Street Symphony (song)

Last updated
"Street Symphony"
Streetsymphony.JPG
Single by Monica
from the album The Boy is Mine
ReleasedMay 31, 1999 (1999-05-31)
Length
  • 5:36 (album version)
  • 4:04 (radio edit)
Label Arista
Songwriter(s) Dallas Austin
Producer(s) Dallas Austin
Monica singles chronology
"Inside"
(1999)
"Street Symphony"
(1999)
"Gone Be Fine"
(1999)

"Street Symphony" is a song by American R&B singer Monica. It was written and produced by Dallas Austin for her second studio album, The Boy Is Mine (1998), featuring an orchestral background performed by the Atlanta Symphony Orchestra. The song was released as the album's fourth single in the United States ("Inside" was released in Europe only) in May 1999. It peaked at number 50 on the US Billboard Hot R&B/Hip-Hop Singles & Tracks chart. "Street Symphony"'s accompanying video was directed by Darren Grant.

Contents

Background

"Street Symphony" was written and produced by Dallas Austin. [1] A tale of a street hustler whose girlfriend begs him to change his lifestyle, Austin utilized the dynamics of the Atlanta Symphony Orchestra inside the studio to record the song. [1]

Critical reception

"Street Symphony" was positively received by Chuck Taylor of Billboard . He wrote: "Garnished with carnival-like instrumental touches and a gorgeous orchestral passage — and yet maintaining an overall contemporary- R&B shuffle quality — "Street Symphony" absolutely scores on all levels, from its instantaneous chorus and Monica's cool, soul-searching vocal to creative production props and juicy verses about a man gone wrong, all masterminded by songwriter/producer Dallas [...] This is one of those songs that tempers the hot summer air, providing a backdrop for a romantic outing under the stars." [2] In 2009, Tyler Lewis from PopMatters called "Street Symphony" Monica's "single greatest work to date." [3]

Music video

A music video for "Street Symphony" was directed by Darren Grant. It takes place at night in downtown Atlanta, Georgia. In the video, Monica is seen wearing several dark outfits whilst singing and dancing through different sections of the song. Included are cuts of Monica and her female back-up dancers performing choreography in black leather costumes, with choreographed string players (violins and violas) in similarly dark clothing. The video is mainly composed of dark greys and blues despite black being a recurring color, presumably to go with the song’s emotional, somewhat bitter (yet mildly hopeful) subject matter.

The plot follows Monica's romance, and her decision to leave a lover involved in unspecified criminal activity. In the opening scenes, there are flashing police lights as police arrest a purposely edited/obscured man. Then, in a scene meant to have taken place hours earlier inside of a luxury apartment, we see Monica modeling and admiring various diamonds and jewels (presumably stolen property, given as gifts by her lover). During this scene, she sings about loving him much more than any ill-gotten luxury. Next we see Monica as the passenger in a car with her love driving, when he decides to make a quick “stop”. Whether or not this is meant to portray the dealing of illicit substances, pimping, gambling, fraud, or theft, it is never specified. All we see is the exchange of money. The two men walk off towards a dark place, which is revealed to be a parking garage, leaving Monica visibly distraught and alone in the car. She begins to realize there is no changing her love’s criminal ways. Back at the apartment, Monica tosses the same diamond jewels (that she previously admired) across the room. Then she departs, alone, with a defiant and determined swagger. Once outside, she spots the police car lights driving in the direction of her now ex-lover. He is arrested; Monica continues on her path.

Track listings

Australian CD single
No.TitleWriter(s)Producer(s)Length
1."Street Symphony" (Radio Edit) Dallas Austin Austin4:04
2."Right Here Waiting" (featuring 112) Richard Marx 4:31
3."Street Symphony" (Extended Version featuring Majic)AustinAustin5:15
4."Inside" (Masters at Work Club Mix) Diane Warren 8:18
5."Street Symphony" (Cyptron Zone III Remix)
  • Austin
  • Gary White
Austin4:17
Remix single
No.TitleWriter(s)Producer(s)Length
1."Street Symphony" (Cyptron Zone III Remix) (Radio Mix featuring Big Gipp, JT Money & Majic)AustinAustin4:15
2."Street Symphony" (Cyptron Zone III Remix) (Instrumental)AustinAustin4:16
3."Street Symphony" (Cyptron Zone III Remix) (Call Out Research Hook)AustinAustin0:10

Notes

Credits and personnel

Credits adapted from the liner notes of The Boy Is Mine. [1]

Charts

Weekly chart performance for "Street Symphony"
Chart (1999)Peak
position
US Bubbling Under Hot 100 Singles ( Billboard ) [4] 20
US Hot R&B/Hip-Hop Songs ( Billboard ) [5] 50
US Rhythmic ( Billboard ) [6] 27

