Miss Thang | ||||
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Studio album by | ||||
Released | July 18, 1995 | |||
Recorded | 1993–1995 [1] | |||
Genre | R&B [2] | |||
Length | 69:33 | |||
Label | ||||
Producer |
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Monica chronology | ||||
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Singles from Miss Thang | ||||
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Miss Thang is the debut studio album by American R&B recording artist Monica. It was released by Rowdy Records and distributed through the Arista label on July 18, 1995, in the United States. Recorded throughout her early teenage years, the album was conceived under the guidance of Rowdy head Dallas Austin who would emerge as a tutor and father figure to Monica and serve as Miss Thang's sole executive producer. Austin recruited protégés from his DARP production camp such as Tim & Bob, Arnold Hennings, and Colin Wolfe as well as Daryl Simmons, and Soulshock & Karlin to work on the album. It incorporates a wide range of contemporary genres such as soul, pop, hip hop and blues.
Upon release, Miss Thang received generally mixed to positive reviews from music critics, who complimented Monica's versatility and mature sound appearance, as well as the album's eclectic number of songs. A steady seller, the album became a commercial success as well. It debuted and peaked at number 36 of the Billboard 200 and reached the top ten on the Top R&B/Hip-Hop Albums in the United States, where it was certified three-times Platinum by the Recording Industry Association of America (RIAA) and sold over 1.5 million copies. [3] Internationally, it earned Gold status in Canada, where it reached number 20 on RPM 's Top Albums/CDs chart, [4] and peaked at number nine on the New Zealand Albums Chart, her highest peak as of 2018. [5]
Four singles were released from the album, including debut single "Don't Take It Personal (Just One of Dem Days)" and follow-up "Before You Walk Out of My Life", both of which made Monica the youngest artist ever to have two consecutive chart-topping hits on the Billboard Hot R&B Singles chart and became top ten hits in New Zealand. [6] With her further two singles, "Like This and Like That" and "Why I Love You So Much" also reaching the top three on the Hot R&B Songs, Monica, along with fellow teen singers Aaliyah and Brandy, established herself as one of the most successful R&B female vocalists to emerge during the mid-to late 1990s. It also earned her four Soul Train Music Awards nods as well as American Music Award and Billboard Music Award nominations each.
In 1992, after winning a series of local talent contests, Monica was introduced to music producer Dallas Austin. Impressed by her voice and persona after hearing her perform Whitney Houston's 1986 hit single "Greatest Love of All", Austin offered her a record deal with his Arista-distributed label Rowdy Records at the age of 12. [1] A teacher and growing father figure, Austin became instrumental in tutoring the young singer, while executive producing her debut album under the Rowdy roster. [7] A breakaway from regular teenage life, he would often pick her up after school and whisk her off to a music studio most evenings. [7] Austin also consulted Flavor Unit, owned rapper Queen Latifah, to serve as Monica's management and arranged recording sessions with his in-house protégés Arnold Hennings, Tim & Bob, and Colin Wolfe for her debut. [8] In addition, Carsten Schack and Kenneth Karlin from Danish production duo Soulshock & Karlin would hand in their yet-unreleased song "Before You Walk Out of My Life", a leftover from Toni Braxton's second studio album Secrets (1996), for Monica to record. [9]
With much of the album being recorded during her years of 1993 and 1995, her teenage years, Monica has described the period as hard work: "It was more from the stress I put on myself than it was pressure from others," she said. "There were so many young artists releasing records, and I wanted to stand out. I was a regular female growing up in the inner city, and I wanted to be who I was." [1] Throughout the recording process, Arnold ensured the album's music and lyrical content reflected her persona. As a result, she vetoed some of the songs selected for the album. "I was very assertive in making sure the album was really me," she said in an interview with Billboard . "How can you show your feeling in a song when it's about something you don't know about?" [10] Commenting on the album title, Monica later elaborated: “Dallas [Austin] would bring producers in the studio to play records for me and I’d be quick to say ‘No’ if I didn’t feel it. I knew who I was and what I wanted to say. That’s where Miss Thang came from. He’d say, ‘Miss Thang don’t like it!’." [11]
Review scores | |
---|---|
Source | Rating |
AllMusic | [12] |
The Los Angeles Times | [13] |
NME | 4/10 [14] |
The Rolling Stone Album Guide | [15] |
Miss Thang received generally mixed to positive reviews from music critics. In his review for Allmusic, editor Craig Lytle rated the album three out of five stars and wrote that "the album focuses on hip-hop and contemporary urban cuts, including a pair of R&B chart-toppers." He felt that "in spite of her youthful age, Monica conveys a surprisingly mature sound." [12] Billboard complimented the album for its "strong, today-styled hip-hop and R&B melodies" and Monica's singing versatility. The magazine noted that the "clever production maintains set's overall high energy, while remaining secondary to singer's vocals – creating a youthful, but eclectic 16 tracks." [16]
