String Quartet No. 13 (Shostakovich)

Last updated

Dmitri Shostakovich's String Quartet No. 13 in B-flat minor, Op. 138, was first conceived in 1969, and completed in 1970 as Shostakovich was undergoing treatment at the Russian Ilizarov Scientific Center for Restorative Traumatology and Orthopaedics in Kurgan.

The work consists of one movement:

  1. Adagio — Doppio movimento — Tempo primo

Playing time is approximately 19 minutes.

The piece was dedicated to Vadim Borisovsky, violist of the Beethoven Quartet, and the viola is accordingly given a prominent role in the piece. The quartet opens with a twelve-tone theme played on the viola, and concludes with a high B♭ held first by the viola, then with the violins in unison until reaching a sforzando. The work also requires the players to tap on the bodies of their instruments with their bows at several points. [1]

Related Research Articles

<span class="mw-page-title-main">String quartet</span> Musical ensemble of four string players

The term string quartet can refer to either a type of musical composition or a group of four people who play them. Many composers from the mid-18th century onwards wrote string quartets. The associated musical ensemble consists of two violinists, a violist, and a cellist.

Dmitri Shostakovich's String Quartet No. 8 in C minor, Op. 110, was written in three days.

The Piano Quintet in G minor, Op. 57 by Dmitri Shostakovich is one of his best-known chamber works. Like most piano quintets, it is written for piano and string quartet.

<span class="mw-page-title-main">Piano Quintet (Schumann)</span> Musical composition by Robert Schumann (1842)

The Piano Quintet in E-flat major, Op. 44, by Robert Schumann was composed in 1842 and received its first public performance the following year. Noted for its "extroverted, exuberant" character, Schumann's piano quintet is considered one of his finest compositions and a major work of nineteenth-century chamber music. Composed for piano and string quartet, the work revolutionized the instrumentation and musical character of the piano quintet and established it as a quintessentially Romantic genre.

<span class="mw-page-title-main">Viola concerto</span>

A viola concerto is a concerto contrasting a viola with another body of musical instruments such as an orchestra or chamber music ensemble. Early examples of violas taking solo roles in orchestral settings include Johann Sebastian Bach's Brandenburg Concerto No. 6, scored for two solo violas, Georg Philipp Telemann's Concerto in G major, and Carl Stamitz's Viola Concerto in D major. Arguably, one of the first concertante works to use the viola without caution was Wolfgang Amadeus Mozart's Sinfonia Concertante, scored for solo violin and viola. Although not much work was written for the viola alone in the Classical or Romantic periods, with only a few example concerto-like pieces emerging such as Max Bruch's Romanze, Hector Berlioz's Harold en Italie, or Johann Nepomuk Hummel's Potpourri, the viola concerto would see significant growth from the late 1800s.

<span class="mw-page-title-main">Vissarion Shebalin</span> Soviet composer (1902–1963)

Vissarion Yakovlevich Shebalin was a Soviet composer.

E-flat major is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has three flats. Its relative minor is C minor, and its parallel minor is E minor,.

B-flat minor is a minor scale based on B, consisting of the pitches B, C, D, E, F, G, and A. Its key signature has five flats. Its relative major is D-flat major and its parallel major is B-flat major. Its enharmonic equivalent, A-sharp minor, which would contain seven sharps, is not normally used.

<span class="mw-page-title-main">Piano Trio No. 2 (Shostakovich)</span> 1944 piano trio by Dmitri Shostakovich

The Piano Trio No. 2 in E minor, Op. 67, is a piece for violin, cello and piano by the Russian composer Dmitri Shostakovich, started in late 1943 and completed in August the following year. It was premiered on 14 November 1944. The piece was dedicated to his close friend Ivan Sollertinsky, whose death in February 1944 affected Shostakovich profoundly.

Dmitri Shostakovich's String Quartet No. 1 in C major, Op. 49, was composed in six weeks during the summer of 1938. It carries no dedication. Shostakovich said that in this quartet he had "visualized childhood scenes, somewhat naïve and bright moods associated with spring."

Dmitri Shostakovich's String Quartet No. 5 in B-flat major, Op. 92, was composed in autumn 1952. It was premiered in Leningrad in November 1953 by the Beethoven Quartet, to whom it is dedicated.

Dmitri Shostakovich composed his String Quartet No. 7 in F-sharp minor, Op. 108, in 1960. He dedicated it to the memory of his first wife Nina Vassilyevna Varzar, who died in December 1954. This piece was composed in the year that would have marked her 50th birthday. This quartet was premiered in Leningrad Glinka Concert Hall by the Beethoven Quartet on May 15, 1960.

Dmitri Shostakovich's String Quartet No. 9 in E-flat major, Op. 117, was composed in 1964 and premiered by the Beethoven Quartet. The Ninth Quartet was dedicated to his third wife, Irina Antonovna Shostakovich, a young editor he married in 1962.

Dmitri Shostakovich's String Quartet No. 12 in D-flat major, Op. 133, was composed in 1968. It is dedicated to Dmitri Tsyganov, the first violinist of the Beethoven Quartet, which premiered the work in Moscow on June 14.

DSCH is a musical motif used by the composer Dmitri Shostakovich to represent himself. It is a musical cryptogram in the manner of the BACH motif, consisting of the notes D, E-flat, C, B natural, or in German musical notation D, Es, C, H, thus standing for the composer's initials in German transliteration: D. Sch..

<span class="mw-page-title-main">Octet (Mendelssohn)</span>

The String Octet in E-flat major, Op. 20, was written by the 16-year-old Felix Mendelssohn during the fall of 1825 and completed on October 15. Written for four violins, two violas, and two cellos, this work created a new chamber music genre. Conrad Wilson summarizes much of its reception ever since: "Its youthful verve, brilliance and perfection make it one of the miracles of nineteenth-century music." This was one of the first works of Mendelssohn to be very well received.

<span class="mw-page-title-main">Amar Quartet</span>

The Amar Quartet, also known as the Amar-Hindemith Quartet, was a musical ensemble founded by the composer Paul Hindemith in 1921 in Germany. The quartet was active in both classical and modern repertoire until disbanding in 1933. It performed for many European concerts, broadcasts and recordings.

William Brocklesby Wordsworth was an English composer. His works, which number over 100, were tonal and romantic in style in the widest sense and include eight symphonies and six string quartets.

<span class="mw-page-title-main">Rudolf Barshai</span> Soviet and Russian conductor and violist

Rudolf Borisovich Barshai was a Soviet and Russian conductor and violist.

Bernard Zaslav was an American viola soloist and chamber musician with an extensive recording and performance career. A founding member of The Composers Quartet in 1965, he went on to play with the Fine Arts Quartet, Vermeer Quartet, and the Stanford String Quartet. He has also performed and recorded as the Zaslav Duo with his wife, pianist Naomi Zaslav.

References

  1. "Notes on Shostakovich's String Quartets, from Saint Paul Sunday". saintpaulsunday.publicradio.org. Retrieved 2021-09-13.