Release history

Release dates and formats for "Street Symphony"
RegionDateFormatLabelRef.
United StatesMay 31, 1999 Urban radio Arista [7]
June 15, 1999 Rhythmic contemporary radio [8]
July 12, 1999 Contemporary hit radio [9]

Related Research Articles

<span class="mw-page-title-main">41st Annual Grammy Awards</span> Award ceremony

The 41st Annual Grammy Awards were held on February 24, 1999, at Shrine Auditorium, Los Angeles. They recognized accomplishments by musicians from the year 1998. Lauryn Hill received the most nominations with 10, setting a record for the most nominations for female artist in one night. During the ceremony, Hill became the first woman to receive 5 Grammy Awards in a single night, and the first woman rapper to take home Best New Artist. Her album The Miseducation of Lauryn Hill became the first hip hop album to win the award for Album of the Year. Hill's Grammys sweep is widely considered as one of the biggest moments in hip hop history.

<span class="mw-page-title-main">Monica (singer)</span> American singer and actress (born 1980)

Monica Denise Arnold is an American singer, rapper and actress. Born and raised in College Park, Georgia, she began performing as a child and became part of a traveling gospel choir at the age of ten. Monica signed with record producer Dallas Austin through his label Rowdy Records in 1993, and gained prominence following the release of her debut studio album, Miss Thang (1995). Her follow up releases were met with further commercial success; her second, The Boy Is Mine (1998) remains her best-selling album and spawned three singles that peaked atop the Billboard Hot 100: "The Boy Is Mine", "The First Night", "Angel of Mine".

<span class="mw-page-title-main">Oh (Ciara song)</span> 2005 song by Ciara

"Oh" is a song by American singer, Ciara who wrote the song with Ludacris, Andre Harris, and Vidal Davis. "Oh" was produced by Harris and Davis, who work as Dre & Vidal. The song was released on March 1, 2005, as the third single from her debut album, Goodies. The downtempo R&B song features hip-hop elements and a heavy bassline, and can be seen as an anthem to her hometown, Atlanta, Georgia. Ciara sings about the many things the city has to offer, while Ludacris raps the third verse.

<span class="mw-page-title-main">The Boy Is Mine (song)</span> 1998 duet single by Brandy and Monica

"The Boy Is Mine" is a duet by American singers Brandy and Monica. It was written by LaShawn Daniels, Japhe Tejeda, Fred Jerkins III, Rodney "Darkchild" Jerkins, and Brandy, while production was helmed by Jerkins, Brandy, and Dallas Austin. It was released as the lead single from both singers' second albums from 1998, Never Say Never by Brandy and the album of the same name by Monica. Inspired by Michael Jackson and Paul McCartney's 1982 duet "The Girl Is Mine", the lyrics of the mid-tempo R&B track revolve around two women fighting over a man.

<span class="mw-page-title-main">Angel of Mine</span> 1997 single by Eternal

"Angel of Mine" is a song by British R&B girl group Eternal from their first compilation album, Greatest Hits (1997). It was written by Rhett Lawrence and Travon Potts, produced by Lawrence, and released on 29 September 1997. The song became Eternal's 12th and final top-10 hit on the UK Singles Chart, peaking at number four. "Angel of Mine" was the ensemble's final single as a three-piece, as after its release, Kéllé Bryan left the group. In June 2019, "Angel of Mine" was ranked at number 91 on the Official Charts Company's "Top 100 Girl Band Singles of the Last 25 Years".

<span class="mw-page-title-main">U Should've Known Better</span> 2004 single by Monica

"U Should've Known Better" is a song by American recording artist Monica. It was written in collaboration with Harold Lilly and Jermaine Dupri, and produced by the latter along with frequent co-producer Bryan Michael Cox for her original third studio album, All Eyez on Me (2002). When the album was shelved for release outside Japan, the song was one out of five original records that were transferred into its new version, After the Storm (2003). A contemporary R&B slow jam, "U Should've Known Better" contains elements of soul music and rock music. Built on an pulsating backbeat, the song's instrumentation consists of screeching guitars and an understated harp pattern. Lyrically, Monica, as the protagonist, delivers a message of loyalty to her imprisoned love interest and sings about staying down for him despite his doubts.

<span class="mw-page-title-main">The First Night</span> 1998 single by Monica

"The First Night" is a song by American singer Monica for her second studio album, The Boy Is Mine (1998). It was written by Tamara Savage and Jermaine Dupri, featuring production and additional vocals from the latter. Built around a sample of Diana Ross's 1976 recording "Love Hangover", penned by Marilyn McLeod and Pam Sawyer, who share co-writing credits, the song is about the protagonist's battle with sexual temptations on the night of her first date, despite her conflicting emotions and strong sexual desires.

