"Street Symphony" | ||||
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Single by Monica | ||||
from the album The Boy is Mine | ||||
Released | May 31, 1999 | |||
Length |
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Label | Arista | |||
Songwriter(s) | Dallas Austin | |||
Producer(s) | Dallas Austin | |||
Monica singles chronology | ||||
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"Street Symphony" is a song by American R&B singer Monica. It was written and produced by Dallas Austin for her second studio album, The Boy Is Mine (1998), featuring an orchestral background performed by the Atlanta Symphony Orchestra. The song was released as the album's fourth single in the United States ("Inside" was released in Europe only) in May 1999. It peaked at number 50 on the US Billboard Hot R&B/Hip-Hop Singles & Tracks chart and number 2 on the Billboard Bubbling Under R&B/Hip-Hop Singles. "Street Symphony"'s accompanying video was directed by Darren Grant.
"Street Symphony" was written and produced by Dallas Austin. [1] A tale of a street hustler whose girlfriend begs him to change his lifestyle, Austin utilized the dynamics of the Atlanta Symphony Orchestra inside the studio to record the song. [1]
"Street Symphony" was positively received by Chuck Taylor of Billboard . He wrote: "Garnished with carnival-like instrumental touches and a gorgeous orchestral passage — and yet maintaining an overall contemporary- R&B shuffle quality — "Street Symphony" absolutely scores on all levels, from its instantaneous chorus and Monica's cool, soul-searching vocal to creative production props and juicy verses about a man gone wrong, all masterminded by songwriter/producer Dallas [...] This is one of those songs that tempers the hot summer air, providing a backdrop for a romantic outing under the stars." [2] In 2009, Tyler Lewis from PopMatters called "Street Symphony" Monica's "single greatest work to date." [3]
A music video for "Street Symphony" was directed by Darren Grant. It takes place at night in downtown Atlanta, Georgia. In the video, Monica is seen wearing several dark outfits whilst singing and dancing through different sections of the song. Included are cuts of Monica and her female back-up dancers performing choreography in black leather costumes, with choreographed string players (violins and violas) in similarly dark clothing. The video is mainly composed of dark greys and blues despite black being a recurring color, presumably to go with the song’s emotional, somewhat bitter (yet mildly hopeful) subject matter.
The plot follows Monica's romance, and her decision to leave a lover involved in unspecified criminal activity. In the opening scenes, there are flashing police lights as police arrest a purposely edited/obscured man. Then, in a scene meant to have taken place hours earlier inside of a luxury apartment, we see Monica modeling and admiring various diamonds and jewels (presumably stolen property, given as gifts by her lover). During this scene, she sings about loving him much more than any ill-gotten luxury. Next we see Monica as the passenger in a car with her love driving, when he decides to make a quick “stop”. Whether or not this is meant to portray the dealing of illicit substances, pimping, gambling, fraud, or theft, it is never specified. All we see is the exchange of money. The two men walk off towards a dark place, which is revealed to be a parking garage, leaving Monica visibly distraught and alone in the car. She begins to realize there is no changing her love’s criminal ways. Back at the apartment, Monica tosses the same diamond jewels (that she previously admired) across the room. Then she departs, alone, with a defiant and determined swagger. Once outside, she spots the police car lights driving in the direction of her now ex-lover. He is arrested; Monica continues on her path.
