Free as the Wind | ||||
---|---|---|---|---|
Studio album by | ||||
Released | December 1976 | |||
Studio | Hollywood Sound Recorders, Los Angeles, California | |||
Genre | ||||
Length | 42:49 | |||
Label | MCA | |||
Producer | Stewart Levine, The Crusaders | |||
The Crusaders chronology | ||||
|
Free as the Wind is a studio album by The Crusaders issued in December 1976 on MCA Records. [1] The album reached No. 8 on the Billboard Top Soul Albums chart. [2]
Review scores | |
---|---|
Source | Rating |
AllMusic | [3] |
Richard S. Ginell of AllMusic, where it received four stars out of five, wrote "When the material is this good, everything falls into place from there; the grooves are deeper, the soloing by all five Crusaders is more melodic and probing, and while Sample provides a few brass and string arrangements, this is just harmless decoration, neither a necessity nor a hindrance. This would be the Crusaders' high-water mark in the post-Wayne Henderson years, and it can stand tall with anything they've done." [3]
Adapted from album's text. [1]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Free as the Wind" | Joe Sample | 6:17 |
2. | "I Felt the Love" | Stix Hooper | 5:10 |
3. | "The Way We Was" | Robert Popwell | 5:24 |
4. | "Nite Crawler" | Larry Carlton | 4:45 |
5. | "Feel It" | Stix Hooper, Lamont Dozier, Larry Carlton, Robert Popwell, Wilton Felder | 4:15 |
6. | "Sweet N' Sour" | Joe Sample | 8:57 |
7. | "River Rat" | Wilton Felder | 2:29 |
8. | "It Happens Everyday" | Joe Sample | 5:40 |
Adapted from album's text. [1]
Chart | Peak position |
---|---|
US Billboard Top LPs & Tape [4] | 41 |
US Top Soul LPs ( Billboard ) [2] | 9 |
The Crusaders were an American jazz/jazz fusion group performing from the 1960s to the 2010s. The group was known as the Jazz Crusaders from their formation in 1960 until shortening their name in 1971. The Crusaders played a wide assortment of genres, including straight ahead jazz, urban R&B, R&B-based jazz, and the blues. The band reached a commercial apex in 1979 with their hit single "Street Life", featuring lead vocals by Randy Crawford, and their accompanying album of the same name.
Gratitude is a double live album by American band Earth, Wind & Fire, issued in November 1975 by Columbia Records. The album spent six weeks atop the Billboard Top Soul Albums chart and three weeks atop the Billboard 200 chart. Gratitude has also been certified Triple Platinum in the US by the RIAA.
Illuminations is a 1974 collaboration between Alice Coltrane and Carlos Santana. Saxophonist/flautist Jules Broussard, keyboardist Tom Coster, drummer Jack DeJohnette, percussionist Armando Peraza and bassist Dave Holland also contributed to the album.
The Divine Miss M is the debut studio album by American singer and actress Bette Midler, released in 1972 on the Atlantic Records label. The title of the album refers to Midler's famous stage persona. The album was co-produced by Barry Manilow, and includes several songs that since have become repertoire standards, such as "Do You Want to Dance?", "Chapel of Love", "Hello In There", "Friends" and "Boogie Woogie Bugle Boy". The album art was designed by Richard Amsel. It was released on CD for the first time in 1990. A remastered version of the album was released by Atlantic Records/Warner Music in 1995. A remastered deluxe edition was released in October 2016.
Songs for the New Depression is the third studio album by the American singer Bette Midler, released in early 1976 on the Atlantic Records label. The album was released on CD for the first time in 1990. A remastered version of the album was released by Atlantic Records/Warner Music in 1995. A limited edition remastered version of the album was released by Friday Music in 2014.