<i>Miss Thang</i> 1995 studio album by Monica

Miss Thang is the debut studio album by American R&B recording artist Monica. It was released by Rowdy Records and distributed through the Arista label on July 18, 1995, in the United States. Recorded throughout her early teenage years, the album was conceived under the guidance of Rowdy head Dallas Austin who would emerge as a tutor and father figure to Monica and serve as Miss Thang's sole executive producer. Austin recruited protégés from his DARP production camp such as Tim & Bob, Arnold Hennings, and Colin Wolfe as well as Daryl Simmons, and Soulshock & Karlin to work on the album. It incorporates a wide range of contemporary genres such as soul, pop, hip hop and blues.

<span class="mw-page-title-main">For You I Will (Monica song)</span> 1997 single by Monica

"For You I Will" is a song by American singer Monica. It was written by Diane Warren and produced by David Foster, and recorded for the soundtrack of the live-action/animated sports comedy film Space Jam (1996), directed by Joe Pytka and starring basketball player Michael Jordan. One out of several songs from the album to be released as a single, it was issued in February 25, 1997 by Atlantic Records and Rowdy Records. A downtempo pop and R&B ballad, the song's lyrics involve the singer pledging love and devotion and promising to help an unnamed "you" overcome any difficulty, regardless of the magnitude.

<span class="mw-page-title-main">Right Here Waiting</span> 1989 song recorded by Richard Marx

"Right Here Waiting" is a song by American singer and songwriter Richard Marx. It was released on June 29, 1989, as the second single from his second album, Repeat Offender (1989). The song was a global hit, topping charts in many countries around the world, including Australia, Canada, Ireland, New Zealand, and the United States where it reached number one on the Billboard Hot 100. The same year, it was certified platinum by the Recording Industry Association of America (RIAA). It was the UK's most streamed love song on Spotify ahead of Valentine's Day in 2013 and has since been covered by many artists, including R&B singer Monica.

<span class="mw-page-title-main">Everytime tha Beat Drop</span> 2006 single by Monica featuring Dem Franchize Boyz

"Everytime tha Beat Drop" is a song by American recording artist Monica from her fifth studio album The Makings of Me (2006). It was written by Johnta Austin, Jermaine Dupri, Robert Hill, Charles Hammond, Deangelo Hunt, James Phillips, and rap group Dem Franchize Boyz, while production was hemled by Dupri, with additional credits by LRoc. Musically, the downbeat uptempo track was greatly influenced by crunk and snap music, incorporating beats of rapper Nelly's 2005 song "Grillz" and containing a vocal sample of Dem Franchize Boyz' "Lean wit It, Rock wit It" (2006).

<span class="mw-page-title-main">Why I Love You So Much</span> 1996 single by Monica

"Why I Love You So Much" is a song by American R&B singer Monica. It was written and produced by Daryl Simmons and recorded for her debut studio album, Miss Thang (1995). A downtempo love song about a partner hitting all the right notes, the tender R&B ballad has Moncia singing over a warm bass and soaring keyboard chords. "Why I Love You So Much" was released as the album's fourth and final single on a double A-side with "Ain't Nobody" during the second quarter of 1996.

<span class="mw-page-title-main">Before You Walk Out of My Life</span> 1995 single by Monica

"Before You Walk Out of My Life" is a song by American R&B singer Monica. It was written by Andrea Martin, Carsten Schack, and Kenneth Karlin, with production helmed by Schack and Karlin under their production moniker Soulshock & Karlin. Initially helmed for fellow R&B singer Toni Braxton's Secrets (1996) album, it was left unused and later re-recorded by Monica for her debut album Miss Thang (1995). Built around drum machine-backed rhythms and a saxophone-laced beat, the mid-tempo R&B ballad was released as the album's second single on August 3, 1995, with "Like This and Like That" serving as its other half on a double A-side stateside. It is considered to be one of her signature songs.

<span class="mw-page-title-main">A Dozen Roses (You Remind Me)</span> 2006 single by Monica

"A Dozen Roses (You Remind Me)" is a song by American singer Monica taken from her fifth studio album The Makings of Me (2006). It was written by rapper-producer Missy Elliott and Corte Ellis, with production helmed by the former along with David "Davey Boy" Lindsey and Cliff Jones. Similar to songs that Monica used to record with Elliott for her previous album, After the Storm (2003), the mid-tempo love song draws from the genres from R&B, hip hop, neo soul, as well as quiet storm and contains elements of 1960s Motown soul music. Built around a sample of the 1972 recording "The Makings of You" as written and performed by Curtis Mayfield, its lyrics detail a woman's admiration for a man.

