I Remember Mama is a 1948 American drama film directed by George Stevens from a screenplay by DeWitt Bodeen, whose work was adapted from John Van Druten's stage play. Druten, in turn, had based his play on Kathryn Forbes' novel Mama's Bank Account, which was originally published by Harcourt Brace in 1943. The story in all its variant forms recounts the everyday life and economic struggles of a Norwegian immigrant family in San Francisco in the early 20th century. The film stars Irene Dunne as the mother, as well as Barbara Bel Geddes, Oscar Homolka, Ellen Corby and Philip Dorn. Homolka portrays Uncle Chris in the film, a role he had performed earlier in the Broadway production.
Easter Parade is a 1948 American Technicolor musical film directed by Charles Walters, written by Sidney Sheldon, Frances Goodrich, and Albert Hackett from a story by Goodrich and Hackett, and starring Judy Garland, Fred Astaire, Peter Lawford, and Ann Miller. The film contains some of Astaire's and Garland's best-known songs, including "Easter Parade", "Steppin' Out with My Baby", and "We're a Couple of Swells", all by Irving Berlin.
The Fortune is a 1975 American black comedy film starring Jack Nicholson and Warren Beatty, and directed by Mike Nichols. The screenplay by Adrien Joyce focuses on two bumbling con men who plot to steal the fortune of a wealthy young heiress, played by Stockard Channing in her first film starring role.
The Barkleys of Broadway is a 1949 American Technicolor musical comedy film from the Arthur Freed unit at Metro-Goldwyn-Mayer that reunited Fred Astaire and Ginger Rogers after ten years apart. Directed by Charles Walters, the screenplay is by Betty Comden, Adolph Green, and Sidney Sheldon, the songs are by Harry Warren (music) and Ira Gershwin (lyrics) with the addition of "They Can't Take That Away from Me" by George and Ira Gershwin, and the choreography was created by Robert Alton and Hermes Pan. Also featured in the cast were Oscar Levant, Billie Burke, Jacques François and Gale Robbins. It is the last film that Astaire and Rogers made together, and their only film together in color. Rogers came in as a last-minute replacement for Judy Garland, whose frequent absences due to a dependence on prescription medication cost her the role.
Romance in Manhattan is a 1935 American romantic comedy film directed by Stephen Roberts, starring Francis Lederer and Ginger Rogers, and released by RKO Radio Pictures.
Pearl Eaton Levant was an American Broadway performer, actress, choreographer, and dance supervisor of the 1910s and 1920s.
Rafter Romance is an American 1933 pre-Code romantic comedy film directed by William A. Seiter and released by RKO Radio Pictures. The film, which was based on the 1932 novel of the same name by John Wells, stars Ginger Rogers, Norman Foster and George Sidney, and features Robert Benchley, Laura Hope Crews and Guinn Williams.
Tom, Dick and Harry is a 1941 American comedy film directed by Garson Kanin and starring Ginger Rogers, George Murphy, Alan Marshal, Phil Silvers, and Burgess Meredith. It was produced and released by RKO Radio Pictures. The screen play written by Paul Jarrico, Rogers was working on the film when she was awarded the Oscar as Best Actress for her 1940 performance in Kitty Foyle. It was her first film released after her Oscar win. It was remade as The Girl Most Likely (1957), a musical which was also the last film released by RKO.
The Best of Everything is a 1959 American drama film directed by Jean Negulesco from a screenplay by Edith Sommer and Mann Rubin, based on the 1958 novel of the same name by Rona Jaffe. It stars Hope Lange, Stephen Boyd, Suzy Parker, Martha Hyer, Diane Baker, Brian Aherne, Robert Evans, Louis Jourdan, and Joan Crawford. The film follows the professional careers and private lives of three women who share a small apartment in New York City and work together at a paperback publishing firm. Alfred Newman wrote the musical score, the last under his longtime contract as 20th Century-Fox's musical director.
Hit the Deck is a 1930 American pre-Code musical film directed by Luther Reed and starring Jack Oakie and Polly Walker, with Technicolor sequences. It was based on the 1927 musical Hit the Deck, which was itself based on the 1922 play Shore Leave by Hubert Osborne. It was one of the most expensive productions of RKO Radio Pictures up to that time, and one of the most expensive productions of 1930. This version faithfully reproduced the stage version of the musical.
Mourning Becomes Electra is a 1947 American drama film by Dudley Nichols adapted from the 1931 Eugene O'Neill play Mourning Becomes Electra, based in turn on the Oresteia. The film stars Rosalind Russell, Michael Redgrave, Raymond Massey, Katina Paxinou, Leo Genn and Kirk Douglas.
The Petty Girl (1950), known in the UK as Girl of the Year, is a musical romantic comedy Technicolor film starring Robert Cummings and Joan Caulfield. Cummings portrays painter George Petty who falls for Victoria Braymore (Caulfield), the youngest professor at Braymore College who eventually becomes "The Petty Girl".
The Sound and the Fury is a 1959 American drama film directed by Martin Ritt. It is loosely based on the 1929 novel of the same title by William Faulkner.
That Girl from Paris is a 1936 American musical comedy film directed by Leigh Jason and starring Lily Pons, Jack Oakie, and Gene Raymond. The film made a profit of $101,000. John O. Aalberg was nominated for an Academy Award in the category Sound Recording.
The Lady Refuses is a 1931 American pre-Code melodrama film, directed by George Archainbaud, from a screenplay by Wallace Smith, based on an original story by Guy Bolton and Robert Milton. It stars Betty Compson as a destitute young woman on the verge of becoming a prostitute, who is hired by a wealthy man to woo his ne'er-do-well son away from the clutches of a gold-digger. The plot is regarded as risqué enough to appear in at least one collection of pre-Code Hollywood films.
Leathernecking is a 1930 American musical comedy film directed by Edward F. Cline, from a screenplay by Alfred Jackson and Jane Murfin, adapted from the Broadway musical comedy Present Arms, by Richard Rodgers, Lorenz Hart and Herbert Fields.
Kiss the Boys Goodbye is a 1941 American musical comedy film directed by Victor Schertzinger and starring Mary Martin, Don Ameche and Oscar Levant. It is based on a play by Clare Boothe Luce which was inspired by the search for an actress to play Scarlett O'Hara in the film version of Gone with the Wind. The score, under the musical direction of Victor Young, includes the title song and "Sand in My Shoes," both by Frank Loesser and Victor Schertzinger.
Half Marriage is a 1929 American melodramatic pre-Code film directed by William J. Cohen from a script by Jane Murfin, based on the short story of the same name by George Kibbe Turner. The film starred Olive Borden and Morgan Farley, while the later-famed gossip columnist, Hedda Hopper played Borden's mother.
Tanned Legs is a 1929 American Pre-Code musical comedy directed by Marshall Neilan and written by Thomas J. Geraghty based on a story by Louis Sarecky. The film starred Ann Pennington, Arthur Lake, June Clyde, Dorothy Revier, Sally Blane and Albert Gran. In its first year of operations, RKO attempted to take advantage of musicals as much as possible, and so the music of Oscar Levant and Sidney Clare was awkwardly inserted into this simple comedy script.
Cafe Hostess is a 1940 American crime film directed by Sidney Salkow and starring Preston Foster and Ann Dvorak. The screenplay was written by Harold Shumate, based on a story by Tay Garnett and Howard Higgin. Prior to filming the studio had been warned by the MPAA that the film did not comply with its code, but it is unclear whether changes were made to the script.