No. | Title | Writer(s) | Producer(s) | Length |
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1. | "Street Symphony" (Radio Edit) | Dallas Austin | Austin | 4:04 |
2. | "Right Here Waiting" (featuring 112) | Richard Marx | 4:31 | |
3. | "Street Symphony" (Extended Version featuring Majic) | Austin | Austin | 5:15 |
4. | "Inside" (Masters at Work Club Mix) | Diane Warren | 8:18 | |
5. | "Street Symphony" (Cyptron Zone III Remix) |
| Austin | 4:17 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "Street Symphony" (Cyptron Zone III Remix) (Radio Mix featuring Big Gipp, JT Money & Majic) | Austin | Austin | 4:15 |
2. | "Street Symphony" (Cyptron Zone III Remix) (Instrumental) | Austin | Austin | 4:16 |
3. | "Street Symphony" (Cyptron Zone III Remix) (Call Out Research Hook) | Austin | Austin | 0:10 |
Notes
Credits adapted from the liner notes of The Boy Is Mine. [1]
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Chart (1999) | Peak position |
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US Bubbling Under Hot 100 Singles ( Billboard ) [4] | 20 |
US Hot R&B/Hip-Hop Songs ( Billboard ) [5] | 50 |
US Rhythmic ( Billboard ) [6] | 27 |
Region | Date | Format | Label | Ref. |
---|---|---|---|---|
United States | May 31, 1999 | Urban radio | Arista | [7] |
June 15, 1999 | Rhythmic contemporary radio | [8] | ||
July 12, 1999 | Contemporary hit radio | [9] |
Monica Denise Arnold is an American singer, songwriter, and actress. Born and raised in College Park, Georgia, she began performing as a child and joined a traveling gospel choir by the age of ten. Monica signed with record producer Dallas Austin through his label Rowdy Records in 1993, and gained prominence following the release of her debut studio album, Miss Thang (1995). Her follow up releases were met with further commercial success; her second, The Boy Is Mine (1998) remains her best-selling album and spawned three Billboard Hot 100-number one singles: "The Boy Is Mine", "The First Night" and "Angel of Mine".
"The Boy Is Mine" is a duet by American singers Brandy and Monica. It was written by LaShawn Daniels, Japhe Tejeda, Fred Jerkins III, Rodney "Darkchild" Jerkins, and Brandy, while production was helmed by Jerkins, Brandy, and Dallas Austin. It was released as the lead single from both singers' second albums from 1998, Never Say Never by Brandy and the album of the same name by Monica. Inspired by Michael Jackson and Paul McCartney's 1982 duet "The Girl Is Mine", the lyrics of the mid-tempo R&B track revolve around two women fighting over a man.
"Angel of Mine" is a song by British R&B girl group Eternal from their first compilation album, Greatest Hits (1997). It was written by Rhett Lawrence and Travon Potts, produced by Lawrence, and released on 29 September 1997. The song became Eternal's 12th and final top-10 hit on the UK Singles Chart, peaking at number four. "Angel of Mine" was the ensemble's final single as a three-piece, as after its release, Kéllé Bryan left the group. In June 2019, "Angel of Mine" was ranked at number 91 on the Official Charts Company's "Top 100 Girl Band Singles of the Last 25 Years".
"So Gone" is a song by American R&B recording artist Monica. It was one out of several tracks rapper-producer Missy Elliott wrote and produced along with Kenneth Cunningham and Jamahl Rye from production duo Spike & Jamahl for Monica's fourth studio album, After the Storm (2003), following the delay and subsequent reconstruction of her 2002 album, All Eyez on Me. Incorporating elements of hip hop and 1970s-style smooth jazz as well as soul music, it features a sample from the 1976 song "You Are Number One", penned by Zyah Ahmonuel and performed by The Whispers.
"U Should've Known Better" is a song by American recording artist Monica. It was written in collaboration with Harold Lilly and Jermaine Dupri, and produced by the latter along with frequent co-producer Bryan Michael Cox for her original third studio album, All Eyez on Me (2002). When the album was shelved for release outside Japan, the song was one out of five original records that were transferred into its new version, After the Storm (2003). A contemporary R&B slow jam, "U Should've Known Better" contains elements of soul music and rock music. Built on an pulsating backbeat, the song's instrumentation consists of screeching guitars and an understated harp pattern. Lyrically, Monica, as the protagonist, delivers a message of loyalty to her imprisoned love interest and sings about staying down for him despite his doubts.