<span class="mw-page-title-main">Don't Take It Personal (Just One of Dem Days)</span> 1995 single by Monica

"Don't Take It Personal (Just One of Dem Days)" is a song by American singer Monica. It was written by Dallas Austin, Derrick Simmons, and Recall Management for her debut album, Miss Thang (1995), while production was helmed by the former. The song contains a sample from "Back Seat (Of My Jeep)" (1993) by American rapper LL Cool J, which itself samples elements from the song "You're Gettin' a Little Too Smart" (1973), written by Abrim Tilmon and recorded by R&B vocal group The Detroit Emeralds. Due to the inclusion of the samples, several other writers are credited as songwriters.

<span class="mw-page-title-main">Monica discography</span>

American R&B singer Monica has released 8 studio albums, one extended play, and 48 singles. Since the beginning of her career in 1995, she has sold 5.3 million albums in the United States, In 1999, Billboard included her among the top twenty of the Top Pop Artists of the 1990s, and in 2010, the magazine ranked her 24th on its list of the Top 50 R&B and Hip Hop Artists of the past 25 years. With a career lasting over 20 years, Monica became the first artist to top the US Billboard Hot R&B/Hip-Hop Songs chart in the 1990s, 2000s, and 2010s.

<span class="mw-page-title-main">This Woman's Work</span> 1989 single by Kate Bush

"This Woman's Work" is a song written and performed by the British singer Kate Bush. It was initially featured on the soundtrack of the American film She's Having a Baby (1988). The song was released as the second single from her album The Sensual World in 1989 and peaked at 25 in the UK Singles Chart.

<span class="mw-page-title-main">All Eyez on Me (Monica song)</span> 2002 single by Monica

"All Eyez on Me" is a song by American singer Monica. It was written in collaboration with Rodney "Darkchild" Jerkins and LaShawn Daniels for her original third studio album of the same name, while production was helmed by the former. The song incorporates excerpts of "P.Y.T. " (1983) by American singer Michael Jackson. Due to the inclusion of the sample, Quincy Jones and James Ingram are also credited as songwriters. A lighthearted party jam that is built on a danceable groove, "All Eyez on Me" talks about self-confidence.

<span class="mw-page-title-main">It All Belongs to Me</span> 2012 single by Monica and Brandy

"It All Belongs to Me" is a duet by American recording artists Monica and Brandy. Written and produced by Rico Love, Earl Hood, and Eric Goudy II, the track belonged to singer R. Kelly. He then gave the song to Monica and the label presented the song to Brandy, who expressed her wish to record a duet. After Clive Davis authorized it, they went to a recording studio located in Miami, Florida to record the track. Three different versions were made, with one being released as the official lead single from Monica's seventh studio album New Life on February 10, 2012, through RCA Records. It is the first time Monica and Brandy worked together since they collaborated on "The Boy Is Mine" (1998).

<i>The Boy Is Mine</i> (album) 1998 studio album by Monica

The Boy Is Mine is the second studio album by American R&B singer Monica. It was released by Arista Records on July 14, 1998, in the United States. The album deviated from the formula of her debut Miss Thang (1995) as she had more creative control over the material she recorded; a step that she considered a "natural progression". On the record, Monica worked with a variety of producers and writers from different genres such as gospel, R&B, and hip hop, including frequent collaborators Dallas Austin, Colin Wolfe, and Daryl Simmons. Additional producers included David Foster, Diane Warren, Jermaine Dupri, and Rodney Jerkins and his Darkchild crew, some of which would become household names on subsequent albums.

References

  1. 1 2 3 The Boy Is Mine (Media notes). Monica. Arista Records. 1998.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  2. Taylor, Chuck (July 10, 1998). "Reviews & Previews: Singles". Billboard . Retrieved December 27, 2020.
  3. Lewis, Tyler (December 1, 2010). "Monica: Still Standing". PopMatters . Retrieved December 27, 2020.
  4. "Monica Chart History (Bubbling Under Hot 100)". Billboard. Retrieved May 18, 2020.
  5. "Monica Chart History (Hot R&B/Hip-Hop Songs)". Billboard. Retrieved May 23, 2011.
  6. "Monica Chart History (Rhythmic)". Billboard. Retrieved November 30, 2017.
  7. "AddVance Notice". Radio & Records . No. 1301. May 28, 1999. p. 75.
  8. "Gavin Top 40/Rhythm: Impact Dates". Gavin Report . No. 2259. June 14, 1999. p. 16.
  9. "Gavin Top 40/Rhythm: Impact Dates". Gavin Report . No. 2263. July 12, 1999. p. 13.