The Los Angeles Times writer Connie Johnson wrote that "fourteen-year-old Monica is the best teen singer to come along since, well, Brandy. While "Don't Take It Personal," an urban radio staple, only hints at her abilities, she tackles Latimore's old-school classic "Let's Straighten It Out" with all the clear-eyed assertiveness of an R&B veteran. Miss Thang indeed." [13] Alan Jones from Music Week said it was a "strong album of Jill swing and soulful ballads which belie the 14-year-old's youth". He also felt that she sings "confidently and competently against a contemporary urban music soundscape provided by some of the genre's top musicians". [17] The New York Times's Kevin Sack found that "producer Dallas Austin injected this debut album with plenty of attitude." [18] Christian Hoard, writing for The Rolling Stone Album Guide , called Miss Thang "an assured, streetwise amalgam of soul, pop, hip-hop, and blues". While he found praise for the up-tempo songs on the album, Hoard was less impressed with "the record's many soppy, MOR ballads" such as "Before You Walk Out of My Life". [15] In November 2017, Complex magazine ranked the album 23rd on its The 50 Best R&B Albums of the '90s listing. In his retrospective review, editor Justin Charity wrote that "at 15, Monica dropped a debut that's as tender-loving and mature as her R&B elders; though she's less funky than Janet Jackson, Monica stepped correct with New Jack confidence on Miss Thang." [2]
The album was supported by four singles. Debut single "Don't Take It Personal (Just One of Dem Days)" reached number two on the US Billboard Hot 100 and became a top ten hot in Austria and New Zealand, where it ranks among Monica's highest-charting singles. [5] Follow-up "Before You Walk Out of My Life," released on a double-A-side with "Like This and Like That" became a top ten hit in the US and, along with "Don't Take It Personal" made Monica, at the age of 14, the youngest recording artist to have two consecutive number-one hits on Billboard's Hot R&B Songs. [19] Ballad "Why I Love You So Much," released together with "Ain't Nobody," a collaboration with Treach from American hip hop trio Naughty by Nature, recorded for the soundtrack of the 1996 motion picture The Nutty Professor , became another top ten entry in the year of 1996. [5]
Miss Thang debuted and peaked at number 36 on the US Billboard 200 with first week sales of 31,500 units sold. [20] [21] For the week ending on August 5, 1995, the album entered the Top R&B/Hip-Hop Albums chart at number 9. [22] 25 weeks after it debuted it reached its peak at number 7 for the week ending on January 20, 1996. [23] Towards the end of 1995 and 1996, Billboard ranked the album at number 65 and 22 respectively on its Top R&B/Hip-Hop Albums year-end chart. [24] [25] In January 2000, the album was certified triple platinum by the Recording Industry Association of America (RIAA) for shipments of 3 million copies. [26] By March 2002, Miss Thang sold 1.35 million copies in the United States, [27] In April 2012, Billboard reported that 1.5 million copies of the album had been sold by then. [3]
In Canada, the album debuted on RPM 's Top Albums/CDs chart at number 88, during the week ending on August 21, 1995. [28] In its 5th week on the chart the album reached its peak at number 20, during the week of September 18, 1995. [29] Overall, the album had spent a total of 23 consecutive weeks on the Top Albums/CDs chart. [30] For shipments in excess of 50,000 copies, it earned a gold certification from Music Canada on April 12, 1996. [4] Elsewhere, Miss Thang peaked at number 42 on the Dutch MegaCharts and number nine on the New Zealand Albums Chart, Monica's highest peak on the latter chart as of 2018. In addition, it reached number 24 on the UK R&B Albums chart, according to the Official Charts Company (OCC). [31]
No. | Title | Writer(s) | Producer(s) | Length |
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1. | "Miss Thang" | Dallas Austin | Austin | 3:52 |
2. | "Don't Take It Personal (Just One of Dem Days)" |
| Austin | 4:18 |
3. | "Like This and Like That" (featuring Mr. Malik) |
|
| 4:41 |
4. | "Get Down" | Tim & Bob | 4:22 | |
5. | "With You" |
| Tim & Bob | 4:50 |
6. | "Skate" |
| Wolfe | 4:26 |
7. | "Angel" | Arnold Hennings | Hennings | 4:44 |
8. | "Woman in Me (Interlude)" |
| Tim & Bob | 1:36 |
9. | "Tell Me If You Still Care" |
| 4:45 | |
10. | "Let's Straighten It Out" (featuring Usher) |
| Austin | 4:25 |
11. | "Before You Walk Out of My Life" | Soulshock & Karlin | 4:53 | |
12. | "Now I'm Gone" |
| Tim & Bob | 4:39 |
13. | "Why I Love You So Much" | Daryl Simmons | Simmons | 4:30 |
14. | "Never Can Say Goodbye" | Hennings | Hennings | 5:02 |
15. | "Don't Take It Personal (Just One of Dem Days)" (Remix) |
| Austin | 3:50 |
16. | "Forever Always" | Hennings | Hennings | 4:40 |
Total length: | 69:33 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
17. | "In Time" |
| Tim & Bob | 4:35 |
Notes
Sample credits
Credits for the liner notes adapted from Miss Thang. [32]
Instruments and performances
Technical and production
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Canada (Music Canada) [42] | Gold | 50,000^ |
United States (RIAA) [43] | 3× Platinum | 1,500,000 [3] |
^ Shipments figures based on certification alone. |
Monica Denise Arnold is an American singer, songwriter, and actress. Born and raised in College Park, Georgia, she began performing as a child and joined a traveling gospel choir by the age of ten. Monica signed with record producer Dallas Austin through his label Rowdy Records in 1993, and gained prominence following the release of her debut studio album, Miss Thang (1995). Her follow up releases were met with further commercial success; her second, The Boy Is Mine (1998) remains her best-selling album and spawned three Billboard Hot 100-number one singles: "The Boy Is Mine", "The First Night" and "Angel of Mine".
