House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 115–130 beats per minute. It was created by DJs and music producers from Chicago's Black gay underground club culture and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat. By early 1988, House became mainstream and supplanted the typical 80s music beat.
Electronica is both a broad group of electronic-based music styles intended for listening rather than strictly for dancing and a music scene that came to prominence in the early 1990s in the United Kingdom. In the United States, the term is mostly used to refer to electronic music generally.
François Kevorkian, also known by the stage name François K, is a French DJ, producer, remixer and label owner of Armenian descent and based in the United States of America, who started his career DJing in clubs such as the Paradise Garage and Studio 54. Kevorkian has produced and remixed work by a diverse range of musicians including the Smiths, Adam Ant, Kraftwerk, Pet Shop Boys, Depeche Mode, Diana Ross, Gloria Estefan and U2, and is considered one of the forefathers of house music.
Chicago house refers to house music produced during the mid to late 1980s within Chicago. The term is generally used to refer to the original house music DJs and producers from the area, such as Ron Hardy and Phuture.
Acid jazz is a music genre that combines elements of funk, soul, and hip hop, as well as jazz and disco. Acid jazz originated in clubs in London during the 1980s with the rare groove movement and spread to the United States, Western Europe, Latin America and Japan. Acts included The Brand New Heavies, Incognito, James Taylor Quartet, Us3, and Jamiroquai from the UK, and Guru, Buckshot LeFonque and Digable Planets from the U.S. The rise of electronic club music in the middle to late 1990s led to a decline in interest, and in the twenty-first century, acid jazz became indistinct as a genre. Many acts that might have been defined as acid jazz are seen as jazz-funk, or nu jazz.
Electro is a genre of electronic dance music directly influenced by the use of the Roland TR-808 drum machines, with an immediate origin in early hip hop and funk genres. Records in the genre typically feature heavy electronic sounds, usually without vocals; if vocals are present, they are delivered in a deadpan manner, often through electronic distortion such as vocoding and talkboxing. It palpably deviates from its predecessor boogie by being less vocal-oriented and more focused on electronic beats produced by drum machines.
Progressive house is a subgenre of house music. The progressive house style emerged in the early 1990s. It initially developed in the United Kingdom as a natural progression of North American and European house music of the late 1980s.
Italo disco is a music genre which originated in Italy in the late 1970s and was mainly produced in the 1980s. Italo disco evolved from the then-current underground dance, pop, and electronic music, both domestic and foreign and developed into a diverse genre. The genre employs electronic drums, drum machines, synthesizers, and occasionally vocoders. It is usually sung in English, and to a lesser extent in Italian and Spanish.
Kurtis el Khaleel, known by the stage name Kurtis Mantronik, is a Jamaican-born hip hop and electronic-music artist, DJ, remixer, and producer. He was the leader, DJ, and keyboardist of the influential 1980s hip hop and electro-funk group Mantronix. He currently lives in South Africa where he has produced and remixed house and techno music tracks by artists such as India, Junior Senior, Kylie Minogue, Fatboy Slim, The Chemical Brothers, Michael Gray, Victoria Beckham, Liberty X, S Club, and Mim. Mantronik was influential in the development of hip hop music: notably, he laid the foundations for Southern hip hop genres such as Miami bass and trap music, and helped popularize the Amen break.
Electronic dance music (EDM), also referred to as club music, is a broad range of percussive electronic music genres originally made for nightclubs, raves, and festivals. It is generally produced for playback by DJs who create seamless selections of tracks, called a DJ mix, by segueing from one recording to another. EDM producers also perform their music live in a concert or festival setting in what is sometimes called a live PA. Since its inception EDM has expanded to include a wide range of subgenres.
Herbie Laidley, better known as Mastermind Herbie, is a DJ and record producer who has worked under a variety of pseudonyms, including The Rapologists and Mastermind. He was also a founder of Mastermind Roadshow - a sound system also featuring Kiss FM DJ's Dave VJ and Max LX and others which formed in Harlesden. He is most famous for mixing the Street Sounds collections of early electro, as well as for a variety of remixes over the years.
Sydney born Nik Fish is an Australian DJ.
Mark Summers is the English CEO, sound engineer and music producer of Scorccio, a music production company founded in the UK in 1996. A London DJ since 1979, he is a guest lecturer and masterclass presenter on sample replay production, sound engineering, DJ culture, sampling and the music industry. His productions have been featured on hits for Nicki Minaj, Diplo, Sam Smith, the Prodigy, Pitbull, Fatboy Slim, David Penn, Jess Glynne, Disclosure, Steve Aoki, CamelPhat, Swedish House Mafia, the Shapeshifters and many other notable music artists. He is related to Herbie Flowers, one of the UK's best-known session bass players.
Post-disco is a term to describe an aftermath in popular music history circa 1979–1986, imprecisely beginning with the backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Disco Demolition Night on July 12, 1979, and indistinctly ending with the mainstream appearance of new wave in 1980. During its dying stage, disco displayed an increasingly electronic character that soon served as a stepping stone to new wave, old-school hip hop, Euro disco, and was succeeded by an underground club music called hi-NRG, which was its direct continuation.
Techno is a genre of electronic dance music which is generally produced for use in a continuous DJ set, with tempos being in the range from 120 to 150 beats per minute (BPM). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular.
Boogie is a rhythm and blues genre of electronic dance music with close ties to the post-disco style, that first emerged in the United States during the late 1970s to mid-1980s. The sound of boogie is defined by bridging acoustic and electronic musical instruments with emphasis on vocals and miscellaneous effects. It later evolved into electro and house music.
Street Sounds UK Electro is the one and only release of UK based artists from the StreetSounds label. The album was released on LP and cassette in 1984 and contains seven electro and old school hip hop tracks mixed by DJ Mastermind. Although each track has individual producer and artist credits, everything except B2 is actually the work of Manchester electro-funk DJ Greg Wilson and associates.
Shangaan electro is a dance movement and musical style born from a 21st-century reboot of local folk traditions in South African townships, Tsonga Disco and Kwaito House. The movement has been spearheaded by DJ Khwaya and the producer Nozinja in recent years, who has turned it into an iconic Afro-futurist strain of electronic dance music. Shangaan electro is also called "Tsonga Electro" in the Limpopo province of South Africa and was described as "the footwork-y highlife sound" by Red Bull Media House's, writer Chris Parkin.
Bleep techno is a regional subgenre of techno which developed in the late 1980s in Northern England, Yorkshire. Named after its minimalistic synthesizer sounds, bleep techno combined influences from American techno and house, with electro elements and heavy sub-bass inspired by reggae sound system culture. The style was commercially successful between 1989 and 1991, and became associated with artists on the Sheffield label Warp Records. It has been characterized as the first unique British style of electronic dance music.