"The First Night" is a song by American singer Monica for her second studio album, The Boy Is Mine (1998). It was written by Tamara Savage and Jermaine Dupri, featuring production and additional vocals from the latter. Built around a sample of Diana Ross's 1976 recording "Love Hangover", penned by Marilyn McLeod and Pam Sawyer, who share co-writing credits, the song is about the protagonist's battle with sexual temptations on the night of her first date, despite her conflicting emotions and strong sexual desires.
Miss Thang is the debut studio album by American R&B recording artist Monica. It was released by Rowdy Records and distributed through the Arista label on July 18, 1995, in the United States. Recorded throughout her early teenage years, the album was conceived under the guidance of Rowdy head Dallas Austin who would emerge as a tutor and father figure to Monica and serve as Miss Thang's sole executive producer. Austin recruited protégés from his DARP production camp such as Tim & Bob, Arnold Hennings, and Colin Wolfe as well as Daryl Simmons, and Soulshock & Karlin to work on the album. It incorporates a wide range of contemporary genres such as soul, pop, hip hop and blues.
"For You I Will" is a song by American singer Monica. It was written by Diane Warren and produced by David Foster, and recorded for the soundtrack of the live-action/animated sports comedy film Space Jam (1996), directed by Joe Pytka and starring basketball player Michael Jordan. One out of several songs from the album to be released as a single, it was issued in February 25, 1997 by Atlantic Records and Rowdy Records. A downtempo pop and R&B ballad, the song's lyrics involve the singer pledging love and devotion and promising to help an unnamed "you" overcome any difficulty, regardless of the magnitude.
"Everytime tha Beat Drop" is a song by American recording artist Monica from her fifth studio album The Makings of Me (2006). It was written by Johnta Austin, Jermaine Dupri, Robert Hill, Charles Hammond, Deangelo Hunt, James Phillips, and rap group Dem Franchize Boyz, while production was hemled by Dupri, with additional credits by LRoc. Musically, the downbeat uptempo track was greatly influenced by crunk and snap music, incorporating beats of rapper Nelly's 2005 song "Grillz" and containing a vocal sample of Dem Franchize Boyz' "Lean wit It, Rock wit It" (2006).
"Why I Love You So Much" is a song by American R&B singer Monica. It was written and produced by Daryl Simmons and recorded for her debut studio album, Miss Thang (1995). A downtempo love song about a partner hitting all the right notes, the tender R&B ballad has Moncia singing over a warm bass and soaring keyboard chords. "Why I Love You So Much" was released as the album's fourth and final single on a double A-side with "Ain't Nobody" during the second quarter of 1996.
"Before You Walk Out of My Life" is a song by American R&B singer Monica. It was written by Andrea Martin, Carsten Schack, and Kenneth Karlin, with production helmed by Schack and Karlin under their production moniker Soulshock & Karlin. Initially helmed for fellow R&B singer Toni Braxton's Secrets (1996) album, it was left unused and later re-recorded by Monica for her debut album Miss Thang (1995). Built around drum machine-backed rhythms and a saxophone-laced beat, the mid-tempo R&B ballad was released as the album's second single on August 3, 1995, with "Like This and Like That" serving as its other half on a double A-side stateside. It is considered to be one of her signature songs.
"A Dozen Roses (You Remind Me)" is a song by American singer Monica taken from her fifth studio album The Makings of Me (2006). It was written by rapper-producer Missy Elliott and Corte Ellis, with production helmed by the former along with David "Davey Boy" Lindsey and Cliff Jones. Similar to songs that Monica used to record with Elliott for her previous album, After the Storm (2003), the mid-tempo love song draws from the genres from R&B, hip hop, neo soul, as well as quiet storm and contains elements of 1960s Motown soul music. Built around a sample of the 1972 recording "The Makings of You" as written and performed by Curtis Mayfield, its lyrics detail a woman's admiration for a man.