Jermaine Dupri Mauldin is an American record producer, rapper, singer, songwriter, DJ, record executive. Raised in Atlanta as the son of Columbia Records executive Michael Mauldin, he began his career in music production at the age of nine. He discovered the teen hip hop duo Kris Kross in 1991. Dupri wrote and produced their breakout 1992 single "Jump," which peaked atop the Billboard Hot 100 and was named the 23rd most successful song of that decade. He established his own record label, So So Def Recordings in a joint venture with Columbia the following year.
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"The First Night" is a song by American singer Monica for her second studio album, The Boy Is Mine (1998). It was written by Tamara Savage and Jermaine Dupri, featuring production and additional vocals from the latter. Built around a sample of Diana Ross's 1976 recording "Love Hangover", penned by Marilyn McLeod and Pam Sawyer, who share co-writing credits, the song is about the protagonist's battle with sexual temptations on the night of her first date, despite her conflicting emotions and strong sexual desires.
"For You I Will" is a song by American singer Monica. It was written by Diane Warren and produced by David Foster, and recorded for the soundtrack of the live-action/animated sports comedy film Space Jam (1996), directed by Joe Pytka and starring basketball player Michael Jordan. One out of several songs from the album to be released as a single, it was issued in February 25, 1997 by Atlantic Records and Rowdy Records. A downtempo pop and R&B ballad, the song's lyrics involve the singer pledging love and devotion and promising to help an unnamed "you" overcome any difficulty, regardless of the magnitude.
"Why I Love You So Much" is a song by American R&B singer Monica. It was written and produced by Daryl Simmons and recorded for her debut studio album, Miss Thang (1995). A downtempo love song about a partner hitting all the right notes, the tender R&B ballad has Moncia singing over a warm bass and soaring keyboard chords. "Why I Love You So Much" was released as the album's fourth and final single on a double A-side with "Ain't Nobody" during the second quarter of 1996.
"Before You Walk Out of My Life" is a song by American R&B singer Monica. It was written by Andrea Martin, Carsten Schack, and Kenneth Karlin, with production helmed by Schack and Karlin under their production moniker Soulshock & Karlin. Initially helmed for fellow R&B singer Toni Braxton's Secrets (1996) album, it was left unused and later re-recorded by Monica for her debut album Miss Thang (1995). Built around drum machine-backed rhythms and a saxophone-laced beat, the mid-tempo R&B ballad was released as the album's second single on August 3, 1995, with "Like This and Like That" serving as its other half on a double A-side stateside. It is considered to be one of her signature songs.
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Fled is the original soundtrack album to Kevin Hooks's 1996 buddy action comedy film Fled. It was released on July 15, 1996, through Rowdy/Arista Records and consists mainly of R&B and hip hop music. Recording sessions took place at DARP Studios, Doppler Studios, 360 Studios, Inc. and Digital Edge Studios in Atlanta, Riversound in Lithonia, and Onyx Studios in West Hollywood. Production was handled by Colin Wolfe, Fishbone, Lou, Mr. Collipark, Organized Noize, Rick Sheppard, Ron Spearman, Tony Rich, T. Smith, and Dallas Austin, who also served as executive producer. It features contributions from Big Rube, DJ Kizzy Rock, Fishbone, For Real, God's Gift to God, Goodie Mob, Joi, Lou, Monica, Royal C, T-Boz, Tony Rich and T. Smith. The album peaked at number 60 on the Billboard Top R&B/Hip-Hop Albums chart. Its single "Touch Myself" made it to No. 40 on the Billboard Hot 100 and No. 23 on the Hot R&B/Hip-Hop Songs.
The Boy Is Mine is the second studio album by American R&B singer Monica. It was released by Arista Records on July 14, 1998, in the United States. The album deviated from the formula of her debut Miss Thang (1995) as she had more creative control over the material she recorded; a step that she considered a "natural progression". On the record, Monica worked with a variety of producers and writers from different genres such as gospel, R&B, and hip hop, including frequent collaborators Dallas Austin, Colin Wolfe, and Daryl Simmons. Additional producers included David Foster, Diane Warren, Jermaine Dupri, and Rodney Jerkins and his Darkchild crew, some of which would become household names on subsequent albums.
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