| Strange Faith and Practice | ||||
|---|---|---|---|---|
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| Studio album by Jeb Loy Nichols | ||||
| Released | 2009 | |||
| Genre | Pop/Rock | |||
| Length | 48:57 | |||
| Label | Impossible Ark Records | |||
| Producer | Benedic Lamdin, Riaan Vosloo | |||
| Jeb Loy Nichols chronology | ||||
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Strange Faith and Practice is the seventh album by American-born singer/songwriter Jeb Loy Nichols, released in 2009 on Impossible Ark Records.
Jeb Loy Nichols is a Wales-based American-born singer, songwriter, musician, and artist. His music combines elements of soul, country, folk, reggae and blues.
| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Allmusic |   |
Nichols' seventh release received positive reviews. Allmusic said "this is the most organic-sounding record Nichols has ever made -- and that's saying something, because all of his previous offerings have been warm and intimate.' [2] The Independent said "this foray into drifting, downtempo jazz is a wonderful and surprising departure, the 13-song sequence of Strange Faith & Practice deepening as it goes." [3]
The Independent is a British online newspaper. Established in 1986 as a politically independent national morning newspaper published in London, it was controlled by Tony O'Reilly's Independent News & Media from 1997 until it was sold to Russian oligarch Alexander Lebedev in 2010. The last printed edition of The Independent was published on Saturday 26 March 2016, leaving only its digital editions.
Supergrass Is 10 is a compilation album celebrating the first 10 years of the band Supergrass. It includes singles from their first release, "Caught by the Fuzz" (1994), to their then latest release, "Kiss of Life" (2004).
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The High Sign/One Week: Music for the Films of Buster Keaton is the seventh album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 1995 and features performances by Frisell, Kermit Driscoll and Joey Baron. The album is designed as accompaniment to Buster Keaton's the first two silent films classic, The High Sign (1921) and One Week (1920). It was released at the same time as another album by Frisell of Keaton soundtracks, Go West: Music for the Films of Buster Keaton (1995).
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Days Are Mighty is the fifth album by American-born singer-songwriter Jeb Loy Nichols, released in 2007 on the Tuition record label in the UK and the Compass record label in the US. The US release also included a limited edition 2-CD set in which the second disc was a set of demos featuring Nichols singing and playing the acoustic guitar.
Visions is an album by American jazz guitarist Grant Green featuring performances recorded in 1971 and released on the Blue Note label.
Introducing the 3 Sounds is the debut album by jazz group The Three Sounds featuring performances recorded in 1958 and released on the Blue Note label. The CD reissue includes five bonus tracks and one alternate take originally issued in Japan as Introducing the 3 Sounds Volume 2. It was a continuation of the Blue Note 1500 series being numbered 1600. A few other albums were made intended for release as 1601, 1602 etc. but were not released at the time. Blue Note albums resumed with BLP (8)4001, (8)4002 etc. The 8 designating stereo.
Only Time Will Tell is a collaborative record by Ian Gomm and Jeb Loy Nichols, released in 2010 on the Relaxa Records International record label.
The Prophetic Herbie Nichols Vol. 2 is an album by American jazz pianist Herbie Nichols featuring performances recorded and released on the Blue Note label in 1955 as a 10 inch LP.
Blues for Lady Day is an album by American jazz pianist Mal Waldron featuring performances recorded in Baarn, Holland in 1972 and released on the Freedom label. The album was rereleased on CD on Black Lion Records in 1994 combined with tracks from A Little Bit of Miles.
Being There is an album by Norwegian jazz pianist and composer Tord Gustavsen recorded in December 2006 and released on the ECM label.
Max + Dizzy: Paris 1989 is a live album by drummer Max Roach and trumpeter Dizzy Gillespie recorded in France in 1989 and released on the A&M label.
Rainbow Stew Live at Anaheim Stadium is a live album by American country music artist Merle Haggard with backing by The Strangers. It was recorded in October 1980 and released in July 1981 on MCA Records.