Street Life is a studio album by the American jazz band the Crusaders. It was a top 20 album on three Billboard charts and represents the peak of the band's commercial popularity. The title track, featuring singer Randy Crawford, was a Top 40 pop single and became the group's most successful entry on the soul chart. It was No. 5 on the UK Singles Chart. "Street Life" also hit the disco chart, peaking at No. 75, and was re-recorded by Doc Severinsen with Crawford reprising her vocal for the opening sequence of the noir crime drama Sharky's Machine, directed by Burt Reynolds in 1981. This faster paced version was also featured in Quentin Tarantino's Jackie Brown, released in 1997.
Wave is the fifth studio album by Brazilian jazz musician Antônio Carlos Jobim, released in 1967 on A&M Records. Recorded in the US with mostly American musicians, it peaked at number 114 on the Billboard 200 chart, as well as number 5 on the Jazz Albums chart.
Making a Good Thing Better is the ninth studio album by British-Australian singer Olivia Newton-John, released in June 1977.
Hot August Night is a 1972 live double album by Neil Diamond. The album is a recording of a Diamond concert on August 24, 1972, one of ten sold-out concerts that Diamond performed that month at The Greek Theatre in Los Angeles. This also marks the first album released by the newly formed MCA Records.
Breezin' is the fifteenth studio album by jazz/soul guitarist and vocalist George Benson. It is his debut on Warner Bros. Records. It not only was a chart-topper in the Jazz category but also went to #1 on the pop and R&B charts. It was certified triple platinum, making it one of the best-selling jazz albums of all time.
Those Southern Knights is a 1976 studio album by The Crusaders. It peaked at number 38 on the Billboard Top LPs chart, as well as number 9 on the Soul LPs chart and number 2 on the Top Jazz LPs chart.
Royal Jam is a live recording by the jazz-funk band The Crusaders with B.B. King, Josie James and the Royal Philharmonic Orchestra. The album was recorded at London's Royal Festival Hall.
Individual Choice is an album by French jazz fusion violinist Jean-Luc Ponty that was released in 1983.
Qué Alegría is an album by the John McLaughlin Trio, featuring percussionist Trilok Gurtu and bass guitarist Dominique Di Piazza. Di Piazza is replaced by Kai Eckhardt on two tracks. It was released on the Verve label in 1992. The album reached 1992 number 5 in the Billboard Top Contemporary Jazz Albums chart.
Friendship is a studio album by American singer and pianist Ray Charles. It was produced by Billy Sherrill and released in August 1984 by Columbia Records and Epic Records. The album peaked at number 1 on the Billboard Top Country Albums chart.
Oh Good Grief! is the 10th studio album by Vince Guaraldi, released in the U.S. in May 1968. The album was the artist's first release with Warner Bros.-Seven Arts after leaving Fantasy Records in 1966.
If Only for One Night is the eighth studio album by American country music singer Lee Greenwood. The album was released on May 26, 1989 as his final album for MCA Records, after this album's release, Greenwood exited MCA's roster in favor of Capitol in 1990.
The Clarke/Duke Project was the first collaborative album by American musicians Stanley Clarke and George Duke. It was released in 1981 through Epic Records. The main recording sessions took place at Studio D of Fantasy Studios in Berkeley, California with additional recording at Le Gonks West, Westlake Studios and A&M Studios in Hollywood, California.
Love...& Other Sad Stories is a studio album by American country singer-songwriter Bill Anderson. It was released in 1978 on MCA Records and was produced by Buddy Killen. The album was Anderson's 28th studio recording in his career and was among his final MCA albums. The record included the song, "I Can't Wait Any Longer". Issued as a single, it became a major country hit and minor crossover hit in 1978. It was Anderson's biggest hit single in several years and relaunched his career as a country pop vocalist. The album itself would also receive reception from writers and would chart in music publications.
Country Rap is the eleventh studio album by American country music duo The Bellamy Brothers. It was released in 1986 via MCA and Curb Records. The includes the singles "Too Much Is Not Enough", "Kids of the Baby Boom" and "Country Rap". The title track has been cited as one of the first songs to combine country music with rap music.