"Don't Take It Personal (Just One of Dem Days)" is a song by American singer Monica. It was written by Dallas Austin, Derrick Simmons, and Recall Management for her debut album, Miss Thang (1995), while production was helmed by the former. The song contains a sample from "Back Seat (Of My Jeep)" (1993) by American rapper LL Cool J, which itself samples elements from the song "You're Gettin' a Little Too Smart" (1973), written by Abrim Tilmon and recorded by R&B vocal group The Detroit Emeralds. Due to the inclusion of the samples, several other writers are credited as songwriters.
American R&B singer Monica has released 8 studio albums, one extended play, and 48 singles. Since the beginning of her career in 1995, she has sold 5.3 million albums in the United States, In 1999, Billboard included her among the top twenty of the Top Pop Artists of the 1990s, and in 2010, the magazine ranked her 24th on its list of the Top 50 R&B and Hip Hop Artists of the past 25 years. With a career lasting over 20 years, Monica became the first artist to top the US Billboard Hot R&B/Hip-Hop Songs chart in the 1990s, 2000s, and 2010s.
"This Woman's Work" is a song written and performed by the English singer-songwriter Kate Bush. It was initially featured on the soundtrack of the American film She's Having a Baby (1988). The song was released as the second single from her album The Sensual World in 1989 and peaked at 25 in the UK Singles Chart.
"All Eyez on Me" is a song by American singer Monica. It was written in collaboration with Rodney "Darkchild" Jerkins and LaShawn Daniels for her original third studio album of the same name, while production was helmed by the former. The song incorporates excerpts of "P.Y.T. " (1983) by American singer Michael Jackson. Due to the inclusion of the sample, Quincy Jones and James Ingram are also credited as songwriters. A lighthearted party jam that is built on a danceable groove, "All Eyez on Me" talks about self-confidence.
"Like This and Like That" is a song by American singer Monica. It was written by Dallas Austin, Colin Wolfe, and Malik Edwards, and produced by the former two. It was released as the second single along with "Before You Walk Out of My Life" from Monica's debut studio album, Miss Thang (1995). The song is built around a sample of "Spoonin' Rap" (1979) by Spoonie G, written by Gabriel Jackson. Mr. Malik from former rap duo Illegal performs several ad-libs and sings part of the bridge, earning him a place as a featured artist on the track.
"Ain't Nobody" is an R&B/hip hop soul mid-tempo song produced by Dallas Austin for American R&B singer Monica. It was featured on the Nutty Professor official soundtrack, and also was released as Miss Thang's fourth and final single on a double A-side with "Why I Love You So Much" on May 20, 1996. The double-A-side single became Monica's fourth top ten hit on the U.S. Billboard Hot 100 (Consecutive), reaching number 9 and number 3 on the Hot R&B/Hip-Hop Singles & Tracks chart.
"The Right Kinda Lover" is a song by American singer and actress Patti LaBelle. It was written by Ann Bennett-Nesby, James Harris III, Terry Lewis, and James "Big Jim" Wright, while production was helmed by Jimmy Jam and Terry Lewis, with Wright as co-producing. The song was released as the first single from her LaBelle's 12th album, Gems (1994), and appeared on the soundtrack to the 1994 film Beverly Hills Cop III, starring Eddie Murphy.
The Boy Is Mine is the second studio album by American R&B singer Monica. It was released by Arista Records on July 14, 1998, in the United States. The album deviated from the formula of her debut Miss Thang (1995) as she had more creative control over the material she recorded; a step that she considered a "natural progression". On the record, Monica worked with a variety of producers and writers from different genres such as gospel, R&B, and hip hop, including frequent collaborators Dallas Austin, Colin Wolfe, and Daryl Simmons. Additional producers included David Foster, Diane Warren, Jermaine Dupri, and Rodney Jerkins and his Darkchild crew, some of which would become household names on subsequent albums.
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