Straight Ahead! | ||||
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Studio album by Junior Mance with the Bob Bain Brass Ensemble | ||||
Released | 1964 | |||
Recorded | September 13, 14 & 15, 1964 | |||
Studio | Capitol (Hollywood) | |||
Genre | Jazz | |||
Length | 28:14 | |||
Label | Capitol T/ST 2218 | |||
Producer | David Cavanaugh | |||
Junior Mance chronology | ||||
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Straight Ahead! is an album by jazz pianist Junior Mance, recorded in 1964 and released on the Capitol label. [1] [2]
Review scores | |
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Source | Rating |
Allmusic | [3] |
The Allmusic reviewer Dave Nathan stated: "Combining Mance's natural blues-inflected piano with a big horn sound is a true aural treat. The result is a musical conversation with each side taking turns playing on or over the melody line. ... Usually a large-ensemble format doesn't allow for much diversion from the charts. Here it's clear that the band stayed with the charts, but Mance was allowed a good deal of leeway in his playing. He could respond to the call of the band as he saw fit. The result is a dynamic session combining the best of a disciplined brass assembly with the unfettered play of a top jazz improvisor". [3]
Julian Clifford Mance, Jr., known as Junior Mance, was an American jazz pianist and composer.
Lewis Burr Anderson was an American actor and musician. He is widely known by TV fans as the third and final actor to portray Clarabell the Clown on Howdy Doody between 1954 and 1960. He famously spoke Clarabell's only line on the show's final episode in 1960, with a tear visible in his right eye, "Goodbye, kids." Anderson is also widely known by jazz music fans as a prolific jazz arranger, big band leader, and alto saxophonist. Anderson also played the clarinet.
Milt Bernhart was a West Coast jazz trombonist who worked with Stan Kenton, Frank Sinatra, and others. He supplied the solo in the middle of Sinatra's 1956 recording of I've Got You Under My Skin conducted by Nelson Riddle.
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Something Broadway, Something Latin is an album by June Christy that was released in 1965 on Capitol as ST-2410. A bonus track was added to the CD. In 2009 the album was reissued as a double-CD with Jeri Southern's 1959 album Jeri Southern Meets Cole Porter.
The Soulful Piano of Junior Mance is an album by jazz pianist Junior Mance which was recorded in 1960 and released on the Jazzland label.
I Believe to My Soul is an album by jazz pianist Junior Mance which was released on the Atlantic label in 1968.
Live at the Top is a live album by jazz pianist Junior Mance which was released on the Atlantic label in 1969.
Jazz Concerto Grosso is an album by American jazz musicians Gerry Mulligan and Bob Brookmeyer featuring performances of compositions by Phil Sunkel recorded in 1957 and released on the ABC-Paramount label. The album was released on CD combined with the 1956 album "Every morning I Listen to... Phil Sunkel's Jazz Band".
Gerry Mulligan and the Concert Jazz Band at the Village Vanguard is a live album recorded by American jazz saxophonist and bandleader Gerry Mulligan featuring performances recorded at the Village Vanguard in late 1960 which were released on the Verve label.
Stan Kenton Presents is an album by pianist and bandleader Stan Kenton with his "Innovations" Orchestra featuring performances recorded in 1950 and originally released as 78 RPM records and a 10-inch LP on Capitol before being reissued in 12-inch LP format in 1955.
Innovations in Modern Music is an album by pianist and bandleader Stan Kenton with his "Innovations" Orchestra featuring performances recorded in 1950 and originally released on the Capitol label.
Kenton in Hi-Fi is an album by bandleader and pianist Stan Kenton featuring performances of Kenton's signature compositions from the 1940s recorded in 1956 and released on the Capitol label. This album was re-released as 'Kenton in Stereo' in 1959. A 7-1/2 i.p.s.stereo reel tape - Catalog no. ZDS -10 - was recorded by Capitol and released in 1956. Apparently the stereo mix for the reel tape is unique, but the same stereo master tape was probably used for the stereo vinyl LP record.
Lush Interlude is an album by bandleader and pianist Stan Kenton featuring performances of Kenton's signature compositions from the 1940s in new arrangements featuring a large string section along with the Kenton trombones. The trumpet and sax sections were omitted and Bud Shank's solo flute is the only woodwind utilized. Recorded in 1958, the album was released on the Capitol label.
The Kenton Touch is an album by bandleader and pianist Stan Kenton featuring a string section. As with his previous album Lush Interlude, the trumpet and sax sections were omitted and Bud Shank's flute and alto sax is the only woodwind used. It was recorded in 1958 and released on the Capitol label.
Adventures in Time is an album by the Stan Kenton Orchestra featuring compositions by Johnny Richards recorded in 1962 and released by Capitol Records.
Artistry in Voices and Brass is an album by the Stan Kenton Orchestra revisiting their popular compositions with new lyrics composed by Milt Raskin and arranged by Pete Rugolo for an 18-member vocal chorus and trombone section recorded in 1963 and released by Capitol Records.
Get Ready, Set, Jump!!! is an album by jazz pianist Junior Mance, recorded in 1964 and released on the Capitol label.
That's Where It Is! is an album by jazz pianist Junior Mance which was recorded in 1964 and released on the Capitol label.
In the Name of Love is a 1964 studio album by Peggy Lee arranged by Billy May, Dave Grusin, and Lalo Schifrin. The small group tracks of the album are under the musical direction of pianist Lou Levy. Released September, 1964, the album spent six weeks in the Billboard charts, and peaked at No. 97. From this album, Lee's version of the song In The Name Of Love made an appearance in Billboard's "Bubbling Under The Hot 100" chart in the No. 132 position.