symbols of mass culture. At his best,Fitch offers a Kerouacian vision—a solitary Western America deliriously glimpsed from a speeding car in the middle of the night. His synthetic depictions are expressionistic but measured,the West simultaneously understood as reality and myth." [16]
Steve Fitch lives in rural Santa Fe County,New Mexico in a passive solar,adobe house that he built with his wife,Lynn Grimes,an artist and educator. [17]
Robert Adams is an American photographer who has focused on the changing landscape of the American West. His work first came to prominence in the mid-1970s through his book The New West (1974) and his participation in the exhibition New Topographics:Photographs of a Man-Altered Landscape in 1975. He has received two Guggenheim Fellowships,a MacArthur Fellowship,the Deutsche Börse Photography Prize and the Hasselblad Award.
Frank Gohlke is an American landscape photographer. He has been awarded two Guggenheim fellowships,two fellowships from the National Endowment for the Arts,and a Fulbright Scholar Grant. His work is included in numerous permanent collections,including those of Museum of Modern Art,New York;the Metropolitan Museum of Art;and the Art Institute of Chicago.
Nicholas Nixon is an American photographer,known for his work in portraiture and documentary photography,and for using the 8×10 inch view camera.
Roy Rudolph DeCarava was an American artist. DeCarava received early critical acclaim for his photography,initially engaging and imaging the lives of African Americans and jazz musicians in the communities where he lived and worked. Over a career that spanned nearly six decades,DeCarava came to be known as a founder in the field of black and white fine art photography,advocating for an approach to the medium based on the core value of an individual,subjective creative sensibility,which was separate and distinct from the "social documentary" style of many predecessors.
Henry Wessel was an American photographer and educator. He made "obdurately spare and often wry black-and-white pictures of vernacular scenes in the American West".
Linda Connor is an American photographer living in San Francisco,California. She is known for her landscape photography.
Mark Klett is an American photographer. His work is included in the collections of the Smithsonian American Art Museum,the Museum of Fine Arts Houston and the Museum of Modern Art,New York.
David Graham is an American artist photographer and professor at the University of the Arts in Philadelphia. He currently lives and works in De Pere,Wisconsin. Embracing popular forms of American photography,David Graham explores contemporary culture through the idiosyncratic nature of the American landscape. His work is in many collections,including the Museum of Modern Art,New York City;the San Francisco Museum of Modern Art;the Art Institute of Chicago;the Philadelphia Museum of Art;the George Eastman House,Rochester,New York;the International Center of Photography,New York City;and the Brooklyn Museum,New York. He is represented by the Laurence Miller Gallery in New York City,Etherton Gallery in Tucson,Arizona,and the PDNB Gallery in Dallas,Texas.
Ray K. Metzker was an American photographer known chiefly for his stark,experimental Black and White cityscapes and for his large assemblages of printed film strips and single frames,known as Composites.
Peter Goin is an American photographer best known for his work within the altered landscape,specifically his photographs published in the book Nuclear Landscapes. His work has been shown in over fifty museums nationally and internationally and he is the recipient of two National Endowment for the Arts Fellowships. Goin is currently a Foundation Professor of Art in Photography and Videography at the University of Nevada,Reno. He has also done extensive rephotography work in the Lake Tahoe region.
Larry Sultan was an American photographer from the San Fernando Valley in California. He taught at the San Francisco Art Institute from 1978 to 1988 and at the California College of the Arts in San Francisco 1989 to 2009.
Meridel Rubenstein is an American photographer and installation artist based out of New Mexico. She is known for her large-format photographs incorporating sculptures and unusual media.
Roger Laell Minick is an American photographer who has documented tourists in the National Parks of the United States. The series,called "Sightseer",has been published in numerous books and widely exhibited in galleries and museums in the United States and Europe. Minick has worked on numerous other photo projects over the years. His books include Delta West (1969) and Hills of Home (1975),both published by Scrimshaw.
A. J. Meek is an American photographer,teacher,and writer. Meek is known for his selenium toned silver gelatin contact prints made with an 8 x 20 banquet camera of landscapes in Louisiana and the American West and for images that are a balance between the documentary tradition and the fine arts.
Anita Douthat is an American photographer. Her photograms have been included in exhibitions at the Cincinnati Art Museum;Indianapolis Art Center;Ross Art Museum at Ohio Wesleyan University;and the Weston Art Gallery in the Aronoff Center for the Arts. She has been the recipient of grants from the National Endowment for the Arts,the New England Foundation for the Arts,and the Kentucky Foundation for Women.
Joyce Neimanas is an American artist known for her unorthodox approach to photography and mixed-media works.
Jessica Todd Harper is an American fine-art photographer. She was born in Albany,New York in 1975.
Geoffrey Lea Winningham is an American photographer,journalist,and filmmaker best known for his photographs and documentary films focusing on Texas and Mexican culture. Geoff's work was first recognized in the early 1970s when he published the book Friday Night in the Coliseum,featuring his photographs of professional wrestling and recorded conversations with wrestlers and fans. The book was followed in 1972 by a 16mm,black and white documentary film of the same title.
John Samuel Margolies was an architectural critic,photographer,and author who was noted for celebrating vernacular and novelty architecture in the United States,particularly those designed as roadside attractions. Starting from the mid-1970s,he began to photograph sites during long road trips,since he was concerned these sites would be displaced by the growing modernist trend. He was credited with shaping postmodern architecture and recognizing buildings that would be added to the National Register of Historic Places through his documentary work. Starting in 2007,the Library of Congress began to acquire his photographs,and created the public domain John Margolies Roadside America Photograph Archive in 2016,consisting of 11,710 scans of color slides taken by Margolies.
William Clift is an American photographer known for his black-and-white imagery of landscapes and of architectural subjects. Most of his work has been made in New Mexico,including Santa Fe where he has lived and worked since 1971,and of Mont Saint Michel in France,and St. Louis,MO.