| Stretchin' Out | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1964 | |||
| Recorded | September 24, 1963 and July 19, 1964 | |||
| Studio | Pacific Jazz Studios, Hollywood, CA | |||
| Genre | Jazz | |||
| Length | 40:09 | |||
| Label | Pacific Jazz PJ 83 | |||
| Producer | Richard Bock | |||
| The Jazz Crusaders chronology | ||||
| ||||
Stretchin' Out is the seventh album by The Jazz Crusaders recorded in 1964 (with one track from 1963) and released on the Pacific Jazz label. [1] [2]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [3] |
The Crusaders were an American jazz group that were successful from the 1960s to the 1990s. The group were known as the Jazz Crusaders from their formation in 1960 until shortening their name in 1971. The Crusaders were comfortable playing a wide assortment of genres, from straight ahead jazz, to urban R&B, to R&B-based jazz, to even blues. The band reached a commercial apex in 1979 with their hit single "Street Life", featuring lead vocals by Randy Crawford, and their accompanying album of the same name.
Street Life is a studio album by the American jazz band The Crusaders. It was a top 20 album on three Billboard charts and represents the peak of the band's commercial popularity. The title track, featuring singer Randy Crawford, was a Top 40 pop single and became the group's most successful entry on the soul chart. It was No. 5 on the UK Singles Chart. "Street Life" also hit the disco chart, peaking at No. 75, and was re-recorded by Doc Severinsen with Crawford reprising her vocal for the opening sequence of the noir crime drama Sharky's Machine, directed by Burt Reynolds in 1981. This faster paced version was also featured in Quentin Tarantino's Jackie Brown, released in 1997.
Wilton Lewis Felder was an American saxophone and bass player, and is best known as a founding member of the Jazz Crusaders, later known as The Crusaders. Felder played bass on the Jackson 5's hits "I Want You Back" and "ABC" and on Marvin Gaye's "Let's Get It On".
Chain Reaction is a 1975 album by jazz-fusion band The Crusaders.
Southern Comfort is a 1974 album by jazz fusion band The Crusaders.
Powerhouse is a 1969 album by The Jazz Crusaders. It was their fourteenth album produced by Richard Bock for World Pacific Jazz Records. It was the first album in which Joe Sample played on the Fender Rhodes and according to Thom Jurek in his AllMusic review, would mark a turning point for the band.
Jazz Waltz is an album by pianist Les McCann with the Jazz Crusaders recorded in 1963 and released on the Pacific Jazz label.
Freedom Sound is the debut album by The Jazz Crusaders recorded in 1961 and released on the Pacific Jazz label.
The Jazz Crusaders at the Lighthouse is a live album by The Jazz Crusaders recorded in 1962 and released on the Pacific Jazz label.
Lookin' Ahead is the second album by The Jazz Crusaders recorded in 1962 and released on the Pacific Jazz label.
Tough Talk is the fourth album by The Jazz Crusaders recorded in 1963 and released on the Pacific Jazz label.
Heat Wave is the fifth album by The Jazz Crusaders recorded in 1963 and released on the Pacific Jazz label.
The Thing is the eighth album by The Jazz Crusaders recorded in 1965 and released on the Pacific Jazz label.
Chile Con Soul, recorded in 1965 and released on the Pacific Jazz label, is the ninth album by The Jazz Crusaders.
Live at the Lighthouse '66 is a live album by The Jazz Crusaders recorded in 1966 and released on the Pacific Jazz label.
Talk That Talk is the ninth album by The Jazz Crusaders recorded in 1965 and released on the Pacific Jazz label.
Uh Huh is the ninth studio album by The Jazz Crusaders recorded in 1967 and released on the Pacific Jazz label.
Lighthouse '68 is a live album by The Jazz Crusaders recorded in 1967 and released on the Pacific Jazz label.
Lighthouse '69 is a live album by The Jazz Crusaders recorded in 1969 and released on the Pacific Jazz label.
The Festival Album is a live album by The Jazz Crusaders recorded in 1966 at Newport Jazz Festival in Rhode Island and Pacific Jazz Festival in California. It was released on the Pacific Jazz label that same year.
